Peter Fendi
Peter Fendi (4 September 1796 – 28 August 1842) was an Austrian court painter, portrait and genre painter, engraver, and lithographer. He was one of the leading artists of the Biedermeier period.
Peter Fendi

Friedrich von Amerling · [1] · Public domain
- Born
- 1796.
- Died
- 1842.
- Fields
- genre painting and portrait.
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Peter Fendi (4 September 1796 – 28 August 1842) was an Austrian court painter, portrait and genre painter, engraver, and lithographer. He was one of the leading artists of the Biedermeier period.
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In this article
About
About
Peter Fendi was born in Vienna on 4 September, 1796, to Joseph and Elizabeth Fendi. His father was a schoolmaster. He fell from a changing table as an infant, an accident which caused irreparable damage to his spine. Fendi demonstrated a talent for drawing from childhood. He was admitted to the St. Anna's Academy of Fine Art in 1810 at the age of thirteen, where he studied for three years under Johann Martin Fischer, Hubert Maurer and Johann Baptist von Lampi the Elder. Fendi met Joseph Barth, an art collector and the personal ophthalmologist of Joseph II, and through Barth's connections to other influential artists, in 1818 Fendi found a job at the Imperial Gallery of Coins and Antiquities, where he worked as a draughtsman and engraver. Fendi received a gold medal in 1821 for his oil painting Vilenica, and was elected a member of the Academy of Fine Arts Vienna in 1836. Both nobles and commoners occasionally employed Fendi to give instruction in drawing and painting, and later in life teaching took up more of his time; his pupils included Carl Schindler and Johann Friedrich Treml. He died on 28 August 1842.
Works
Works
Fendi painted in oil and watercolours, as well as working with printing, etching, lithography and wood carving. Multicolored prints by Fendi are considered pioneering achievements in the field of lithography. Fendi is remembered for his genre scenes, influenced by Dutch painters such as Adriaen Brouwer, Adriaen van Ostade and Rembrandt. Other influences on Fendi's artistic development included the works of Italians such as Giovanni Bellini, Tintoretto, Titian, and Paolo Veronese, which he saw on a trip to Venice in 1821. He is also well known for his portraits of the aristocracy. Fendi engraved a series five of Austrian banknotes that were issued in 1841. His works are preserved in the Albertina Museum, the Austrian Gallery in the Belvedere, Kunsthistorisches Museum, and in the collections of the Prince of Liechtenstein in Vaduz.

Scene from Friedrich Schiller's poem "The Song of the Bell", oil on panel by Peter Fendi; Art Museum Riga Bourse, Riga, Latvia
Peter Fendi · Self-photographed
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Painters: 200th Birthday of Peter Fendi. AEIOU, Federal Ministry for Education, Science and Culture (Austria).
- 2.Bullough, Bullough, 1994, p=48
- 3.Getty Research - Union List of Artist Names - Peter Fendi - Full Record Display Getty Foundation
- 4.Parsons, 2008, p=197
- 5.Koschatzky, 1988, p=106
- 6.Waissenberger 1986, p. 164.
- 7.The Imperial Gallery of Coins and Antiquities was originally part of the Imperial Art Collection, which was later transferred the Kunsthistorisches Museum
- 8.Idbury Prints Limited. Peter Fendi. Idburyprints.com.
- 9.ProGEO. The book about Karst. ProGEO Newsletter. 1998.
- 10.Norman 1987, p. 84.
- 11.Waissenberger 1986, p. 166.
- 12.Howard Gibbs, 1997, p=290
- 13.Hessler, Gene. The International Engraver's Line. Gene Hessler. 100. 2005. 978-0976841104.
Bibliography printed in the source article · 6
- Parsons, Nicholas. Vienna: A Cultural History. Oxford University Press US. 2008. 978-0-19-537607-4.
- Bullough, Vern L. Human Sexuality: An Encyclopedia. Taylor & Francis. 1994. 978-0-8240-7972-7.
- Howard Gibbs, Christopher. The Cambridge Companion to Schubert. Cambridge University Press. 1997. 978-0-521-48424-4.
- Koschatzky, Walter. Viennese Watercolors of the Nineteenth Century. Harry N. Abrams, Inc. 1988. 978-0-8109-1375-2.
- Waissenberger, Robert. Vienna in the Biedermeier Era. Rizzoli. 1986. 0-8478-0715-0.
- Norman, Geraldine. Nineteenth Century Painters and Painting: A Dictionary. Thames & Hudson. 1977. 0-520-03328-0.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
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Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
Elsewhere in Illustration
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- Peter GouldthorpeIllustrator
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