Raphy Dallèves
Raphy Dallèves (born in Sion on 26 January 1878, where he died on 6 July 1940) was a Valaisan painter of the École de Savièse.
Also recorded as Raphy Dalleves · Raphy · Raphaël Dallèves · Raphi Dalleves
Raphy Dallèves

Raphy Dallèves · Photograph of the original (Dallèves family collection). · Public domain
- Name
- Raphy Dallèves
- Born
- 26 January 1878
- Birthplace
- Sion, Switzerland
- Died
- 6 July 1940
- Training
- Académie Julian
- Movement
- École de Savièse
- Nationality
- Switzerland
- Occupation
- painter
Reference Check
Propose documentary evidence for Raphy Dallèves. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
World of VALÉORINE
Documentary connections
Only confirmed graph relationships appear here. Images are shown only when their identity and reuse rights both pass the documentary gate.
Documentary evidence
Documentary basis
Authority files
wikidata · Q18508619 · wikipedia · Raphy Dallèves
VALÉORINE Encyclopedia
The documentary record
Statements marked “Documentary record” are set in the article beside the passage they confirm. Each is read from the authority records of the institutions named here; select “Prove” to see the record it was read from, where in that record, and when.
Institutions cited
Bibliothèque nationale de France · Deutsche Nationalbibliothek
Complete reading chain (JSON)In this article
Key facts
Key facts
• Name — Raphy Dallèves • Born — 26 January 1878 • Birthplace — Sion, Switzerland • Died — 6 July 1940 • Place of death — Sion, Switzerland • Training — Académie Julian • Movement — École de Savièse
Documentary record
Raphy Dallèves (26 January 1878 – 6 July 1940) was an artist. Both events are recorded by the Bibliothèque nationale de France.
Biography
Biography
Raphy Dallèves was the son of Raphaël, Chancellor of State, and of Marie Cropt, daughter of the founder of the first School of Law of the Valais. During his classical studies at the Collège de Sion, he took drawing and painting lessons from Joseph Morand, a Valaisan portrait painter whose studio and residence are none other than the present-day Manoir de la ville de Martigny. Encouraged by Morand, the young Dallèves continued his artistic studies in Paris between 1899 and 1905: the Académie Julian and the École des Beaux-Arts. In 1903 he was among the founders of the Savièse section of the Society of Swiss Painters and Sculptors. The same year, he took part in the creation of the Société des traditions valaisannes. In 1937 he was appointed a member of the cantonal commission for historic monuments. He was close to the Vaud painter Ernest Biéler (1863–1948), who had spent every year at Savièse since 1884 and settled there from 1900. The influence of the older Vaud artist on the Sion painter was considerable, in particular regarding the use of a technique that had fallen into disuse, distemper or the a tempera technique, which both studied from the painters known as the "primitives", namely the Flemish Primitives on the one hand and the Italian or Quattrocento primitives on the other. These investigations were undertaken by the two painters from 1906. 1905 had marked Dallèves's definitive return to his native town. He left it only to find renewal in Italy, in the footsteps of the Florentine painters, particularly Fra Angelico and Botticelli. Raphy Dallèves's art was widely recognised on the Swiss scene: he took part several times in the National Fine Arts Exhibition, organised by the Federal Department of Home Affairs, whose selection was made by a jury of professionals, artists and museum directors. The Valaisan painter was also a member of the Société Nationale des Beaux-Arts in Paris, whose Salon is its most famous event. Although the artist never sought to exhibit individually, he took part in important international group exhibitions, notably in Munich, Berlin and Rome. His last appearance dates from 1936, when he exhibited in the Casino hall in Sion. Raphy Dallèves died in Sion on 6 July 1940. In his will, he bequeathed his entire body of work to the City of Sion and the State of Valais. This act would enable the creation of the Cantonal Museum of Fine Arts of the Valais (now the Musée d'art du Valais). His speciality was the portrayal of people and the gestures of everyday life. He produced paintings that are as complex, profound and incisive as they are of high physiognomic precision. Through his striking work he conveys a spiritualisation of human reality.
Gallery
Gallery
• Illustration — Study of mazots at Hérémence (1909) • Illustration — Man with a bowl (1910), Musée d’art du Valais • Illustration — Portrait of an elderly Valais woman (1910)
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Raphy Dallèves, revision 1375706961 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1."Raphy Dallèves", on sikart.ch (SIKART).
- 2.Louis Buzzini, Raphy Dallèves, Lausanne, Éd. la Concorde, 1941, pp. 1–7.
- 3.Frédéric Elsig, Raphy Dallèves. Un primitif moderne, Denges, Éd. du Verseau, 1999.
Bibliography printed in the source article · 4
- Marie-Claude Morand, "Raphy Dallèves", in SIKART, Dictionary of art in Switzerland.
- René Édouard-Joseph, Dictionnaire biographique des artistes contemporains, vol. 1, A–E, Art & Édition, 1930, p. 344.
- Louis Buzzini, Raphy Dallèves, Lausanne, Éd. la Concorde, 1941, 170 p.
- Frédéric Elsig, Raphy Dallèves. Un primitif moderne, Denges, Éd. du Verseau, 1999.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 25 August 2026.
Elsewhere in Paintings
19,456 published records in this field, each with its sources named.
- Raphael SoyerArtist
- Raphaël ToussaintArtist
- Raphaella SpenceArtist
- Raphaelle PealeArtist
- Raquel PartnoyArtist
- Ras Daniel HeartmanArtist
- Rashid DiabArtist
- Rashid RanaArtist
Best supported in this field
For owners
Own a work by Raphy Dallèves?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.