Olive Pink
Olive Muriel Pink (17 March 1884 – 6 July 1975) was an Australian botanical illustrator, anthropologist, gardener, and activist for Aboriginal rights who spent much of her life in Central Australia. Pink spent much of her life agitating and being a passionate advocate for improved rights and conditions for Australia's Indigenous people. She never married, having lost a "very dear friend" Harold Southern, a fellow artist who was killed at Gallipoli in 1915.
Also recorded as Olive Muriel Rosa · Olive Muriel Pink
Olive Pink

Miss Olive Pink · Public domain
- Name
- Olive Pink
- Birth Name
- Olive Muriel Pink
- Born
- 17 March 1884
- Birthplace
- Hobart, Tasmania, Australia
- Died
- 6 July 1975
- Place of death
- Alice Springs, Northern Territory, Australia
- Nationality
- Australia
- Occupation
- anthropologist · human rights defender · botanist · botanical collector · illustrator
- Education
- University of Sydney
- Languages
- English
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Documentary summary
Olive Muriel Pink (17 March 1884 – 6 July 1975) was an Australian botanical illustrator, anthropologist, gardener, and activist for Aboriginal rights who spent much of her life in Central Australia. Pink spent much of her life agitating and being a passionate advocate for improved rights and conditions for Australia's Indigenous people. She never married, having lost a "very dear friend" Harold Southern, a fellow artist who was killed at Gallipoli in 1915.
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Note VALÉORINE
Olive Pink (1884–1975) was an anthropologist, botanical collector and botanical illustrator, among other activities, of Australian nationality. The anthropologist was born in Hobart and died in Alice Springs. Olive Pink was educated at University of Sydney. Languages used include English.
Composed from admitted, traceable facts · 26 September 2026
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wikidata · Q7087188 · wikipedia · Olive Pink
In this article
Biography
Biography
In her later years, Pink concentrated on botanical pursuits and established the currently named Olive Pink Botanic Garden in Alice Springs.

24x15cm (prev. Fusanus acuminatus) (Quandong) ‘more crimson really’ (Olive Pink) painted at Beltana, S.A (Cropped)
Miss Olive Pink
Key facts
Key facts
• Name — Olive Pink • Birth Name — Olive Muriel Pink • Born — 17 March 1884 • Birthplace — Hobart, Tasmania, Australia • Died — 6 July 1975 • Place of death — Alice Springs, Northern Territory, Australia • Illustration — Olive Pink on her 90th birthday in 1974
Early life
Early life
• Illustration — Illustration of a quandong by Olive Pink Pink was born in Hobart, Tasmania, the eldest child of Robert Stuart Pink and his wife Eveline Fanny Margaret (née Kerr). She received her education from Hobart Girls High School and later studied art at Hobart Technical School under artist and sculptor Benjamin Sheppard. In 1909 she joined as staff of the school. Her father died in 1907, and in 1911 she moved with her mother and brother to Perth, Western Australia, and then in 1914 to Sydney, offering art lessons both privately and in private girls' schools. In May 1915, she joined the New South Wales Department of Public Works as a tracer, having attained a town planning diploma the previous year. Sometime later she moved to the NSW Government Railways and Tramways where she designed various advertising posters. During this period, she developed her artistic skills further by attending classes at the Sydney Art School, one of the most influential art schools in Australia, run by Julian Ashton.
