Philotheos Skoufos
Also recorded as Filotheos Skoufos
Philotheos Skoufos

Tzim78 · CC BY-SA 4.0
- Born
- 1620 · Chania.
- Died
- 1685 · Zakynthos.
- Occupation
- priest · painter
- Languages
- Greek · Italian
In this article
Key facts
• Born — Between 1615 and 1625 • Birthplace — Chania, Crete • Died — 1685 • Place of death — Zakynthos • Movement — Cretan School, Heptanese School Philotheos Skoufos (also Filotheos; between 1615 and 1625 – 1685) was a Greek painter, educator and clergyman during the 17th century. He collaborated with Emmanuel Tzanes on several pieces while he was in Corfu. Philotheos was a member of the Cretan School and Heptanese School. His work was influenced by the Venetian school. He was briefly affiliated with the famous Greek church in Venice San Giorgio dei Greci. Emmanuel Tzanes and Konstantinos Tzanes were also in Venice around the same period and affiliated with San Giorgio dei Greci. He was the priest who presided over famous painter Ioannis Moskos's wedding. Philotheos was active on the Ionian Island while Theodore Poulakis and Elias Moskos also had active workshops. Skoufos most popular works were the Stoning of St Stephen and the Virgin in the Temple.
History
Skoufos was born on the island of Crete. He was a monk at the Chryssopigi Monastery Crete. While he was in Crete he learned painting. The Cretan War (1645–1669) broke out. He fled to Souda. He later joined 34 monks in the military branch of Saint Basil's. He bravely fought for the Venetian Empire under General Andrea Cornora. He spied on the enemy and assisted the Archbishop of Philadelphia Athanasios Valeriano. The monks helped arm the locals to resist the oncoming invasion. Skoufos fled to the Ionian Islands and awaited permission to travel to Venice. • Illustration — The Stoning of Saint Steven While Skoufos was on the island of Corfu he painted with Tzanes. He briefly was a monk at the Monastery of Saint Paraskevi. He was in Venice by 1653 as a teacher at the Scuola dei Greci. He stayed in this position for two years. He was temporarily the pastor of San Giorgio dei Greci. He married 13 people between 1655 and 1658. He was not permanently elected to the position. In 1660, Emmanuel Tzanes became the parish priest of the Greek Orthodox Church San Giorgio Dei Greco replacing Skoufos. Skoufos stayed in Venice for another five years. While he was in Venice he complained about living in poverty and wanted to go to the Ionian Islands. He wanted his own church. By 1665, the Venetian State granted him the monastery of Panagia Laurentaina on the island of Zakynthos. Painter Elias Moskos had an active workshop on the same island. Skoufos stayed on the island for the rest of his life. According to records in 1670 the church was in poor condition. Skoufos worked hard to renovate it. He painted many parts of the church. He requested permission to leave the church to his nephew Parthenios Skoufos. Around this time he also taught painting. He signed a four-year contract with the father of Nicoletos Gropas. He taught his son painting and made him a priest. Philotheos continued to decorate the church of Laurentaina. By 1673, his nephew Parthenios took over the Monastery at Laurentaina. He also gave his nieces his property on the island of Zakynthos. He retired at the monastery of Agios Athanasios of Kipi. He died on March 9, 1685. Skoufos adopted a unique artistic style and characteristic. The artist utilized three schools the Heptanese School, Cretan School and the Venetian school. Clearly the Forty Holy Martyrs and The Stoning of Saint Steven escape the traditional maniera greca and carry the Cretan School into the Heptanese School which were clearly influenced by the Venetian school. His workshop was on the same island as Elias Moskos and the father of the Heptanese School Theodore Poulakis was on the neighboring island Corfu. Clearly, Skoufos influenced many artists including Emmanuel Tzanes whom he collaborated with on several occasions. Comparing Theodore Poulakis Adam and Eve to Skoufos Forty Holy Martyrs. Both exhibit a sculpture-like realism. The bodies in both paintings are sculptured with clear dimensions. Skoufos technique also has its place in the early formation of the Heptanese School. One artist that Skoufos's work closely resembles is Victor (iconographer).
Gallery
• Illustration — Dormition of Sabbas the Sanctified • Illustration — Presentation of Jesus • Illustration — Saint Catherine
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Chania.
Birth place
Zakynthos.
Death place
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Philotheos Skoufos, revision 1343415434 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Primary material
Documents and archives
reference work
- “Philotheos Skoufos”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q12885789: Philotheos Skoufos
Unverified · Wikidata
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Tsokkoy, Κ. Α. Aristotle University of Thessaloniki Philosophical School Refugees of the Cretan War. Aristotle University of Thessaloniki. 49–50. 2008.
- 2.Speake, Graham. Emmanuel Tzanes Encyclopedia of Greece and the Hellenic Tradition. Rutledge Taylor & Francis Group. 443. 2021. 9781135942137.
- 3.Tsokkoy, 2008, p. 80
- 4.Tsokkoy, 2008, p. 86
- 5.Tsokkoy, 2008, p. 156
- 6.Tsokkoy, 2008, p. 49-50
- 7.Staff Writers. Athene Volumes 23-24. Athene Enterprises, Incorporated. 297. 1962.
- 8.Tsokkoy, 2008, p. 156
- 9.Kakavas, George. Post-Byzantium The Greek Renaissance : 15th-18th Century Treasures from the Byzantine & Christian Museum, Athens. Hellenic Ministry of Culture Onassis Cultural Center. 34. 2002. 9789602140536.
Citations
References
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reference work
Partially resolvedauthority record
Unverified
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 20 August 2026.
Elsewhere in Paintings
18,153 published records in this field, each with its sources named.
- Philips AngelArtist
- Philips de MarlierArtist
- Philips KoninckArtist
- Philomé ObinArtist
- Philoxenus of EretriaArtist
- Phoebe Amelia WatsonArtist
- Phoebe Anna TraquairArtist
- Phoebe Davis NattArtist
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