Ronald Ferns
Ronald Ferns (14 October 1925 – 2 December 1997) was an English illustrator, designer, cartoonist and surrealist painter in oil and watercolour. He attended Saint Martin's School of Art, London. His first major official commission was a mural for the 1951 Festival of Britain, in the Country Pavilion, for the Milk Marketing Board.
Ronald Ferns
- Born
- 1925
- Died
- 1997
- Nationality
- United Kingdom · United Kingdom of Great Britain and Ireland
- Occupation
- painter · illustrator · muralist
- Education
- Saint Martin's School of Art
- Languages
- French
VALÉORINE Encyclopedia
VALÉORINE documentary reading
Documentary summary
Ronald Ferns (14 October 1925 – 2 December 1997) was an English illustrator, designer, cartoonist and surrealist painter in oil and watercolour. He attended Saint Martin's School of Art, London. His first major official commission was a mural for the 1951 Festival of Britain, in the Country Pavilion, for the Milk Marketing Board.
Admitted source layer · organised and presented by VALÉORINE
Reference Check
Propose documentary evidence for Ronald Ferns. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
World of VALÉORINE
Documentary connections
Only confirmed graph relationships appear here. Images are shown only when their identity and reuse rights both pass the documentary gate.
Documentary evidence
Documentary basis
Authority files
wikidata · Q7364857 · wikipedia · Ronald Ferns
In this article
Identity
Identity
In the same year, he was also commissioned to create the scenic design for the premiere of Fate’s Revenge by the Ballet Rambert. Throughout the 1950s, he contributed witty line illustrations, decorations and cartoons to Lilliput, for which he also painted several covers in colour, Punch, Picture Post, Scope, and Good Housekeeping, for which he drew a regular series entitled "Semolina Silkpaws". He also illustrated a series of full-colour booklets for Guinness advertising campaigns. Other important advertising work included elegant watercolour covers for Fortnum & Mason catalogues. In the early 1960s, he moved with his wife Iris to St Ives in Cornwall, so he could diversify from "commercial art" into painting and other endeavours. Together, they designed and made ceramic jewellery, art pottery and beach clothes such as kaftans. They moved back to London in the 1970s, where Ronnie continued to paint for the Portal Gallery and provide illustrations for the Bond Street fashion emporium, Ports. However, he was increasingly drawn to book illustration. Alongside a successful series in collaboration with the poet Gavin Ewart – The Learned Hippopotamus (1986), Caterpillar Stew (1990) and Like It Or Not (1992) – he began writing children's stories as well as illustrating them. His first book as both writer and artist, Osbert And Lucy (1988), was successful not only in Britain but also in the US, and was translated into several European languages. It was subsequently included in the 2003 anthology, The Hutchinson Book of Bunny Tales. His second book, Bumpity And the Big Snake, was published in 1994.
Ronald Ferns is recorded as painter, illustrator and muralist.
Life and career
Dated record
Life and career
The full dated record · 2 entries
1925
Ronald Ferns born.
1997
Ronald Ferns died.
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 17 August 2026.
Elsewhere in Illustration
5,224 published records in this field, each with its sources named.
- Ron LimIllustrator
- Ron MillerIllustrator
- Ron SmithIllustrator
- Ron SpencerIllustrator
- Ronald George LampittIllustrator
- Ronni SolbertIllustrator
- Rony OrenIllustrator
- Roque GameiroIllustrator
Best supported in this field
For owners
Own a work by Ronald Ferns?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.