Central Australia
Central Australia
In 1926 she holidayed with well-known welfare worker and anthropologist Daisy Bates in remote Ooldea on the edge of the Nullarbor Plain, having her first encounter with Aboriginal culture. This visit was one of the major experiences which inspired her to pursue a career in Anthropology. In 1930, Pink found herself retrenched from her government position and with her interest having been piqued by visits to the remote countryside, she travelled to Central Australia sketching desert flora. She returned to Sydney and attended lectures in anthropology at the University of Sydney and became secretary to the Anthropological Society of New South Wales. Between 1933 and 1936 she received grants from the Australian National Research Council, then chaired by AP Elkin (with whom she had a difficult relationship), to work among the Eastern Arrernte people near Alice Springs and the Warlpiri people of the Tanami Desert in Ilpirra Country. She published several papers on the Arrernte in 1933 and 1936, but, sensitive to cultural needs, refused to release her work on the Warlpiri; this effectively ended her anthropological career and also raised questions about why she decided to publish similar information about the Arrernte. At this time TGH Strehlow damned her lack of professional qualifications and attempted to have her prevented from visiting Aboriginal reserved and missions, She also met Albert Namatjira during this period and purchased two of his early paintings. The two remained friends until his death in 1959. During this early period of work Pink started agitating by writing letters to politicians and newspapers to raise the profile and awareness of difficulties faced by Aboriginal people; this practice would continue for the rest of her life. She strongly criticised government officials, missionaries and pastoralists, making uncompromising demands and constantly badgering politicians. In 1938 she sought help from the Sheetmetal Workers' Union, an organisation with communist ties, which resulted in her being investigated by ASIO as a communist sympathiser. It was found that she was no threat. In 1946, with a small grant from Quaker benefactors and the Sheetmetal Worker's Union, Pink attempted to establish a "secular sanctuary" (or commune) for the Warlpiri people in the Tanami Desert at Thompsons Rockhole (Pirdi Pirdi). While there she would continue her research and operate a ration depot. In 1946 she moved Papinya with about thirty Warlpiri people until drought, the breakdown of her car, and a violent incident with two Warlpiri men she had refused food forced her back to Alice Springs in the same year. This area would later become Yuendumu. Back in Alice Springs and suffering financial difficulties she lived in huts and a tent on the outskirts of the town and living off the proceeds of her home grown fruit and flowers and exhibitions of her artwork at the museum she established at her home. She also worked at the local courthouse and continued agitating for reform via extensive correspondence. During this period she heard reports of poor conditions in the Alice Springs Gaol and, after being refused an official visit, disrupted the court so that she was given a fine or 5 days in prison. She was furious when the then Warden Philip Muldoon paid her fine rather than have her in the gaol. It was also in this period she met with the artist Sidney Nolan and his wife, with whom she discussed her experiences with Aboriginal people. She refused the old age pension and lived on an income of approximately £6.00 a week. Also during this period Pink also had a series of arguments with the local police inspector William (Bill) McKinnon and the pair could frequently be seen arguing; Pink viewed McKinnon as 'unclean' and that he should have been convicted for the death of Yokununna while he saw her as a 'regular nuisance' with a 'most dangerous tongue'. He also believed her to be a 'menace to the security of Court House business' and banned her from visiting. It is possible that McKinnon led, or allowed, the harassment of Pink by government officials which saw her being evicted from her hut on Gregory Terrace. In 1955 she applied to the Northern Territory Administrator for a reservation of about 20 hectares of land on the eastern bank of the Todd River as a flora reserve. The following year the grant was gazetted as the Australian Arid Regions Flora Reserve, with assistance from the Minister for the Territories, Sir Paul Hasluck. Pink was appointed as the honorary curator. Hasluck had considerable correspondence with Pink over many years. In the Northern Territory Newsletter obituary in 1975 he told the following story: At the Arid Zone reserve Miss Pink planted trees and, with the aid of her Aboriginal helper, watered them and tended them. Each tree bore the name of some prominent citizen and if that citizen fell out of favour with her she ceased to water it. So that if the leaves of 'Mr Archer' were drooping and the leaves of 'Mr Marsh' were bright and green or 'Mr Barclay' was growing vigorously one knew at once what had happened in the handling of her latest request. I visited her on several occasions and could never restrain a curious glance at my tree and felt suitably gratified if I saw that 'Mr Hasluck' was being watered regularly.
Death
Death
Pink lived in the reserve, assisted by her long-time companion and gardener, Johnny Jambijimba Yannarilyi, until her death in Alice Springs at the age of 91. She died in Alice Springs Hospital and is buried in the Alice Springs Memorial Cemetery, within the Quaker section, a group with which she held close ties throughout her life and close to the Aboriginal section of the cemetery. Pink was also buried, according to her instructions, with her gravestone facing west (opposite to others buried there), toward Mount Gillen which she loved.
Identity
Identity
Olive Pink is recorded as anthropologist, human rights defender, botanist, botanical collector and illustrator. Recorded with the occupation botanical illustrator.
Life and career
Dated record
Life and career
The full dated record · 2 entries
1884
Olive Pink born at Hobart.
1975
Olive Pink died at Alice Springs.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Hobart.
Birth place
Alice Springs.
