Shōji Hamada

Shōji Hamada studied at Tokyo Institute of Technology and Hibiya High School. Tatsuzō Shimaoka, Kōichi Takita and Gen Murata are recorded as having studied under Shōji Hamada. The recorded working language is Japanese. The field of work recorded is Mashiko ware. Work by Shōji Hamada is recorded in the collections of Museum Boijmans Van Beuningen, Minneapolis Institute of Art, Art Institute of Chicago, The Nelson-Atkins Museum of Art and Tate. Distinctions recorded are Order of Culture and Person of Cultural Merit.

Hamada was born in Kawasaki, Japan, in 1894, and was named Shoji. After finishing his studies at the elite Hibiya High School, he studied ceramics at Tokyo Institute of Technology, then known as Tokyo Industrial College with Kawai Kanjirō under Itaya Hazan. As the sole students in the school interested in becoming artist-potters, Hamada and the slightly elder Kawai were soon friends, touring the city in search of inspiration. They worked together in Kyoto at the former body of the Kyoto Municipal Institute of Industrial Technology and Culture where they experimented on glazes using various minerals. They were acquainted by Yanagi Sōetsu and Tomimoto Kenkichi while visiting potteries and exhibitions. Hamada was deeply impressed by a Tokyo exhibition of ceramic art by Bernard Leach, who was then staying with Yanagi Sōetsu, and wrote to Leach seeking an introduction. The two found much in common and became good friends, so much so that Hamada asked and was granted permission to accompany Leach to England in 1920 when the latter decided to return and establish a pottery there. Hamada and Leach were influential participants in the Pottery seminar at Black Mountain College in 1952, attended by many younger and later prominent potters.

Having spent three years in St Ives with Bernard Leach, he returned to Japan in 1923 and traveled to potteries and stayed at Tsuboya in Okinawa Prefecture for weeks, then eventually established his workshop in Mashiko, about 100 km north-east of Tokyo. Here, he built his own pottery and committed himself to using only locally sourced materials, not only in the clay he used, but also the glazes he created and the brushes he manufactured himself from dog hair and bamboo. In 1955 the Japanese government designated him "Living National Treasure", the first time for someone from the field of crafts. The previous year on 29 May 1954, the Cultural Property Protection Act had been amended, and a new Preservers of Important Intangible Cultural Properties (Jūyō Mukei Bunkazai Hojisha) designation was passed the bill in November for its criteria and approval details. Following Yanagi Muneyoshi, Hamada was enthusiastic about folk art movement in Japan. When Yanagi died in 1961, he succeeded as the second director of the Japanese Folk Crafts Museum, and in 1977, he opened his own museum at his home, Mashiko Sankōkan (present Shoji Hamada Memorial Mashiko Sankokan Museum), and exhibited his collection of folk crafts from Japan and abroad. Hamada Shoji was very supportive of young artists who moved to Mashiko such as his student Shimaoka Tatsuzō, and Kamoda Shōji, and was also important in establishing Mashiko as a destination for day tourism. He provided housing and hosted workplace for visiting potters from abroad as well. Hamada died in Mashiko on January 5, 1978.

• Illustration — Shōji Hamada Memorial Mashiko Sankokan Museum Since he moved to Mashiko, Hamada bought, relocated, and refurbished traditional farm houses, stone warehouses, and nagaya-mon gatehouses of Edo period unique to southern Tochigi Prefecture on his property. The first was his residence in 1930, followed by others he used as workshops and for entertaining guests and apprentices, with the last one used since 1942 as his workshop. In 1989 his residence was donated to and rebuilt at Mashiko Museum of Ceramic Art, or Ceramic Art Messe Mashiko, after the house was designated a cultural property of Mashiko. The museum is still open today and visitors can view Hamada's studio, living quarters, and various craft collections.

# # # # # • With time table by Mizuo Hiroshi, pp. 336–341 • With time table by Mizuo Hiroshi, pp. 185–204. # #

* • 246 pp. Ill., ports.; 21 cm. • 239 pp. Ill. (some col.); 27 cm. • 232 pp. Ill. (some col.); 26 cm. *

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• Mashiko village pottery, Japan, 1937 [videorecording]: pottery-making in Japan.1 videocassette (VHS) (22 min.): si., black and white; 1/2 in. Shows the pottery techniques used by Mashiko potters. From the 1850s, these potters produced utilitarian ware for local markets, but the post-war period saw a change with the influence of potter Shoji Hamada. Held at University of Tasmania & Edith Cowan University. Edith Cowan University Library • The Potters' Society of Australia presents Shoji Hamada [videorecording]. Sydney: Closed Circuit Television, University of New South Wales, 1965. 1 videocassette (VHS)(50 min): sd., black and white; 1/2.Famous Japanese artist potter, Shoji Hamada demonstrates his unique techniques. Held in The University of Sydney. University of Sydney Library. • The Potters' Society of Australia presents...Shoji Hamada [videorecording]. Kensington, NSW: University of New South Wales. Audio Visual Unit, (198?)1 videocassette (VHS) (55 min.): sd., black and white; 1/2 in. Held in University of Newcastle. University of Newcastle Library • Shoji Hamada [videorecording]: a demonstration by Shoji Hamada.Audio-Visual Unit, UNSW, 1984. 1 videocassette (VHS) (48 min.): sd., black and white; 1/2 in. Held in Southern Cross University. University Library Lismore. • Shoji Hamada [videorecording]: a potter's way and work / written and narrated by Susan Peterson. New York: Weatherhill Press, 1995, c. 1996. 1 videocassette (VHS)(027 min.): sd., col.; 1/2 in.

• Shoji Hamada [Pottery] [slide]. Tanyard, Wilts: Slides for Potters, [197-]. Held in The University of Melbourne. 23 slides: col. & + guide (Set 19). The University Library.

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• Three potters throwing. [Motion picture]. Research & Education Dept, American Crafts Council, 1958. 20 mins: si. color; 16 mm. • Fingers and Clay. 1 film reel (11 mins): sd., black and white; 16 mm. Producer, Malcolm Otton; director, editor, Christopher Cordeaux; script, J. Hawes; photographers, Edward Cranstone, Tom Cowan; sound, Gordon Wraxall. • The art of the potter. [Motion picture] / Sidney Reichman and David Outerbridge. New York: Phoenix Films, 1977. 2 reels, 50 mins: sd., col.; 16 mm.