Simeon Solomon

The following is established of the heading itself.

Simeon Solomon is recorded in the structured authority under the identifier Q732617. Institutional cataloguing adds that simeon Solomon is recorded with the citizenship of United Kingdom of Great Britain and Ireland.

The following works and productions are recorded by name or by count.

Wikidata Query Service catalogues 25 works under this heading. Institutional cataloguing adds that open Library catalogues 3 works under this heading. The Art Institute of Chicago catalogues 5 works under this heading. It is also recorded that wellcome Collection catalogues 2 works under this heading.

The Moon and Sleep is dated 1894 and held by Tate (inventory T01719). It is also recorded that dawn is dated 1871 and held by Birmingham Museums Trust (inventory 1909P57). Institutional cataloguing adds that fancy, Cupid and Pleasure is catalogued and held by Yale Center for British Art (inventory B2010.6.32). The same evidence establishes that the Winged And Poppied Sleep - Simeon Solomon is dated 1889 and held by Aberdeen Archives, Gallery and Museums collections (inventory ABDAG003407).

The Return of the Prodigal Son is dated 1857 and held by William Morris Gallery (inventory O96). Institutional cataloguing adds that study: Female Figure is dated 1873 and held by Manchester Art Gallery (inventory 1933.70). Aaron with the Scroll of the Law is dated 1875 and held by Southampton City Art Gallery (inventory 1379). The register further records that the Magic Crystal (Study: Male Figure) is dated 1878 and held by Manchester Art Gallery (inventory 1933.71).

The Annunciation is dated 1892 and held by Russell-Cotes Art Gallery & Museum (inventory BORGM 02734). The same evidence establishes that the Lemon Seller is catalogued and held by http://www.wikidata.org/.well-known/genid/f80281ddd7cad5326a27e558b22e5ae9. Institutional cataloguing adds that a vision of love revealed in sleep is dated 1871. It is also recorded that head is dated c. 1880 and held by The Art Institute of Chicago (inventory 2007.536).

The Haunted House is dated 1858 and held by The Art Institute of Chicago (inventory 2013.758). Institutional cataloguing adds that shadrach, Meshach and Abednego in the Fiery Furnace is dated Oct. 1863 and held by The Art Institute of Chicago (inventory 2022.274). The record continues: queer British art, 1861-1967 / edited by Clare Barlow. is dated 2017 and held by Wellcome Collection. It is also recorded that vol. 3. Male and female patients admitted May 1850-June 1853 is dated mid 19th century - late 19th century and held by Wellcome Collection.

Institutional holdings are recorded as follows.

Tate records 4 objects associated with this heading. Birmingham Museums Trust records 4 objects associated with this heading. Institutional cataloguing adds that q214867 records 2 objects associated with this heading. It is also recorded that drawings in the National Gallery of Art records 2 objects associated with this heading.

Manchester Art Gallery records 2 objects associated with this heading. It is also recorded that art Gallery of New South Wales records 1 object associated with this heading. Yale Center for British Art records 1 object associated with this heading. Aberdeen Archives, Gallery and Museums collections records 1 object associated with this heading.

Delaware Art Museum records 1 object associated with this heading. The record continues: metropolitan Museum of Art records 1 object associated with this heading. The Art Institute of Chicago records 5 objects associated with this heading. Wellcome Collection records 3 objects associated with this heading.

This entry is compiled from 13 catalogued sources across 8 independent registers. The registers consulted are Crossref registry, Internet Archive, Wikimedia Foundation, The Art Institute of Chicago, DOAJ, Deutsche Nationalbibliothek, Wellcome Collection and Wikipedia. Every statement above is held against the register that stated it; where the registers are silent, the entry is silent.

the recorded working language is English.

The field of work recorded is painting. Subjects and genres recorded for the work are history. The authority associates the name with Pre-Raphaelite Brotherhood.

Work by Simeon Solomon is recorded in the collections of Minneapolis Institute of Art, Art Institute of Chicago, Tate, National Gallery of Canada and Art Gallery of New South Wales.