Otis Spann
Otis Spann (March 21, 1924, or 1930April 24, 1970) was an American blues musician many consider the leading postwar Chicago blues pianist.
Otis Spann
- Name
- Otis Spann
- Born
- 21 March 1924 or 1930
- Birthplace
- Belzoni or Jackson, Mississippi, U.S.
- Died
- 24 April 1970 (aged 40 or 46)
- Place of death
- Chicago, Illinois, U.S.
- Occupation
- Musician
- Nationality
- United States
- Fields
- blues
- Honours
- Blues Hall of Fame
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Otis Spann (March 21, 1924, or 1930April 24, 1970) was an American blues musician many consider the leading postwar Chicago blues pianist.
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wikidata · Q1349079 · wikipedia · Otis Spann
In this article
Key facts
Key facts
• Name — Otis Spann • Born — 21 March 1924 or 1930 • Birthplace — Belzoni or Jackson, Mississippi, U.S. • Died — 24 April 1970 (aged 40 or 46) • Place of death — Chicago, Illinois, U.S. • Instrument — Piano, vocals • Genre — Chicago blues • Occupation — Musician • Years Active — 1944–1970 • Label — Decca, Chess, Storyville, Testament, Bluesway, Vanguard, CBS/Blue Horizon
Early life
Early life
Sources differ over Spann's early years. Some state that he was born in Jackson, Mississippi, in 1930, but researchers Bob Eagle and Eric LeBlanc concluded, based on census records and other official information, that he was born in 1924 in Belzoni, Mississippi. Spann's father was, according to some sources, a pianist called Friday Ford. His mother, Josephine Erby, was a guitarist who had worked with Memphis Minnie and Bessie Smith, and his stepfather, Frank Houston Spann, was a preacher and musician. One of five children, Spann began playing the piano at seven, with some instruction from Friday Ford, Frank Spann, and Little Brother Montgomery.
Career
Career
By age 14, he was playing in bands in the Jackson area. He moved to Chicago in 1946, where Big Maceo Merriweather mentored him. Spann performed solo with the guitarist Morris Pejoe, working a regular spot at the Tic Toc Lounge. Spann was known for his distinctive piano style. He became Muddy Waters' piano player in late 1952 and participated in his first recording session with the band on September 24, 1953. He played on many of Muddy Waters' most famous songs, including the blues standards "Hoochie Coochie Man," "I'm Ready," and "Got My Mojo Working." During his tenure with the group, he continued to record as a solo artist and session player with other musicians, including Bo Diddley and Howlin' Wolf. He stayed with Muddy Waters until 1968. Spann's work for Chess Records includes the 1954 single "It Must Have Been the Devil," backed with "Five Spot," with B.B. King and Jody Williams on guitars. Sometimes, he is credited for playing piano on a couple of Chuck Berry songs, including "You Can't Catch Me" (1956), but others indicate that it could have been Berry's regular pianist Johnnie Johnson. In 1956, he recorded two unreleased tracks with Big Walter Horton and Robert Lockwood. He recorded a session with the guitarist Robert Lockwood, Jr. and vocalist St. Louis Jimmy in New York on August 23, 1960, which was issued on the albums Otis Spann Is the Blues and Walking the Blues. A 1963 session, Good Morning Mr. Blues, for Storyville Records was recorded in Copenhagen. He worked with Muddy Waters and Eric Clapton on recordings for Decca and with James Cotton for Prestige in 1964. The Blues Is Where It's At, Spann's 1966 album for ABC-Bluesway, includes contributions from George "Harmonica" Smith, Muddy Waters, and Sammy Lawhorn. The Bottom of the Blues (1967), featuring Spann's wife, Lucille Spann (June 23, 1938 – August 2, 1994), was released by Bluesway. He worked on albums with Buddy Guy, Big Mama Thornton, Peter Green, and Fleetwood Mac in the late 1960s. In 2012, Silk City Records released Someday, featuring live and studio performances from 1967 produced by the blues guitarist Son Lewis. DVD recordings of Spann include his performances at the Newport Jazz Festival (1960), the American Folk Blues Festival (1963), the Blues Masters (1966), and the Copenhagen Jazz Festival (1968).
Death
Death
Spann died of liver cancer in Chicago in 1970. He was buried in Burr Oak Cemetery in Alsip, Illinois. His grave was unmarked for almost 30 years until Steve Salter (president of the Killer Blues Headstone Project) wrote a letter to Blues Revue magazine, saying, "This piano great is lying in an unmarked grave. Let's do something about this deplorable situation". Blues enthusiasts from around the world sent donations to purchase a headstone. On June 6, 1999, the marker was unveiled in a private ceremony. The stone is inscribed, "Otis played the deepest blues we ever heard – He'll play forever in our hearts".
