Russ Lossing
Russ Lossing (born 1960) is an American jazz pianist, composer, improviser, arranger, educator, and scholar.
Russ Lossing
- Name
- Russ Lossing
- Born
- 1960
- Birthplace
- Ohio, U.S.
- Occupation
- Musician, composer, arranger
- Nationality
- United States
- Fields
- jazz
- Education
- Ohio State University
VALÉORINE Encyclopedia
VALÉORINE documentary reading
Documentary summary
Russ Lossing (born 1960) is an American jazz pianist, composer, improviser, arranger, educator, and scholar.
Admitted source layer · organised and presented by VALÉORINE
Note VALÉORINE
No house-authored Note is published until its assertions and sources pass the VALÉORINE evidence contract. The documentary article remains available in full while that enrichment is being consolidated.
Documentary enrichment in progress · no unsupported statement published
Reference Check
Propose documentary evidence for Russ Lossing. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
World of VALÉORINE
Documentary connections
Only confirmed graph relationships appear here. Images are shown only when their identity and reuse rights both pass the documentary gate.
Documentary evidence
Evidence Panel
not yet certified
- Identity
- unresolved
- Independent source families
- 0
- Admitted assertions
- 0
- Open conflicts
- 0
Authority files
wikidata · Q2176867 · wikipedia · Russ Lossing
In this article
Key facts
Key facts
• Name — Russ Lossing • Born — 1960 • Birthplace — Ohio, U.S. • Origin — Columbus, Ohio, U.S. • Genre — Jazz • Occupation — Musician, composer, arranger • Instrument — Piano, keyboards • Years Active — 1970s–present • Website — russlossing.com
Early life
Early life
Lossing was born in Ohio in 1960, and is from Columbus, Ohio. He had classical piano lessons from the age of 5 and began studying jazz aged 13 in Columbus at the Jazz and Contemporary Workshop with Dave Wheeler. He obtained a Bachelor of Music in piano at Ohio State University in 1986. Meetings with composer John Cage had a big effect: We only had two occasions to get together and talk, but any time spent with him was utterly valuable. He read through my scores we played piano together. His thing was creating, not emulating: don't copy; trust YOURSELF. I was already going in this direction but this experience, listening to Cage's concepts and philosophy in this setting, made so much sense.
Later life and career
Later life and career
Lossing has been part of the New York jazz scene since 1986. In 1988 he earned a Master of Music from the Manhattan School of Music. He has led or co-led numerous bands, including: his own trio with Masa Kamaguchi and Billy Mintz; Three-Part Invention with bassist Mark Helias and trumpeter Ralph Alessi; and duos with saxophonist Tim Berne, drummer Gerry Hemingway, and guitarist Ben Monder. Others are: trio with Paul Motian and Ed Schuller (Dreamer and As It Grows); trio with Mat Maneri and Mark Dresser (Metal Rat); trio with John Hebert and Jeff Williams (Phrase 6); quartet with Loren Stillman, John Hebert and Eric McPherson (Personal Tonal); King Vulture with Adam Kolker, Matt Pavolka and Dayeon Seok; and duos with saxophonist Loren Stillman, bassist John Hebert (Line Up, Hatology), and saxophonist Michael Adkins. Lossing played with drummer Paul Motian over a period of 12 years and recorded Drum Music, a solo piano tribute album to him in 2011. The JazzTimes reviewer of Drum Music commented that "his two-fisted takes on 'Fiasco', 'Dance' and 'Drum Music' capture the great drummer's unpredictable and audacious rhythmic pulse. Lossing's stark re-imaginings of [... other Motian pieces] all vibrate with a new spirit of exploration." Lossing has composed over 400 pieces of music. In 2015, he founded the record label Aqua Piazza.
Playing style
Playing style
Scott Yanow, reviewing Lossing's As It Grows, commented that the pianist "is influenced by modern classical music to an extent but his playing is not unremittingly atonal. Instead, he leaves his impressionistic music open to all possibilities, mostly emphasizing dramatic ideas and unexpected silences." Lossing said of his own style: "Much 20th century composition is about interval play, especially Bartok and Schoenberg's. The 12-tone thing helped him to get his ideas onto paper, but it was always about the intervals. I'm a jazz pianist but my harmonic approach is based on this concept – finding new sounds and new expressions among the intervals."
