Ogata Kenzan
Ogata Kenzan, originally Ogata Shinsei, was an Edo period Japanese potter, painter, and calligrapher. He was also known by the pseudonyms Shisui, Shōkosai, Shuseidō, Tōin, and Shinshō. He is associated with Kyō ware and Kiyomizu ware.
Also recorded as Gyokudō · Ijū Ogata · Gonpei Ogata · Shōkosai
Ogata Kenzan

Ogata Kenzan · The Cleveland Museum of Art · Cornelia Blakemore Warner Fund and Edward L. Wittemore Fund · CC0
- Name
- Ogata Kenzan
- Birth Name
- Ogata Shinsei
- Born
- 1663
- Birthplace
- Kyoto, Japan
- Died
- 1743
- Place of death
- Edo (now Tokyo), Japan
- Education
- Studied under Nonomura Ninsei
- Known for
- Pottery, painting, calligraphy
- Movement
- Rinpa
- Nationality
- Japan
- Occupation
- ceramicist · painter · potter
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Documentary evidence
Documentary basis
Authority files
wikidata · Q534279 · wikipedia · Ogata Kenzan
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Institutions cited
Bibliothèque nationale de France · Deutsche Nationalbibliothek · Getty Union List of Artist Names
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Key facts
Key facts
• Name — Ogata Kenzan • Birth Name — Ogata Shinsei • Born — 1663 • Birthplace — Kyoto, Japan • Died — 1743 • Place of death — Edo (now Tokyo), Japan • Education — Studied under Nonomura Ninsei • Known for — Pottery, painting, calligraphy • Notable Works — Autumn Ivy, Snow-laden Pine Boughs • Style — Ceramic art • Movement — Rinpa • Patrons — Nijō Tsunahira, Rinnojinomiya Kinkan Ogata
Documentary record
Ogata Kenzan (1663 – 1743) was a calligrapher, potter and painter. The birth of Ogata Kenzan is recorded in 1663 in Kyōto, and the death in 1743 in Kyōto.
Biography
Biography
Ogata Kenzan was the third son born into a rich kimono merchant family in Kyoto. The family's shop, the Kariganeya, was patronized by Oeyo, the wife of Tokugawa Hidetada, and Tokugawa Masako. His father was Ogata Sōken (1621–1687), a calligrapher and patron of Noh. His older brother was the painter Ogata Kōrin (1658–1716). Following his father's death, the eldest of the Ogata brothers took over the Kariganeya, allowing Kenzan and Kōrin to enjoy their inheritance and pursue pottery and painting. From a young age, Ogata received lessons in pottery from Koho and Rakuichi, grandchildren of Hon'ami Kōetsu. In 1689, Ogata established Shuseidō hall south of Ninna-ji. Ogata studied with the potter Nonomura Ninsei whose Omuru kiln was located at the front gate of Ninna-ji. In 1699, Kugyō Nijō Tsunahira provided Ogata with a mountain villa in Ukyō-ku, Kyoto where Kenzan established his own kiln. In 1731, Kenzan was invited by Cloistered Imperial Prince Rinnojinomiya Kinkan to move to Edo where he spent the remainder of his life. He died at the age of 81. Ogata produced a distinctive style of freely brushed grasses, blossoms, and birds as decorative motifs for pottery. His pieces were noted for their perfect relation between design and shape. He often collaborated on the decoration of pottery with his older brother, Ogata Kōrin, after whom the style known as Rinpa was named.

One of Five Serving Bowls (Mukozuke) with Prunus Design, 1700s to mid-1800s, by Ogata Kenzan
Ogata Kenzan · The Cleveland Museum of Art · Cornelia Blakemore Warner Fund and Edward L. Wittemore Fund

One of Five Serving Bowls (Mukozuke) with Prunus Design, 1700s to mid-1800s, by Ogata Kenzan
Ogata Kenzan · The Cleveland Museum of Art · Cornelia Blakemore Warner Fund and Edward L. Wittemore Fund
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The biographical narrative on this page is based on the Wikipedia article Ogata Kenzan, revision 1333829772 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Ogata Kenzan.
- 2.Il maestro della concezione Kenzan è qui.
- 3.le muse. De Agostini. VI. 1964.
- 4.Ogata, Kenzan.
- 5.Ogata Kenzan.
- 6.Marco Milone. La xilografia giapponese moderno-contemporanea. Edizioni Clandestine. 2023. 9788865967461.
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