Olive Mudie-Cooke
Olive Mudie-Cooke (1890 – 11 September 1925) was an English artist who is best known for the paintings she created during the First World War. Mudie-Cooke served as an ambulance driver in both France and Italy during the conflict and these experiences were reflected in her artwork.
Olive Mudie-Cooke

Olive Mudie-Cooke · http: 268/media-268767/large.jpg This photograph Art.IWM ART 5403 comes from the collections of the Imperial War Museums. · Public domain
- Name
- Olive Mudie-Cooke
- Born
- 1890
- Birthplace
- London
- Died
- 1925
- Place of death
- France
- Field
- Painting
- Training
- * St John's Wood Art School
- Occupation
- painter
- Education
- Goldsmiths and University of London · St John's Wood Art School
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Olive Mudie-Cooke (1890 – 11 September 1925) was an English artist who is best known for the paintings she created during the First World War. Mudie-Cooke served as an ambulance driver in both France and Italy during the conflict and these experiences were reflected in her artwork.
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Died In · outgoing
France
Place

Born In · outgoing
London
Place
Pencil sketch by George Henry Harlow, 1814, http://www.npg.org.uk/collections/search/largerimage.php?mkey=mw05495
Educated At · outgoing
St John's Wood Art School
Organisation

Educated At · outgoing
University of London
Organisation
Transferred from en.wikipedia to Commons by Jóna Þórunn .
Documentary evidence
Documentary basis
Authority files
wikidata · Q16031098 · wikipedia · Olive Mudie-Cooke
In this article
Key facts
Key facts
• Name — Olive Mudie-Cooke • Born — 1890 • Birthplace — London • Died — 1925 • Place of death — France • Field — Painting • Training — * St John's Wood Art School • Goldsmiths College
Life and work
Life and work
• Illustration — In an Ambulance: a VAD lighting a cigarette for a patient (Art.IWM ART 3051), painted between 1916 and 1918 Mudie-Cooke was born in west London, the younger of two daughters to Henry Cooke, a carpet merchant, and Beatrice Mudie. She studied art at St John's Wood Art School and at Goldsmiths College. She also worked in Venice for a brief period. In January 1916 Mudie-Cooke and her elder sister Phyllis, who had studied archaeology, went to France as volunteer members of the First Aid Nursing Yeomanry, FANY. Whilst driving ambulances for FANY, and later for a Voluntary Aid Detachment unit, in France between 1916 and 1918, Mudie-Cooke began to sketch and paint the scenes she saw around her, both among her fellow ambulance drivers and the medical staff they were working with. In particular her watercolours and chalk drawings often focused on wounded troops being evacuated, and the logistics of evacuation such as ambulance trains waiting in sidings. As well as the Western Front Mudie-Cooke also served as an ambulance driver in Italy during the war. Mudie-Cooke was fluent in French, Italian and German and so sometimes worked as an interpreter for the Red Cross. In 1919 Mudie-Cooke came to the attention of the Women's Work Sub-Committee of the newly formed Imperial War Museum which acquired a number of her paintings for its fledgling collection. This purchase included her most famous picture, In an Ambulance:a VAD lighting a cigarette for a patient. In 1920 the British Red Cross commissioned her to return to France to record the activities of the Voluntary Aid Detachment units who were still providing care and relief there. Her paintings from this visit include examples of war damage, the shattered landscapes of the former battlefields and women tending graves in a cemetery. Mudie-Cooke worked mostly in watercolours, painting in a fluid style but often with a somewhat murky palette of colours. Mudie-Cooke returned to Newlyn in Cornwall and continued working as an artist and held an exhibition of her work in 1921 at the Cambridge University Architectural Society. From 1920 onwards, Mudie-Cooke travelled extensively throughout Europe and Africa, most notably to South Africa where she held an exhibition of her work in 1923. She returned to England for a short period before going to France in 1925 where she took her life. An exhibition of her work was held at the Beaux-Arts Gallery the next year and some years later her sister Phyllis donated more of her works to the Imperial War Museum.
Works and production
Works and production
The following works and productions are recorded by name or by count. Recorded with the occupation painter. Institutional cataloguing adds that olive Mudie-Cooke is recorded with the gender female. The record continues: olive Mudie-Cooke died on 11 September 1925. Born in London. Situated in France. Recorded as human.

Camp Entanglements between Flers and Beaulencourt image: a landscape, mainly of sky and clouds. In the foreground are a few metal posts and wire defences
Olive Mudie-Cooke · http: 268/media-268766/large.jpg This photograph Art.IWM ART 5391 comes from the collections of the Imperial War Museums.

After the War - a Vad ambulance bringing in French peasants wounded by shells left on the Somme Battlefield. Beaulencourt convoy. A figure lies on a stretcher on the ground, covered by a blanket, while another figure bends solicitously over it. Two male figures in uniform, one displaying a red cross armlet, kneel and bend over the figures. At the foot of the stretcher a female figure in uniform st
Olive Mudie-Cooke · http: 268/media-268627/large.jpg This photograph Art.IWM ART 3087 comes from the collections of the Imperial War Museums.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
London.
Birth place
France.
Death place
References
Citations
References
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Secondary witnessreference work
Secondary witness
Further particulars
Held on the record
Further particulars
Open the remaining particulars
This entry is compiled from 2 catalogued sources across 2 independent registers. The registers consulted are Wikipedia and Wikidata. Every statement above is held against the register that stated it; where the registers are silent, the entry is silent.
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 20 August 2026.
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