Identity
Identity
Otis Spann is recorded as a citizen of United States. Recorded with the occupation musician. Classed in the genre blues.
Life and career
Dated record
Life and career
The full dated record · 2 entries
1930
Otis Spann was born on 21 March 1930.
1970
Otis Spann died on 25 April 1970.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Jackson.
Birth place
Chicago.
Death place
Legacy
In 1970, the Ann Arbor Blues and Jazz Festival site was named "Otis Spann Memorial Field." In 1972, Village Voice critic Robert Christgau called Spann "the greatest modern blues pianist." He later included Spann's 1972 Barnaby compilation Walking the Blues in "A Basic Record Library" of 1950s and 1960s music, published in Christgau's Record Guide: Rock Albums of the Seventies (1981). Spann was posthumously elected to the Blues Hall of Fame in 1980. On November 13, 2012, Spann (along with cousin and fellow pianist Little Johnnie Jones) received a Mississippi Blues Trail Marker plaque, erected at 547 South Roach Street in Jackson, Mississippi, where the family lived in the 1930s and 1940s.
Discography
• Otis Spann Is the Blues (Candid, 1961) • Good Morning Mr. Blues (1963) • The Blues of Otis Spann (Decca, 1964) • The Blues Never Die! (Prestige, 1965) • Chicago/The Blues/Today!, vol. 1 (Vanguard, 1966); split release with other artists) • Otis Spann's Chicago Blues (Testament, 1966), also released as Nobody Knows My Troubles • The Blues Is Where It's At (BluesWay, 1966) • The Bottom of the Blues (BluesWay, 1968) • Cryin' Time (Vanguard, 1969) • The Biggest Thing Since Colossus (Blue Horizon, 1969) • The Everlasting Blues vs. Otis Spann (Spivey, 1969) • Up in the Queen's Pad (Spivey, 1969) • Super Black Blues (BluesTime, 1969) with T-Bone Walker and Joe Turner • Sweet Giant of the Blues (BluesTime, 1970) • Walking the Blues (Barnaby, 1960 [1972]) • Heart Loaded with Trouble (BluesWay, 1973) - compilation • Otis Rides Again (Piccadilly, 1980) • Last Call: Live at Boston Tea Party (recorded 1970, released 2000) • I Wanna Go Home (recorded 1964–69, released 2003) • Complete Blue Horizon Sessions (recorded 1969, released 2006) • Someday... (recorded 1967, released 2012)
Primary material
Documents and archives
reference work
- “Otis Spann”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q1349079: Otis Spann
General reference · Wikidata
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Du Noyer, Paul. The Illustrated Encyclopedia of Music. Flame Tree Publishing. 181. 2003. 1-904041-96-5.
- 2.Dahl, Bill. Otis Spann: Biography. AllMusic.
- 3."Otis Spann". Encyclopedia.com. Retrieved October 13, 2016
- 4.Dicaire, David. Blues Singers: Biographies of 50 Legendary Artists of the Early 20th Century. McFarland & Company. 119. 1999. 978-0-7864-0606-7.
- 5.Eagle, Bob. Blues: A Regional Experience. Praeger. 195. 2013. 978-0313344237.
- 6.Harris, S. (1981). Blues Who's Who. New York: Da Capo Press. pp. 477–479. .
- 7.Wight, Phil. The Complete Muddy Waters Discography. Blues & Rhythm. 200. 40–41. 1991.
- 8.Russell, Tony. The Blues: From Robert Johnson to Robert Cray. Carlton Books. 168. 1997. 1-85868-255-X.
- 9.Chess Records/MCA Records. The Chess Box Chuck Berry. 29. 1988.
- 10.Perone, James E. Listen to the Blues!: Exploring a Musical Genre. ABC-CLIO. 156–157. 2019. 978-1-4408-6614-2.
- 11.Rothwell, Fred. Long Distance Information: Chuck Berry's Recording Legacy. 2001.
- 12.Leadbitter, M.; Fancourt, L.; Pelletier, P. (1994). Blues Records 1943–1970, vol. 2. London: Record Information Services.
- 13.Roberty, Marc (1993). Eric Clapton: The Complete Recording Sessions 1963–1995. New York: St. Martin’s Press. p. 16
- 14.LocalWiki.org. Otis Spann Memorial Field – Ann Arbor. 2011-02-18.
- 15.Christgau, Robert. Gift Albums. The Village Voice. December 17, 1972.
- 16.Christgau, Robert. Christgau's Record Guide: Rock Albums of the Seventies. Ticknor & Fields. 1981. 089919026X.
- 17.Otis Spann. Msbluestrail.org.
References
Citations
References
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reference work
Secondary witnessauthority record
General reference
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 18 August 2026.
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