Orest Kiprensky
Orest Adamovich Kiprensky (24 March 1782 – 17 October 1836) was a leading Russian portraitist in the Age of Romanticism. His most familiar work is probably Alexander Pushkin (Kiprensky painting) of Alexander Pushkin (1827), which prompted the poet to remark that "the mirror flatters me."
Also recorded as Orest Adamovich Kiprenskiĭ · Orest Kiprenskiĭ · Orest Adamowitsch Schwalbe · Orest Adamovich Kiprensky
Orest Kiprensky

Orest Kiprensky · Public domain
- Name
- Orest Kiprensky
- Birth Name
- Orest Adamovich Kiprensky
- Born
- 24 March 1782
- Birthplace
- Nezhnovo, Yamburgsky Uyezd, Saint Petersburg Governorate, Russian Empire
- Died
- 17 October 1836
- Place of death
- Rome, Papal States (now Italy)
- Field
- Portrait painting
- Training
- Grigory Ugryumov
- Education
- Alumni
- Elected
- Member
- Movement
- Romanticism
- Awards
- Medal Big Gold Medal of the Imperial Academy of Arts
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Documentary summary
Orest Adamovich Kiprensky (24 March 1782 – 17 October 1836) was a leading Russian portraitist in the Age of Romanticism. His most familiar work is probably Alexander Pushkin (Kiprensky painting) of Alexander Pushkin (1827), which prompted the poet to remark that "the mirror flatters me."
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Note VALÉORINE
Orest Kiprensky (1782–1836) was a Russian graphic artist and painter. Born in Nezhnovo, the graphic artist died in Rome.
Orest Kiprensky studied at Imperial Academy of Arts. The graphic artist was active in painting. Orest Kiprensky was associated with Romanticism.
Works include Alexander Pushkin. Genres include portrait. Languages used include Russian.
Composed from admitted, traceable facts · 01 October 2026
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Documentary evidence
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Authority files
wikidata · Q367120 · wikipedia · Orest Kiprensky
In this article
Biography
Biography
Orest Kiprensky studied at Imperial Academy of Arts. The recorded working language is Russian. The field of work recorded is painting. Subjects and genres recorded for the work are portrait. Diego Velázquez, Anthony van Dyck and Jacopo Tintoretto are recorded as an influence. Works named in the authority record are Alexander Pushkin, Portrait of A.A.Chelishchev, Portrait of Life Guard Colonel Yevgraf Davydov, Gazette readers in Naples and Portrait of Count Grigory Kushelev (1754-1833). Work by Orest Kiprensky is recorded in the collections of Tretyakov Gallery, Russian Museum, Hermitage Museum, National Gallery of Armenia and National Museum in Warsaw. Distinctions recorded are Large gold medal of the Imperial Academy of Arts.
Key facts
Key facts
• Name — Orest Kiprensky • Birth Name — Orest Adamovich Kiprensky • Born — 24 March 1782 • Birthplace — Nezhnovo, Yamburgsky Uyezd, Saint Petersburg Governorate, Russian Empire • Died — 17 October 1836 • Place of death — Rome, Papal States (now Italy) • Resting Place — Sant'Andrea delle Fratte, Rome • Field — Portrait painting • Training — Grigory Ugryumov • Education — Alumni • Elected — Member • Movement — Romanticism • Works — * Alexander Pushkin, 1827 • Newspaper Readers in Naples, 1831 • Awards — Medal Big Gold Medal of the Imperial Academy of Arts
Biography
Biography
Orest was born in the village of Nezhnovo in the Saint Petersburg Governorate on 24 March 1782. He was an illegitimate son of a landowner Alexey Dyakonov, hence his name, derived from Kypris, one of the Greek names for the goddess of love. He was raised in the family of Adam Shvalbe, a serf. Although Kiprensky was born a serf, he was released from the serfdom upon his birth and later his father helped him to enter a boarding school at the Imperial Academy of Arts in Saint Petersburg in 1788 (when Orest was only six years old). He studied at the boarding school and the Imperial Academy itself until 1803. He lived at the academy for three more years as a pensioner to fulfill requirements necessary to win the Major Gold medal. Winning the first prize for his work Prince Dmitri Donskoi after the Battle of Kulikovo (1805) enabled the young artist to go abroad to study art in Europe. A year before his graduation, in 1804, he painted the portrait of Adam Shvalbe, his foster father (1804), which was a great success. The portrait so impressed his contemporaries, that later members of the Naples Academy of Arts took it for the painting by some Old Master – Rubens or van Dyck. Kiprensky had to ask the members of the Imperial Academy of Arts for letters supporting his authorship. After that, Kiprensky lived in Moscow (1809), Tver 1811, Saint Petersburg 1812, in 1816–1822 he lived in Rome and Naples. In Italy he met a local girl Anna Maria Falcucci (Mariucci), to whom he became attached. He bought her from her dissolute family and employed as his ward. On leaving Italy, he sent her to a Roman Catholic convent. In 1828, Kiprensky came back to Italy, as he got a letter from his friend Samuil Galberg, informing him that they had lost track of Mariucci. Kiprensky found Mariucci, who had been transferred to another convent. In 1836 he eventually married her. He had to convert into Roman Catholicism from Russian Orthodoxy for this marriage to happen. He died by pneumonia in Rome later that year. He has been interred into the church of Sant'Andrea delle Fratte.
