Nicasius Roussel
Illustration — Engaving from De Grotesco, 1644 Nicasius Roussel, Nicasius Rousseel or Nicasius Russell (died 1646) was a Flemish goldsmith, jewelry merchant, draftsman, engraver (printmaker) and court artist who worked in London for James I, Anne of Denmark, and Charles I.
Also recorded as Nicholas Russell · Nicasius Rousseel · Nicasius Russell
Nicasius Roussel

Nicasius Russel · Seer aerdige Grotissen door Nicasius Rousseel, 1644. · Public domain
- Died
- 1646 · London.
- Occupation
- goldsmith · jeweler · draftsperson · engraver
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Illustration — Engaving from De Grotesco, 1644 Nicasius Roussel, Nicasius Rousseel or Nicasius Russell (died 1646) was a Flemish goldsmith, jewelry merchant, draftsman, engraver (printmaker) and court artist who worked in London for James I, Anne of Denmark, and Charles I.
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wikidata · Q88978158 · wikipedia · Nicasius Roussel
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Life
Life
Nicasius Roussel was born in Bruges and came to London in 1567 or 1573. He had family connections with Isaac Oliver and Marcus Gheeraerts the Younger. He became a naturalized citizen of England in April 1608. He made seven ebony pedestals and portraits of men cast in plaster of paris for Henry Frederick, Prince of Wales. Nicasius Roussel made 12 gold pieces for a chain with knots set with sparks of diamonds for Anne of Denmark. The chain may have used as a prop in The Masque of Beauty. He dismantled and melted down jewellery belonging to Anna of Denmark in 1609, 1610, and 1611 to make gold plate and aglets, some set with diamonds, and buttons set with rubies and pearls. One of the old jewels had already lost a diamond in 1603 to a jewel for king's hat made in the shape of the letter "I" by John Spilman and William Herrick. This "I" or "J" was sent to Spain in 1623. He sold a portrait of a young man by George Pencz to Prince Charles. This painting is still in the Royal Collection. • Illustration — Title page of De Grotesco, 1623 In 1623 a book was published in London under the title De Grotesco. Per utilis atq omnibus quibus pertinebit valde necessari Liber per Nicasius Rousseel ornatissimo, generosissimo atq variarum artium peritissimo viro Domino G Heriot. It contained prints engraved by Johan Barra (or Bara, or Jan Barra) after designs by Roussel and was dedicated to the Scottish goldsmith to the court and philanthropist George Heriot. Each page consists of a frame filled with grotesques composed of human masks and animal and bird monsters attached to plant forms. In 1644 a Dutch language version of 12 of the plates was published in Amsterdam by Claes Jansz. Visscher under the title Seer aerdige / GROTISSEN / dienstich / alle die de Teyckenkonst hanteren / getekent door / Nicasius Rouseel / gedruckt bÿ / CJVisscher. A.o / 1644. This set was subsequently re-issued probably by Nicolaes Visscher II around 1680 and by Joannes de Ram in 1684.
Family
Family
Nicasius Roussel married Jacomina Wils on 21 April 1590. He remarried after the death of his wife to Clara Johnson in the Dutch church on 27 November 1604. His second wife was reportedly the sister of the painter Cornelius Johnson. His daughter Elizabeth married John Symcotts of Iseworth. His son Nicasius was a clockmaker. Another son named Theodore (born in 1614) was a painter, who produced copies of portraits by Anthony van Dyck.
Life and career
Dated record
Life and career
The full dated record · 2 entries
1600
Nicasius Roussel was born in 1600 at Bruges.
1646
Nicasius Roussel died in 1646 at London.
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Bruges.
Birth place
London.
Death place
Literature
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Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Mary Edmond: Limners and picturemakers. New light on the lives of miniaturists and large-scale portrait-painters working in London in the sixteenth and seventeenth century. In: The Volume of the Walpole Society 47, 1978, S. 88 ( ).
- 2.Desiré Guilmard: Les maîtres ornemanistes. Paris 1880, S. 42 Nr. 23 ( ) vermutete irrig, dass Rousseel aus Lothringen stammte, vgl. Charles Oman: Nicaise Rousel and the Mostyn Flagons. In: Leeds Arts Calendar 83 (1978) S. 4–8, hier S. 4 (PDF).
- 3.Richard Edward Gent Kirk und Ernest F. Kirk: Returns of Aliens dwelling in the city and suburbs of London from the reign of Henry VIII. to that of James I. Teil III. Aberdeen 1907 (Publications of the Huguenot Society of London 10,3), S. 160 und 177 ( )
- 4.Frederick Devon: Issues of the Exchequer, being payments made out of His Majesty's revenue during the reign of King James I. London 1836, S. 316 ( ).
- 5.Zu diesem siehe: Karen Hearn: Johnson, Cornelius [Cornelius Jansen, Janssen, or Jonson van Ceulen]. In: Oxford Dictionary of National Biography 23. September 2004 DOI:10.1093/ref:odnb/14657.
- 6.Daten aus Henri Hymans: Rousseel (Nicaise). In: Biographie nationale publiée par L'Academie Royale des sciences, des lettres et des beaux-arts de Belgique. Band 20. Bruxelles, 1908–1910, Sp. 256–257.
- 7.Charles Oman: Nicaise Rousel and the Mostyn Flagons. In: Leeds Arts Calendar 83 (1978) S. 4–8 (PDF). Skeptischer: James Lomax: Huguenot Goldsmiths in England. In: Paul Corby Finney (Hrsg.): Seeing Beyond the Word. Visual Arts and the Calvinist Tradition. Grand Rapids 1999, ISBN 0-8028-3860-X, S. 83–130 hier S. 88 f. ( ).
- 8.The Magdalen Cup.
- 9.Astronomical clock.
- 10.The Mostyn Flagon.
- 11.Olga Borissowna Dmitrijewa (Hrsg.): Britannia & Muscovy. English silver at the court of the Tsars. New Haven 2006, S. 68 f. ( ). English Silver Treasures from the Kremlin. A Loan Exhibition. London 1991, S. 146 f. ( ). E. Alfred Jones: The old English plate of the Emperor of Russia. Letchworth und London 1909, Tafel V, Nr. 1 ( ).
- 12.Elizabethan flagons from St Mary Woolnoth.
- 13.Der letzte Eintrag in ihrem Schmuckinventar war im Jahr 1607, siehe Diana Scarisbrick: Anne of Denmark's Jewellery Inventory. In: Archaeologia 109 (1991), S. 193–238 (doi:10.1017/S0261340900014089), insbesondere S. 218, 228, 232-3.
- 14.Frederick Devon: Issues of the Exchequer, being payments made out of His Majesty's revenue during the reign of King James I. London 1836, S. 316 ( ), zitiert Kew, The National Archives, AO 1/2021/3
- 15.Übersetzung aus dem Lateinischen von Maaatze87.
- 16.4 Blatt Nachstiche einschl. Titel: Il Bellissimo Libro Di Grotis Moderno Stampato P.er Giovani Orland.o Roman.o In Napoli Anno 1637.
- 17.Desiré Guilmard: Les maîtres ornemanistes. Paris 1880, S. 42 Nr. 23 ( ).
- 18.Vgl. den Kommentar des Kurators zu British Museum, Inventarnummer 1890,0415.80.
- 19.Vgl. z. B. das Titelblatt des Exemplars im Rijksmuseum Amsterdam, Objektnummer RP-P-OB-6382.
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
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