Death place
Legacy
In 1975, the botanical garden she built was renamed the Olive Pink Botanic Garden and opened to the public in 1985. That garden was the inspiration for Anne Boyd's 2017 orchestral composition Olive Pink's Garden. Boyd's 2022 opera, Olive Pink, was premiered in the garden. A collection of Pink's sketches, in pencil and crayon, is held in the University of Tasmania Library, to whom she bequeathed most of her art collection. Several Namatjira paintings previously owned by her were bequeathed and are held at the Tasmanian Museum and Art Gallery. Much of her correspondence has also been collected by major cultural institutions including the National Archives of Australia, AIATSIS and Library & Archives NT.
Primary material
Documents and archives
scholarly publication
- The Olive Pink Flora Reserve, Danthonia: newsletter of the Australian Network for Plant Conservation, 1993
Scholarly · Crossref registry · 1993
reference work
- “Olive Pink”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q7087188: Olive Pink
General reference · Wikidata
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.University of Tasmania. Item 26 – Water colour painting by H A Southern. Library Special and Rare Collections.
- 2.de Vries, Susanna. Desert Queen: The Many Lives and Loves of Daisy Bates. Harper Collins Publishers. 2008. 9780732282431.
- 3.Marcus, Julie. Olive Pink and the Encounter with the Academy. Mankind. 17. 3. 185–197. December 1987. 10.1111/j.1835-9310.1987.tb00743.x.
- 4.Marcus, Julie. Olive Muriel Pink (1884–1975). Australian Dictionary of Biography. National Centre of Biography, Australian National University.
- 5.Kimber, Dick. Northern Territory Dictionary of Biography. Charles Darwin University Press. 468-470. 2008. 9780980457810.
- 6.Jaworski, Phillip. Olive Muriel Pink (1884-1975). Royal Australian Historical Society. 2022-02-22.
- 7.Library & Archives NT. NTRS 1246 Records of the Central Australian Museum [maintained by Miss O.M. Pink]. Archives Navigator. 1946–1950.
- 8.Olive Muriel Pink: her radical & idealistic life. A poetic journey by Colleen Keating. colleen keating. 2021-11-02.
- 9.Nolan, Cynthia, Outback and Beyond, Angus & Robertson Sydney, 1994, p. 28
- 10.Black Inc. Return to Uluru. 119-120. 2021. 978-1-74382-169-5.
- 11."Obituary: Miss Pinks love story", Northern Territory Newsletter, July 1975, pp. 4–9
- 12.Pink, Olive. Olive Pink Collection. Photographs of Olive Pink's grave in Alice Springs. University of Tasmania. 2007.
- 13.Mandy Campbell. Olive Pink inspires Anne Boyd's new orchestral work. University of Sydney. 21 March 2017.
- 14.Janelle White. Hot Pink: Anne Boyd's new opera about trailblazing Aboriginal activist Olive Pink. Limelight. 19 September 2022.
Bibliography printed in the source article · 7
- Olive Muriel Pink (1884–1975). UTAS Archives collection.
- Marcus, Julie. First in Their Field: Women and Australian Anthropology. Melbourne University Press. 1993.
- Julie Marcus. Pink, Olive Muriel (1884–1975). 16. 2002.
- Marcus, Julie. The Indomitable Miss Pink. A Life in Anthropology. University of New South Wales Press. 2001. 0-86840-547-7.
- Pink, Olive Muriel (1884–1975). Bright Sparcs Biographical entry.
- Olive Pink (1884–1975). Women Tasmania: Significant Women.
- Olive Pink: Artist, Activist & Gardener: A Life in Flowers, Gillian Ward, 2018, Australia, Hardie Grant Books
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
scholarly publication
The Olive Pink Flora Reserve, Danthonia: newsletter of the Australian Network for Plant Conservation, 1993Crossref registry
Institutional witnessreference work
Secondary witnessauthority record
General reference
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
Elsewhere in Illustration
5,224 published records in this field, each with its sources named.
- Ole SporringIllustrator
- Oleg LipchenkoIllustrator
- Olga LehmannIllustrator
- Olga RozanovaIllustrator
- Olive Susanna DeLuceIllustrator
- Oliver HerfordIllustrator
- Oliver JeffersIllustrator
- Oliver OnionsIllustrator
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