Selected works
Selected works
• Illustration — Adam Schwalbe, the painter's stepfather, 1804 • Illustration — Countess Yekaterina Rostopchina, 1809 • Illustration — Count Fyodor Rostopchin, 1809 • Illustration — Evgraf Davydov, 1809 • Illustration — The Young Man in a Spanish Costume, the so-called Vasily Perovsky, 1811 • Illustration — Vasily Zhukovsky, 1815 • Illustration — Sergey Uvarov, 1815 • Illustration — The Young Man in a Neckerchief, the so-called Karl Ivanovich Albrecht, с. 1816 • Illustration — Anna Maria Falcucci as the Girl in a Poppy Wreath Holding a Carnation, 1819 • Illustration — Alexander Shishkov, 1825 • Illustration — Nikita Petrovich Trubetzkoy, 1826 • Illustration — Alexander Pushkin, 1827 • Illustration — Ekaterina Telesheva, 1828 • Illustration — Newspaper Readers in Naples, 1831 • Illustration — Bertel Thorvaldsen, 1833 • Illustration — Pyotr Olenin, 1813 • Illustration — Yefim Chaplits, 1813 • Illustration — Alexander Ivanovich Dmitriev-Mamonov, 1815 • Illustration — Konstantin Batyushkov, 1815 • Illustration — Sofya Rostopchina, Countess of Ségur, 1823
Identity and origins
Identity and origins
The authorities additionally record the headings Orest Adamovich Kiprenskiĭ, Orest Kiprenskiĭ, Orest Adamowitsch Schwalbe, Orest Adamovich Kiprensky and Orest Adamowitsch Kiprenskij. His recorded language was Russian.
Work and production
Work and production
Works recorded as notable number 5: Alexander Pushkin, Portrait of A.A.Chelishchev, Portrait of Life Guard Colonel Yevgraf Davydov, Gazette readers in Naples and Portrait of Count Grigory Kushelev (1754-1833). His recorded genre is portrait.
Identity
Identity
Orest Kiprensky is recorded as having received Large gold medal of the Imperial Academy of Arts.
Life and career
Dated record
Life and career
The full dated record · 2 entries
1782
Orest Kiprensky was born in 1782 at Nezhnovo.
1836
Orest Kiprensky died in 1836 at Rome.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Nezhnovo.
Birth place
Rome.
Death place
Recognition and collections
Where the work is held
Recognition and collections
Orest Kiprensky received Large gold medal of the Imperial Academy of Arts.
Documents and archives
Primary material
Documents and archives
reference work
- Wikidata, structured authority record Q367120: Orest Kiprensky
Reputable secondary · Wikimedia Foundation
- “Orest Kiprensky”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
scholarly publication
Literature
Literature
Literature
Kiprensky, Orest Adamovich, Benezit Dictionary of Artists, 2011
Kiprensky, Orest, Oxford Art Online, 2003
Kiprensky, Orest (1782–1836)
The Portrait of Sergei Uvarov by Orest Kiprensky as a Refl ection of the Aesthetic and Social Views of the Depicted, Университетский научный журнал, 2022
Scholarly footprint
Literature
Scholarly footprint
A count of publications is evidence of attention, not of standing, and is given here only as a measure.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Orest Adamovich Kiprensky. Britannica.
- 2.Talalay, Mikhail G. Российский некрополь в Италии. Staraya Basmannaya. 352–353. 2014. 978-5-906470-18-8.
Bibliography printed in the source article · 3
- Bocharov, Ivan N. Кипренский. Molodaya Gvardiya. 1990. 5-235-01383-2.
- Paustovsky, Konstantin G. Собрание сочинений. Khudozhestvennaya Literatura. 3. 498–529. 1982.
- Sarabyanov, Dmitry V. Орест Адамович Кипренский. Khudozhnik RSFSR. 1982.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
scholarly publication
The Portrait of Sergei Uvarov by Orest Kiprensky as a Refl ection of the Aesthetic and Social Views of the Depicted, Университетский научный журнал, 2022Crossref registry
Institutional witnessreference work
Wikidata, structured authority record Q367120: Orest KiprenskyWikimedia Foundation
Secondary witnessreference work
Secondary witness
People, houses and institutions
Knowledge graph
People, houses and institutions
Teachers, collaborators, publishers and institutions recorded against this person, each on a stated basis.
Studied at
1- Imperial Academy of ArtsOrganisation
Established from a fact already recorded on a verified source.
Further particulars
Held on the record
Further particulars
Open the remaining particulars
Orest Kiprensky studied at Imperial Academy of Arts. His recorded influences include Diego Velázquez, Anthony van Dyck and Jacopo Tintoretto.
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
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