As leader/co-leader
As leader/co-leader
• Year recorded — Title — Label — Personnel/Notes • 1990 — Blue Alien — Soho No How — Trio, with Ed Schuller (bass), Peter LeMaitre (drums) • 1999* — Change of Time — OmniTone — Trio, with Adam Kolker (tenor sax, bass clarinet), John Hébert (bass) • 2000* — Dreamer — DoubleTime — Trio, with Ed Schuller (bass), Paul Motian (drums) • 2000 — Metal Rat — Clean Feed — Trio, with Mat Maneri (viola), Mark Dresser (bass) • 2002 — As It Grows — HatOLOGY — Trio, with Ed Schuller (bass), Paul Motian (drums) • 2004 — Phrase 6 — Fresh Sound — Trio, with John Hébert (bass), Jeff Williams (drums) • 2005 — All Things Arise — HatOLOGY — Solo piano • 2006 — Line Up — HatOLOGY — Duo, with John Hébert (bass) • 2007 — Oracle — HatOLOGY — Trio, with Masa Kamaguchi (bass), Billy Mintz (drums) • 2009 — Personal Tonal — Fresh Sound — Quartet, with Loren Stillman (alto sax), John Hébert (bass) Eric McPherson (drums) • 2011 — Drum Music: Music of Paul Motian — Sunnyside — Solo piano • 2012 — Eclipse: Solo Piano Improvisations — Aqua Piazza — Solo piano • 2018? — Whispers and Secrets — Fresh Sound — Co-led with Adam Kolker (sax); with Masa Kamaguchi (bass), Billy Mintz (drums) • 2019? — Motian Music — Sunnyside — Trio, with Masa Kamaguchi (bass), Billy Mintz (drums) • 2020? — Metamorphism — Sunnyside — Quartet, with Loren Stillman (alto sax), John Hébert (bass), Michael Sarin (drums) • 2019 — Changes — SteepleChase — Trio with Michael Formanek (bass), Gerald Cleaver (drums) • 2020 — Mood Suite — SteepleChase — Trio with Mark Helios (bass), Eric McPherson (drums)
As sideman (partial list)
As sideman (partial list)
• Year recorded — Leader — Title — Label • 1997 — Loren — Cosmos — Soul Note • 2003 — Loren — Gin Bon — FSNT • 2003 — Loren — How Sweet It Is — Nagel-Heyer • 2003 — John — Arabesque Records AJ0164 — Abacus • 2007 — Michael — Rotator — hatOLOGY • 2008 — Michael — Live in Coimbra — Cleanfeed • 2010 — Michael — Flaneur — hatOLOGY (released Jan 2018) • 2011* — Samuel — Consort in Motion — Kind of Blue • 2012* — Michael — Acrobat: Music for, and by, Dmitri Shostakovich — Sunnyside • 2012* — Jeff — Leaf House — Fresh Sound New Talent • 2013* — Michael and Samuel Blaser — One from None — Fresh Sound New Talent • 2013 — Samuel — A Mirror to Machaut — Songlines • 2013 — John — Anton Webern Project — Whirlwind • 2014 — Jeff — Dragon Father — FSNT • 2014 — Kirk — Chorale — SteepleChase • 2015 — Samuel — Spring Rain — Whirlwind • 2017* — Lena — Heart Knows — Fresh Sound New Talent • 2018 — Kirk — Witness — SteepleChase • 2018 — Samuel — Early in the Mornin — OutNote Records
Discography
An asterisk (*) indicates that the year is that of release.
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Partially resolvedreference work
Partially resolved
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 24 August 2026.
Elsewhere in Music memorabilia
42,438 published records in this field, each with its sources named.
- Russ ConwayPerson
- Russ FreemanPerson
- Russ HamiltonPerson
- Russ LandauPerson
- Russ MorganPerson
- Russ ParrishPerson
- Russ SpiegelPerson
- Russ TolmanPerson
Best supported in this field
For owners
Own a work by Russ Lossing?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.