San'yūtei Enchō
San'yūtei and Izubuchi
Also recorded as San-yūtei Enchō · San'yutei Encho · San'yuutei Enchou
San'yūtei Enchō

三人日 · CC BY-SA 3.0
- Name
- San'yūtei Enchō
- Birth Name
- Jirokichi Izubuchi
- Born
- 13 May 1839
- Birthplace
- Japan
- Died
- 11 August 1900
- Occupation
- Author and rakugo performer
- Teachers
- San'yūtei Enshō II
- Known for
- Shinkei Kasanegafuchi · Botan Dōrō · Ghost of Chibusa Enoki · Shinigami
- Languages
- Japanese
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San'yūtei Enchō fu scrittore; la nascita è registrata nel 1839 e la morte nel 1900.
Vita
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In this article
Key facts
Key facts
• Name — San'yūtei Enchō • Native Name — 初代 三遊亭 圓朝(円朝) • Birth Name — Jirokichi Izubuchi • Born — 13 May 1839 • Birthplace — Japan • Died — 11 August 1900 • Occupation — Author and rakugo performer • Period — Late Edo and early Meiji • Notable Works — Kaidan botan dōrō, May 13, 1839 – August 11, 1900, born Jirokichi Izubuchi, was a Japanese author and rakugo performer of the late Edo and early Meiji eras. He was the founder and head of the Sanyuu school of rakugo, and is considered a pioneer of the rakugo revival. Notable works of his include Japanese horror ("kaidan") classics: Kaidan botan dōrō (based on Botan Dōrō, and Shinkei Kasane ga fuchi (on which many Japanese horror films such as Kaidan Kasane-ga-fuchi are based).
Career
Career
• Illustration — San'yūtei Enchō • Illustration — San'yūtei Enchō family crest, a Takasaki folding fan As a rakugoka, San'yūtei Enchō differed from the predominantly comedic style of storytelling of his predecessors in favor of a more serious approach, his school coming closer to Kōdan in methodology. In addition to this, his school worked to implement use of subtle background instrumentation and altered stage lighting to accompany his ghost stories, elements that have become more standard today. One of his most well known instances of this would be during performances of Shinkei Kasane ga fuchi. Some of San'yūtei Enchō's peers would at times perform their own versions beforehand of stories he was expected to, in an attempt to undermine his performances. San'yūtei Enshō would act as one such rival. Despite this, San'yūtei Enchō felt that the manner in which he told stories could not be replicated by anyone else, bearing many traits unique to himself. In addition, he would work to create many new pieces of his own that nobody had seen before.

落語家の三遊亭圓朝。
三遊亭円朝『円朝全集 巻の一』春陽堂、1926年9月3日。 National Diet Library Digital Collections: Persistent ID 1882378
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Tokyo.
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The biographical narrative on this page is based on the Wikipedia article San'yūtei Enchō, revision 1373771850 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
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Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.NHK Broadcasting Culture Research Institute. NHK Publishing. 24 May 2016.
- 2.Sanseidō. 10 March 2025.
- 3.Bernard, Peter John. Rural Japanese Gothic: The Topography of Horror in Modern Japanese Literature. Harvard University. 127. 2019.
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