Pierre Baillot

Baillot's teachings had a profound influence on technical and musical development in an age in which virtuosity was openly encouraged. He was leader of the Paris Opéra, gave solo recitals and was a notable performer of chamber music.

Training under Giovanni Battista Viotti is recorded. Narcisse Girard and Eugène Sauzay are recorded as having studied under Pierre Baillot. The recorded working language is French. Subjects and genres recorded for the work are classical. Employment is recorded with Conservatoire de Paris.

• Birth Name — Pierre Marie François de Sales Baillot • Born — 1 October 1771 • Birthplace — Passy, Paris, France • Died — 15 September 1842 • Place of death — Paris • Occupation — Violinist Composer • Years Active — 1791-1833

Pierre Baillot, who was associated with Rode and Kreutzer in the compilation of the celebrated Methode du Violon, was born at Passy, near Paris, and became one of the best violinists of his time. His eminence in his profession was not obtained without a long struggle against great difficulties, for at the age of twelve he lost his father, who had kept a school, and became dependent upon friends for his education. His musical talent was remarkable at an early age, and he received his first instruction from an Italian named Polidori. At the age of nine, he was placed under a French teacher named Sainte-Marie, whose training gave him the severe state and methodical qualities by which his playing was distinguished. At the age of ten, he heard Viotti play one of his concertos, becoming his model. When his father died a year or two later, the intendant of Corsica, M. de Boucheporn, sent him, with his own children, to Rome, where he was placed with Pollani, a pupil of Nardini, under whom he made rapid progress, and soon began to play in public. He was, however, unable to follow directly in the path of his profession, and for five years he travelled with his benefactor, acting as private secretary.

In 1791, he returned to Paris, and Viotti secured a place for him in the opera orchestra. But on being offered a position in the Ministère des Finances, he gave up his operatic work, and for some years devoted only his leisure to the study of the violin. He served in the army for twenty months, after which he once more determined to take up music as a profession, soon appearing in public with a concerto by Viotti. This performance established his reputation, and he was offered a professorship of violin playing at the Conservatoire, then recently opened. His next appointment was to the private band of Napoleon, after which he travelled for three years in Russia with the violoncello player Lemare. Returning to Paris, he established concerts for chamber music, which proved successful, and built up for him a reputation as a quartet player. He frequently performed together with the Polish pianist and composer Maria Agata Szymanowska. Baillot travelled again, visiting the Netherlands, Belgium, and England, and then he became leader of the opera band in Paris and of the royal band. In March 1825, while serving as concertmaster of the Paris Opéra, Baillot and Luigi Cherubini evaluated Felix Mendelssohn's application for admission to the Paris Conservatory by playing his Quartet for Piano and Strings in B minor. Mendelssohn was only 16 years old. An anecdote mentioned that, overcome with emotion, Baillot approached the young composer after the performance and, without uttering a word, simply embraced him. Baillot made a final tour in Switzerland in 1833, and died in Paris in 1842.