Parviz Tanavoli

Tanavoli series of sculpture work Heech are displayed in the British Museum, the Metropolitan Museum of Art, at Hamline University, in the Aga Khan Museum, and as public art in Vancouver. Tanavoli has also written extensively on this history of Persian art and craftsmanship. Since 1989, Tanavoli has held dual citizenship in Iran and Canada, and has lived and worked in both Tehran, Iran and Horseshoe Bay, West Vancouver, British Columbia.

Parviz Tanavoli studied at Brera Academy. The recorded working language is Persian. Subjects and genres recorded for the work are abstract art. Places of work recorded in the authority are Vancouver, Tehran and Carrara. Employment is recorded with University of Tehran. Work by Parviz Tanavoli is recorded in the collections of Tate.

• Name — Parviz Tanavoli • Native Name — پرویز تناولی • Birth Name — Parviz Tanavoli • Born — 24 March 1937 • Birthplace — Tehran, Imperial State of Iran • Movement — Saqqakhaneh School of Art Hurufiyya movement • Website — https: www.tanavoli.com/ • Education — Tehran School of Fine Arts Academy of Fine Arts in Carrara, Brera Academy • Occupation — Artist, Art Historian, Educator, Scholar • Known for — Sculpture, painting, authorship • Works — The Wall (Oh Persepolis) Heech

Parviz Tanavoli was born on 24 March 1937 in Tehran. In 1952, he started his education at the Tehran School of Fine Arts (now part of the University of Tehran). He continued his studies in Italy at the Academy of Fine Arts in Carrara (Italian: Accademia di Belle Arti di Carrara) in 1956 to 1957; as well as at Brera Academy (Italian: Accademia di Belle Arti di Brera) in Milan from 1958 to 1959. He studied under sculptor Mariano Marini. Upon graduating from the Brera Academy in 1959, he returned to Iran in 1960 and taught sculpting at the College of Decorative Arts in Tehran.

• Illustration — Parviz Tanavoli, Heech, Stainless steel, Agha Khan Museum, Toronto (Canada) • Illustration — Parviz Tanavoli, Heech Lovers, 5.5 Meters in Stainless steel, Vancouver (Canada) He is the main figure and the key member of the Saqqakhaneh group of artists who share a common popular aesthetic, according to the scholar Karim Emami. He has been influenced heavily by his country's history and culture, and traditions and has always been fascinated with locksmithing. Tanavoli was once a cultural advisor to the Shahbanu Farah Pahlavi. Tanavoli is known for his faes, three-dimensional representations of the Persian word for 'nothing', fa. Composed of three Persian characters in the style of nasta'liq, the three letters he, ye and če are combined to produce the word fa. \ In 2003, Tanavoli turned his Tehran house into the "Museum of Parviz Tanavoli," showcasing his personal art collection, which was only open for a few months due to political issues in Iran. One example of this series is the 2007 bronze sculpture Poet Turning Into Heech, held by the Metropolitan Museum of Art. Its composition combines the calligraphic form of heech with the figure of a poet. The museum relates Tanavoli's treatment of the word to the poetry of Rumi and to the Sufi idea that creation emerges from nothingness; across the series, the word may sit on a chair, appear inside a cage, or envelop a human figure.

In 1967, Tanavoli, Kamran Diba, and Roxana Saba (daughter of Abolhasan Saba) founded the Rasht 29 Club on a northern street near the Amirkabir University of Technology (formerly the Tehran Polytechnic). Rasht 29 Club was named after the street address, and it was a popular hangout amongst artists of the time including Marcos Grigorian, Hossein Zenderoudi, Sadegh Tabrizi, Faramarz Pilaram, Sohrab Sepehri, Massoud Arabshahi, Yadollah Royai, Nader Naderpour, Reza Baraheni, Esmail Shahroudi, Ahmadreza Ahmadi, Bijan Elahi, Ebrahim Golestan, Hageer Daruish, Kamran Shirdel, Sadeq Chubak, Karl Schlamminger, and others.

Tanavoli's work has been auctioned worldwide, leading to over $9 million in overall sales, making him the most expensive living Iranian artist. In 2008, his work, The Wall (Oh Persepolis), an almost 2-meter tall bronze sculpture covered in incomprehensible hieroglyphs fetched USD 2.84 million at a Dubai Christie's sale, which was an auction record for an artist of Middle Eastern origins.

The most recent solo exhibition of Parviz Tanavoli, "Parviz Tanavoli: Poets, Locks, Cages", took place from 1 July 2023, to 19 November 2023, showcasing a comprehensive range of his works spanning six decades. This exhibition, held at Vancouver Art Gallery, provided a thorough retrospective of his career. Prior to this, his solo exhibition was in 2019 at the West Vancouver Art Museum entitled "Oh Nightingale". Before that, he had another solo exhibition in 2017 at the Tehran Museum of Contemporary Art based on his Lions works and Lion collection. In 2015, after four decades, Davis Museum at Wellesley College organized the first solo exhibition of Tanavoli's work in the US. In 2003, he had a major retrospective at the Tehran Museum of Contemporary Art. Prior to that he had held solo exhibitions in Austria, Italy, Germany, United States and Britain. Tanavoli has been in group exhibitions internationally. His work has been displayed at the Tate Modern, British Museum, Metropolitan Museum of Art, the Grey Art Gallery - New York University, the Isfahan City Center, Nelson Rockefeller Collection, New York, Olympic Park, Seoul, South Korea, the Royal Museum of Jordan, the Museum of Modern Art, Vienna, Museum of Modern Art, New York, Walker Art Center, Minneapolis, Hamline University, St. Paul and Shiraz University, Iran.

In 2005, he created a small piece of sculpture called Heech in a Cage to protest the conditions of the American-held prisoners at Guantanamo Bay detainment camp and in 2006, began work on his piece to honor the victims of the Israeli-Lebanon war. A day before Tanavoli was due to speak at the British Museum in 2016, authorities in Iran confiscated his passport, preventing him from leaving the country, accusing him of "disturbing the public peace". Tanavoli explained that "I have not done anything wrong. I spent the whole day at the passport office, but no one told me anything, nor did anyone at the airport. I'm not a political person, I'm merely an artist."

Tanavoli has authored over forty publications dating back over four decades. Among these are: * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *

Films, books, catalogs and magazines on Parviz Tanavoli • Film: The biographical documentary film, “Parviz Tanavoli: Poetry in Bronze” was released in 2015 • Parviz Tanavoli's: Monograph is considered the first exquisite "Catalog raisonné " of an artist in the Middle East. Notes by Parviz Tanavoli, Sia Aramjani, Shiva Balaghi, Kamran Diba, Gisela Fook, Maryam Saudi, Alireza Sami Azar and Tandis Tanavoli have been published in this book. This book, in English and Arabic, was published once and for all in a limited edition of 1000 volumes, each with a unique number, in 2010 with the support of the Sheikh of Abu Dhabi, Khalifa Bin Zayed Al Nahyan, and was purchased by famous collectors and libraries. * * * * * * * * * *