Rosalind Bengelsdorf Browne
Rosalind Bengelsdorf (April 30, 1916 – February 10, 1979) was an American painter, art critic and educator. She is also known as Rosalind Bengelsdorf Browne and as Rosalind Browne.
Also recorded as Rosalind Bengelsdorf
Rosalind Bengelsdorf Browne
- Name
- Rosalind Bengelsdorf Browne
- Birth Name
- Rosalind Bengelsdorf
- Born
- April 30, 1916
- Birthplace
- New York, N.Y.
- Died
- February 10, 1979 (aged 62)
- Occupation
- Art critic, painter, educator
- Spouse
- Byron Browne (1907–1961)
- Nationality
- United States.
- Education
- Art Students League of New York.
VALÉORINE Encyclopedia
VALÉORINE documentary reading
Documentary summary
Rosalind Bengelsdorf (April 30, 1916 – February 10, 1979) was an American painter, art critic and educator. She is also known as Rosalind Bengelsdorf Browne and as Rosalind Browne.
Admitted source layer · organised and presented by VALÉORINE
Reference Check
Propose documentary evidence for Rosalind Bengelsdorf Browne. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
World of VALÉORINE
Documentary connections
Only confirmed graph relationships appear here. Images are shown only when their identity and reuse rights both pass the documentary gate.
Documentary evidence
Documentary basis
Authority files
wikidata · Q13560719 · wikipedia · Rosalind Bengelsdorf
In this article
Key facts
Key facts
• Name — Rosalind Bengelsdorf Browne • Birth Name — Rosalind Bengelsdorf • Born — April 30, 1916 • Birthplace — New York, N.Y. • Died — February 10, 1979 (aged 62) • Place of death — New York, N.Y. • Occupation — Art critic, painter, educator • Spouse — Byron Browne (1907–1961)
Biography
Biography
Rosalind Bengelsdorf was born April 30, 1916, in New York, NY. She studied at the Art Students League of New York as a teenager (1930–1934) with John Steuart Curry, Raphael Soyer, Anne Goldthwaite, and George Bridgman. In 1935 she joined the atelier of artist Hans Hofmann. She held a growing belief that the picture plane was a “living reality” of forms, energies, and colors. Because of this belief, Hofmann became a mentor to her for his dedication to painting as an independent object. Like Hofmann, she believed that “the shapes that compose the picture below to nothing else but the picture.” With his encouragement, she began to merge the idea that space is filled with “myriad, infinitesimal subdivisions” that changed into vibrating interplay of elements into her work. She felt that the abstract painter was observing the world and nature, tearing it apart, and putting it back together in a unique way. In 1936, she began working as a WPA Federal Art Project muralist with Burgoyne Diller for the Central Nurses Home on Welfare Island. The mural, entitled Abstraction (now destroyed), balances simple geometric forms through position and color. Bengelsdorf married the artist Byron Browne in 1940. The couple agreed there should be only “one painter in the family,” so Bengelsdorf stopped painting and pursued teaching and writing. She resumed painting after her husband's death in 1961. A founding member of the American Abstract Artists, Bengelsdorf championed the cause of abstract art throughout her career. Rosalind Bengelsdorf gives an account of the founding of American Abstract Artists as a "small group of abstract artists who met at Ibram Lassaw's studio at 232 Wooster Street, New York, early in 1936. The gathering consisted roughly of Byron Browne, Gertrude and Balcomb Greene, Harry Holtzman, George McNeil, Albert Swiden, Lassaw, Burgoyne Diller, and myself. It was on this occasion we decided to form a cooperative exhibition society. Therefore this association became the first actual meeting of the American Abstract Artists, and we were, in fact, its founders."
Identity
Identity
Rosalind Bengelsdorf Browne is recorded with the occupation printmaker. Recorded as painter, journalist, printmaker, artist and art critic.
Life and career
Dated record
Life and career
The full dated record · 2 entries
1916
Rosalind Bengelsdorf Browne was born on 30 April 1916.
1979
Rosalind Bengelsdorf Browne died on 10 February 1979.
Collections
Collections
The Rosalind Bengelsdorf Browne papers and a 1968 oral history interview are located at the Archives of American Art. Her work is included in the collections of the Whitney Museum of American Art, the Metropolitan Museum of Art, New York, the National Gallery of Art, Washington, the Museum of Modern Art, New York and the Smithsonian American Art Museum.
Documents and archives
Primary material
Documents and archives
authority record
- Wikidata, structured authority record Q13560719: Rosalind Bengelsdorf Browne
General reference · Wikidata
reference work
- “Rosalind Bengelsdorf”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
authority record
Secondary witnessreference work
Secondary witness
Further particulars
Held on the record
Further particulars
Open the remaining particulars
She also worked under the names Bengelsdorf, Rosalind and Browne, Mrs. The authorities additionally record the heading Rosalind Bengelsdorf. She married Byron Browne.
Identity and origins
Recognition and collections
Work by Rosalind Bengelsdorf Browne is
Museum of Modern Art, Smithsonian American Art Museum, Whitney Museum of American Art and Print Collection
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
Elsewhere in Prints
4,138 published records in this field, each with its sources named.
- Ronnie ElliottEngraver
- Ronnie LandfieldEngraver
- Rosa LoyEngraver
- Rosa Mirambell i CàceresEngraver
- Rosemary KilbournEngraver
- Roser BruEngraver
- Roslyn SwartzmanEngraver
- Rosso FiorentinoEngraver
Best supported in this field
For owners
Own a work by Rosalind Bengelsdorf Browne?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.