Pietro Liberi
Pietro (Libertino) Liberi (1605 – 18 October 1687) was a Venetian painter of the Baroque era, active mainly in Venice and the Veneto.
Also recorded as Cav. Pietro Libri · Chev. Pietro Liberi · Pietro Liberie · Cav. Pietro Liberi
Pietro Liberi

Marco Liberi · Public domain
- Born
- 1605. · Padua.
- Died
- 1687. · Venice.
- Nationality
- Republic of Venice.
- Occupation
- painter.
- Fields
- painting.
- Teachers
- Alessandro Varotari.
- Known for
- Fidelity and Peace.
- Languages
- Italian.
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Documentary evidence
Documentary basis
Authority files
wikidata · Q979467 · wikipedia · Pietro Liberi
In this article
Biography
Biography
Training under Alessandro Varotari is recorded. The recorded working language is Italian. The field of work recorded is painting. Places of work recorded in the authority are Venice. Works named in the authority record are Fidelity and Peace. Work by Pietro Liberi is recorded in the collections of Museo del Prado, J. Paul Getty Museum, Nationalmuseum, Städel Museum and National Museum of Fine Arts.
Liberi was born in Padua, his earliest training was with Alessandro Varotari (il Padovanino). He had an adventure-filled life. He traveled extensively in Italy. During a voyage to Istanbul, he was captured into bondage for 8 months by pirates from Tunis. Released through Malta, he visited Sicily, Naples, and Pisa. For a few years in his life, he became a mercenary with the forces of cavaliere Antonio Manfredini, who was fighting for the Duchy of Tuscany against the Saracens. He fought to capture the Castle of Sichia, in present İskenderun in Turkey. After the campaign, he returned to Livorno, and in 1637, traveled to Lisbon, visited Liguria, the Southern coast of France and Madrid. Back in Tuscany, he focused again on painting, travelling to Rome. There he was a roommate of the engraver Stefano della Bella. In Rome, he painted a Rape of the Sabines for Leopoldo de' Medici. He returned to Florence to paint a ceiling in the Oratory of San Filippo Neri. He traveled to Venice in 1643, painting Evangelists for the church of the Ospedaletto. He also painted a large altarpiece (1650) for the church of Santi Giovanni e Paolo in Venice. He painted a St Anthony of Padua with Venice in prayer for the church of the Salute. In 1662, he was knighted by the Doge Francesco Molino. He was nicknamed il Libertino due to his frequent choice of salacious themes in cabinet pieces. He painted frescoes of the Battle of the Dardanelles for the Doge's palace; the Slaughter of the Innocents for the church of the Ognissanti in Venice; Noah leaving the Ark in the cathedral at Vicenza; and the Deluge at Santa Maria Maggiore at Bergamo. He is represented at for example Kadriorg Palace, part of the Art Museum of Estonia in Tallinn, Estonia. His masterpiece is likely the altarpiece of Sant' Elena finding the Cross for the church of San Moisè in Venice. Marco Liberi, his son, was also a painter. Other pupils include Giannantonio Lazzari.

De Zondvloed door Pietro Liberi, Basiliek van Santa Maria Maggiore (Bergamo)
Van Atrecht
Life and career
Dated record
Life and career
The full dated record · 2 entries
1605
Pietro Liberi born at Padua.
1687
Pietro Liberi died at Venice.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Padua.
Birth place
Venice.
Death place
Primary material
Documents and archives
scholarly publication
- Liberi, Pietro, Painting of the Golden Age, 1993
Scholarly · Crossref registry · 1993
authority record
- Wikidata, structured authority record Q979467: Pietro Liberi
General reference · Wikidata
reference work
- “Pietro Liberi”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Pietro Liberi, revision 1365392383 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.[ Della origine e delle vicende della pittura in Padova], by Giannantonio Moschini, Tipografia Crescini, Padua (1826), page 114–116.
- 2.Crowning of Europa and le Roi Candaule
- 3.Farquhar, Maria. Biographical catalogue of the principal Italian painters. Woodfall & Kinder. 84. 1855.
- 4.M. Farquhar, p. 84.
- 5.Art Museum of Estonia.
- 6.[ The History of Painting in Italy: From the Period of the Revival ..., Volume 2], by Luigi Lanzi, page 266.
- 7.[ Biografia degli artisti] by Filippo de Boni, page 542.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
scholarly publication
Liberi, Pietro, Painting of the Golden Age, 1993Crossref registry
Institutional witnessauthority record
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
Elsewhere in Paintings
19,456 published records in this field, each with its sources named.
- Pietro GalterArtist
- Pietro GaspariArtist
- Pietro GonzagaArtist
- Pietro GuarientiArtist
- Pietro LonghiArtist
- Pietro LorenzettiArtist
- Pietro LucatelliArtist
- Pietro MalombraArtist
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