Radhu Karmakar
Radhu Karmakar (1919 - 5 October 1993) was an Indian cinematographer and director in Hindi cinema from the 1940s to 1990s. He worked extensively with director-actor Raj Kapoor on his films and for his R. Starting with Awaara (1951), he shot all of Kapoor's subsequent films for four decades, till his last, Ram Teri Ganga Maili (1985). He even directed a film, Jis Desh Men Ganga Behti Hai (1960), which was produced by Raj Kapoor, and with Kapoor himself and Padmini as leads.
Radhu Karmakar
- Born
- 1919 · Dhaka.
- Died
- 1993
- Nationality
- India · British Raj · Dominion of India
- Occupation
- photographer · cinematographer · film director
- Honours
- Filmfare Awards · National Film Award for Best Cinematography
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Radhu Karmakar (1919 - 5 October 1993) was an Indian cinematographer and director in Hindi cinema from the 1940s to 1990s. He worked extensively with director-actor Raj Kapoor on his films and for his R. Starting with Awaara (1951), he shot all of Kapoor's subsequent films for four decades, till his last, Ram Teri Ganga Maili (1985). He even directed a film, Jis Desh Men Ganga Behti Hai (1960), which was produced by Raj Kapoor, and with Kapoor himself and Padmini as leads.
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Radhu Karmakar (1919–1993) was a cinematographer, film director and photographer and a national of the British Raj and the Dominion of India. The cinematographer was born in Dhaka. Radhu Karmakar received Filmfare Awards and National Film Award for Best Cinematography.
Composed from admitted, traceable facts · 26 September 2026
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Career
Career
The film won Filmfare Award for Best Film while Karmakar won a nomination for Best Director Award at the 9th Filmfare Awards. At the 8th National Film Awards the film also won Certificate of Merit in the Best Feature Film in Hindi category. At the 18th National Film Awards, he won the award for National Film Award for Best Cinematography for Mera Naam Joker. He won the Filmfare Award for Best Cinematographer four times: Shree 420 (1957), Mera Naam Joker (1972), Satyam Shivam Sundaram (1979), and Henna (1992).
Karmakar start his film career in Calcutta with Kismat ki Dhani (1945) followed by Milan (1946) directed by Nitin Bose for Bombay Talkies. Though the film didn't perform well at box office, his night sequence photography and high contrast lighting got him acclaim. Soon he was chosen to shoot Raj Kapoor's Awaara (1951). This started a career long association lasting four decades, working on films, such as Shree 420 (1955), Sangam (1964), Mera Naam Joker (1970), Bobby (1973), Satyam Shivam Sundaram (1978), Prem Rog (1982), and Ram Teri Ganga Maili (1985). After Raj Kapoor's death in 1988, he continued working with R. K. Studio and shot Henna (1991), a project he started shooting and which was later completed by his son Randhir Kapoor.
Early life
Early life
Born in Bikrampur, now in Munshiganj District, near present-day Dhaka, Bangladesh in a Bengali Karmakar family of goldsmiths, the profession which did not interest him much apart from his photography. Karmakar married Baani Rai, the daughter of businessman Brojendrolal Rai, and moved to Calcutta. Baani Karmakar was the youngest among her seven siblings. Radhu Karmakar and his family resided in Calcutta until 1951 when he started working with Raj Kapoor in his film Awaara (1951). He worked initially on director Nitin Bose's Milan (1946) soon after Kismat ki Dhani (1945). Raj Kapoor found Karmakar's work commendable when he saw his night sequence photography and high contrast lighting in Milan (1946). Karmakar's family soon moved to Bombay.
Family
Family
Wife - Late Mrs Baani Karmakar Sons - Krishna Gopal Karmakar and Brojo Gopal Karmakar Daughters - Sudevi Karmakar, Radha Banerjee, Meera Choudhuri Grandchildren - Shomita Pandey, Rinky Karmakar, Siddharth Karmakar, Shubhankar Banerjee, Gaurang Karmakar, Anuradha Karmakar, Priyanka Choudhuri, Keshub Karmakar, Rudraraj Karmakar Great grand daughter- Dr.Tushita Pandey
Death
Death
Karmakar died in a car accident on the Bombay Pune Road while driving back to Bombay. He died on 5 October 1993. At the 42nd National Film Awards of 1995, he was posthumously given a Special Jury Award for Param Vir Chakra and "In appreciation of a lifetime achievement in creating some of the most memorable moments in Indian film history." His autobiography, Radhu Karmakar: The Painter of Lights, was published posthumously in 2005.
Director
Director
• Jis Desh Men Ganga Behti Hai (1960)
Cinematographer
Cinematographer
• Kismat Ki Dhani (1945) • Jwar Bhata (1944) • Milan (1946) • Naukadubi (1947) • Mashal (1950) • Samar (1950) • Awaara (1951) • Jagte Raho (1956) • Shree 420 (1955) • Sangam (1964) • Aman (1967) • Sapnon Ka Saudagar (1968) • Mera Naam Joker (1970) • Be-Imaan (1972) • Bobby (1973) • Sanyasi (1975) • Dhoop Chhaon (1977) • Satyam Shivam Sundaram (1978) • Love Story (1981) • Prem Rog (1982) • Ram Teri Ganga Maili (1985) • Adventures of Tarzan (1985) • Dance Dance (1987) • Commando (1988) • Henna (1991) • Param Vir Chakra (1995)
Identity
Identity
Radhu Karmakar is recorded with the occupation cinematographer. Recorded as photographer, cinematographer and film director.
Life and career
Dated record
Life and career
The full dated record · 2 entries
1919
Radhu Karmakar was born on 1 January 1919.
1993
Radhu Karmakar died on 5 October 1993.
Reception
Radhu Karmakar is recorded as having received Filmfare Awards and National Film Award for Best Cinematography.
Primary material
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reference work
- “Radhu Karmakar”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q16750160: Radhu Karmakar
General reference · Wikidata
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.International Film Festival of India. 8th National Film Awards.
- 2.International Film Festival of India. 18th National Film Awards.
- 3.Directorate of Film Festivals. 18th National Film Awards (PDF).
- 4.A self-effacing genius. Daily News & Analysis. 4 October 2008.
- 5.Popular Prakashan. Encyclopaedia of Hindi Cinema. 569–570. 2003. 978-81-7991-066-5.
- 6.Aniket Ghatnekar. Capturing Timeless Frames: Raj Kapoor’s Cinematic Mastery Through the Lens of Cinematographer Radhu Karmakar. DigitalStudio. 15 December 2023.
- 7.Directorate of Film Festivals. 42nd National Film Awards.
- 8.Memories through a lens. The Hindu. 6 June 2008.
Bibliography printed in the source article · 2
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