Philip Sadée

The authorities additionally record the headings Philip Lodewijk Jacob Frederik Sadée, Philip Lodewijk Jacob Frederik Sadee, Philippe Lodowyck Jacob Frederik Sadee, Jacob Frederik Sadée and Philip Sadee.

His work is associated with Hague School.

He was employed by Haagsche Teekenacademie. He belonged to Arti et Amicitiae and Hague School. He worked at The Hague, Düsseldorf, Belgium and Germany.

What the record establishes about Philip Sadée.

Scheveningse vrouwen bij het nalezen van een gerooid aardappelveld is dated 1874 and held by Rijksmuseum (inventory SK-A-1167). Dutch Peasants is catalogued and held by Aberdeen Archives, Gallery and Museums collections (inventory ABDAG003900). Homecoming is dated 1869 and held by Cultural Heritage Agency of the Netherlands Art Collection (inventory NK1356). Cultural Heritage Agency of the Netherlands Art Collection records 2 objects associated with this heading. Fisherwomen in a dune landscape is dated 1870 and held by Instituut Collectie Nederland (inventory E448). The End of the Day is dated 1865 and held by Sheffield Galleries and Museums Trust (inventory VIS.1368).

Arrival of Fishing Smacks is dated 1875 and held by Brighton Museum & Art Gallery (inventory FA000047). Waiting for the Boats is dated 1875 and held by Brighton Museum & Art Gallery (inventory FA000046). Returning from Labour is catalogued and held by Brighton Museum & Art Gallery (inventory FA000453). Aberdeen Archives, Gallery and Museums collections records 1 object associated with this heading. Fell, Dame Honor Bridget (1900-1986) is dated 1919-1988 and held by Wellcome Collection. private collection Hendrik Willem Mesdag records 2 objects associated with this heading.

Return from the Boats is dated 1890 and held by Museum of Watford (inventory 2004.567). Strangeways Research Laboratory is dated c.1901-1999 and held by Wellcome Collection. Sheffield Galleries and Museums Trust records 2 objects associated with this heading. Potato Digging is dated 1875 and held by Whitworth Art Gallery (inventory O.1910.6). Herring smokehouse is dated 1878 and held by Van Gogh Museum (inventory s0545S2018). Return from the beach is dated 1878 and held by Teylers Museum (inventory KS 117).

Strand is dated 1900 and held by Stedelijk Museum Amsterdam (inventory A 21973). Interior is dated 1874 and held by The Mesdag Collection (inventory hwm0299). Brighton Museum & Art Gallery records 3 objects associated with this heading. Instituut Collectie Nederland records 1 object associated with this heading.

The identifiers under which Philip Sadée may be traced in institutional catalogues.

Philip Sadée is established in the international name authorities as Wikidata Q2002141.

1 scholarly publication naming this subject was located in the registry of record.

Sadée, Philip Lodowyck Jacob Frederik, Benezit Dictionary of Artists, 2011.

Bibliographic registers publish measured figures for this heading: 5 language editions of the general reference literature carrying an article (Wikimedia (language editions)). A count of publications is evidence of attention, not of standing, and is given here only as a measure.

This article draws on 3 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 3 means 3 genuinely separate publishers of record. 16 further registers were consulted and returned nothing for this heading.

Subjects and genres recorded for the work are portrait. The authority associates the name with Hague School.

Places of work recorded in the authority are The Hague, Düsseldorf and Belgium. Employment is recorded with Haagsche Teekenacademie. Membership is recorded of Arti et Amicitiae and Hague School.

Works named in the authority record are Return from the beach.

Work by Philip Sadée is recorded in the collections of Teylers Museum, Amsterdam Museum, Dordrechts Museum, Rijksmuseum and Stedelijk Museum Amsterdam.