Samuel Woodforde
Woodforde was born at Castle Cary, Somerset. He was the second son of Heighes Woodforde, an accountant of Ansford, and his wife Anne. He was a lineal descendant of the painter Samuel Woodford, and nephew of the diarist, James Woodforde.
Also recorded as Samuel Woodford · Esq. R. A. S. Woodford · Samuel Woodeforde · R. A. S. Woodford
Samuel Woodforde

Samuel Woodforde · Public domain
- Born
- 1763
- Died
- 1817 · Bologna.
- Nationality
- Kingdom of Great Britain · United Kingdom of Great Britain and Ireland
- Occupation
- painter
- Languages
- English
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Woodforde was born at Castle Cary, Somerset. He was the second son of Heighes Woodforde, an accountant of Ansford, and his wife Anne. He was a lineal descendant of the painter Samuel Woodford, and nephew of the diarist, James Woodforde.
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wikidata · Q7412958 · wikipedia · Samuel Woodforde
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Life
He was supported by the banker Henry Hoare of Stourhead, Wiltshire and his family. On 8 March 1782, he became a student at the Royal Academy Schools and started exhibiting pictures in 1784. He contributed no less than 133 pictures to the Royal Academy and 39 at the British Institution. Richard Hoare granted Woodforde £100 a year, which allowed him to travel to Italy in 1786. He spent most of his time in Rome, studying the works of Raphael, Michelangelo, and Paolo Veronese. He also visited Venice and Florence before returning to London in 1791. Between 1792 and 1815, "he exhibited constantly, showing portraits, scenes of Italian life, historical pictures, and subjects from literature". Many of his literary pictures were engraved, such as a scene from Titus Andronicus by Anker Smith for the Boydell Shakespeare edition (1805) and several other scenes for Longmans Shakespeare (1805–7). Woodforde became an associate of the Royal Academy in 1800 and a full member in 1807. On 7 October 1815 he married Jane Gardner; that year the couple left for Italy. Two years later, Woodforde died of fever at Bologna where he is buried in the cemetery of La Certosa.
The recorded working language is English. Places of work recorded in the authority are London, Rome and Italy. Work by Samuel Woodforde is recorded in the collections of Tate, Fine Arts Museums of San Francisco, Yale Center for British Art, Royal Academy of Arts and Frome Museum.
Woodforde was born at Castle Cary, Somerset. He was the second son of Heighes Woodforde, an accountant of Ansford, and his wife Anne. He was a lineal descendant of the painter Samuel Woodford, and nephew of the diarist, James Woodforde. He was supported by the banker Henry Hoare of Stourhead, Wiltshire and his family. On 8 March 1782, he became a student at the Royal Academy Schools and started exhibiting pictures in 1784. He contributed no less than 133 pictures to the Royal Academy and 39 at the British Institution. Richard Hoare granted Woodforde £100 a year, which allowed him to travel to Italy in 1786. He spent most of his time in Rome, studying the works of Raphael, Michelangelo, and Paolo Veronese. He also visited Venice and Florence before returning to London in 1791. Between 1792 and 1815, "he exhibited constantly, showing portraits, scenes of Italian life, historical pictures, and subjects from literature". Many of his literary pictures were engraved, such as a scene from Titus Andronicus by Anker Smith for the Boydell Shakespeare edition (1805) and several other scenes for Longmans Shakespeare (1805–7). Woodforde became an associate of the Royal Academy in 1800 and a full member in 1807. On 7 October 1815 he married Jane Gardner; that year the couple left for Italy. Two years later, Woodforde died of fever at Bologna where he is buried in the cemetery of La Certosa.

Portrait of Maria Palmer Hoare (died 1845), wife of the eventual Sir Henry Hugh Hoare, 3rd Baronet (1762–1841), English banker.
Artist Samuel Woodforde
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reference work
- “Samuel Woodforde”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q7412958: Samuel Woodforde
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 19 August 2026.
Elsewhere in Paintings
19,183 published records in this field, each with its sources named.
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