Levina Teerlinc
Levina Teerlinc (1510s – 23 June 1576) was a Flemish Renaissance miniaturist who served as a painter to the English court of Henry VIII, Edward VI, Mary I and Elizabeth I. She was the most important miniaturist at the English court between Hans Holbein the Younger and Nicholas Hilliard. Her father, Simon Bening, was a renowned book illuminator and miniature painter of the Ghent-Bruges school and probably trained her as a manuscript painter. She may have worked in her father's workshop before her marriage.
Also recorded as Lievine Teerlink Bening · Lievine Bening · Lievine Teerlink · Levina Benninck
Levina Teerlinc

Attributed to Levina Teerlinc · http: original jpg was color corrected by user PKM · Public domain
- Born
- 1510 · Bruges.
- Died
- 1576 · London.
- Nationality
- Habsburg Netherlands · Kingdom of England
- Occupation
- painter · illuminator
- Fields
- portrait
- Languages
- Dutch
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Documentary summary
Levina Teerlinc (1510s – 23 June 1576) was a Flemish Renaissance miniaturist who served as a painter to the English court of Henry VIII, Edward VI, Mary I and Elizabeth I. She was the most important miniaturist at the English court between Hans Holbein the Younger and Nicholas Hilliard. Her father, Simon Bening, was a renowned book illuminator and miniature painter of the Ghent-Bruges school and probably trained her as a manuscript painter. She may have worked in her father's workshop before her marriage.
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Note VALÉORINE
Levina Teerlinc (1510–1576) was an illuminator and painter and a national of the Habsburg Netherlands and the Kingdom of England. Born in Bruges, the illuminator died in London. Levina Teerlinc held the position of court painter and worked in London.
Genres include portrait. Languages used include Dutch. Works by the illuminator are held at Hessen Kassel Heritage.
Composed from admitted, traceable facts · 26 September 2026
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- Identity
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Authority files
wikidata · Q443442 · wikipedia · Levina Teerlinc
In this article
Biography
Biography
The recorded working language is Dutch. Subjects and genres recorded for the work are portrait. Places of work recorded in the authority are London. Positions recorded include court painter. Work by Levina Teerlinc is recorded in the collections of Hessen Kassel Heritage.
Teerlinc was born in Bruges, Flanders (which is now a part of Belgium) in the 1510s, one of five daughters of renowned miniaturist Simon Bening and granddaughter of Catherine van der Goes (closely related to Hugo van der Goes) and Alexander Bening. After marrying George Teerlinc of Blanckenberge in 1545, Teerlinc left for England, and is documented there by 1546, when she became court painter to the Tudor court, serving Henry VIII, Edward VI, Mary I, and Elizabeth I. She received an annual salary of £40 from 1546 until her death in 1576, as granted by Henry VIII and recorded by Lodovico Guicciardini (1567), which was more than was provided to Holbein. Levina died before she was able to acquire her last £10, Queen Elizabeth was able to give this to her husband as a "gift". It is thought to have been rewarding the Teerlincs for their loyalty to her during the reign of Mary.[1] She was the only female painter in the court of Henry VIII, although Catherine Parr was said to have employed three women miniature painters and these were Susannah Hornebolt, Levina Teerlinc and Margaret Holsewyther. In English records her name was recorded in a variety of spellings, including in 1552 "Mrs Sevin Tilney, paintrix". Queen Mary gave her a New Year's day gift of a gilt silver salt in 1556 and she gave the queen a small picture of the Trinity. In 1559 Teerlinc was appointed tutor in painting to the King's daughter at the Spanish Court. She and her husband had one son, Marcus. She died in Stepney, London on 23 June 1576.
Works
Works
No surviving works have been confirmed as Teerlinc's. Yet she was one of the most well-documented artists at court in miniature painting, providing various portraits of Elizabeth I in the years 1559, 1562, 1563, 1564, 1567 ("a full-length portrait"), 1568 ("with Knights of the Order"), 1575 ("with other personages"), and 1576. She also painted for Mary I in 1556 as a New Year gift "a small picture of the trynitie". Teerlinc is best known for her pivotal position in the rise of the portrait miniature. She might have trained Nicholas Hilliard, by training a goldsmith, in the methods of miniature portraiture. Attributing Teerlinc's works is challenging because she did not always sign them. However, there are a few existing paintings that are suspected to be Teerlinc's due to the fact she was the only active miniaturist of prominence in English court between Hans Holbein the Younger in 1543 and Nicholas Hilliard in the 1570s. Some scholars also speculate that many of the miniatures were lost in the fire at Whitehall. A 1983 exhibition at the Victoria and Albert Museum represented "the first occasion when a group of miniatures has been assembled which can be attributed to Levina Teerlinc". Since the exhibition also performed the same function for her predecessor as court miniaturist, Lucas Hornebolte, it was especially useful in developing consensus on attributions. Five miniatures and two illuminated manuscript sheets were in the group, including a miniature of Lady Katherine Grey from the V&A, and others from the Yale Center for British Art, the Royal Collection (both of these possibly of the young Elizabeth I, and private collections). Strong considered there was "a convincing group of miniatures that emerge as the work of a single hand, one whose draughtsmanship is weak, whose paint is thin and transparent and whose brushwork loose". She also probably designed the Great Seal of England for Mary I and the earliest one used by Elizabeth (in the 1540s).
Victoria and Albert Museum
Victoria and Albert Museum
Levina Teerlinc, Portrait of Lady Katherine Grey, ca. 1555–1560, Museum no. P.10-1979 Levina Teerlinc, Portrait of a Young Woman, 1566, Museum no. P.21-1954 Levina Teerlinc, Portrait of Mary Dudley, Lady Sidney, ca.1575, Museum no. E.1170-1988
Other
Other
Levina Teerlinc?, Portrait of Queen Mary I, Duke of Buccleuch's collection Levina Teerlinc?, Portrait of a Young Woman, Royal Collection, Windsor Castle Levina Teerlinc?, Portrait of Elizabeth I in State Robes, Welbeck Abbey collection
Life and career
Dated record
Life and career
The full dated record · 2 entries
1510
Levina Teerlinc born at Bruges.
1576
Levina Teerlinc died at London.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Bruges.
Birth place
London.
Death place
Reputation
Art historian Louisa Woodville writes:Teerlinc's contemporaries were impressed by her work. The sixteenth-century Florentine historian Lodovico Guicciardini heralds Teerlinc as the best of the women painters practicing at the time. Seventy-five years later, Flemish historian Antonius Sanderus assured his readers that she was "very capable in the two specialties of art."
Primary material
Documents and archives
reference work
- Wikidata, structured authority record Q443442: Levina Teerlinc
Reputable secondary · Wikidata
- “Levina Teerlinc”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
scholarly publication
- Portrait of an Unknown Woman: Fictional Representations of Levina Teerlinc, Tudor Paintrix, Authorizing Early Modern European Women, 2021
Scholarly · Crossref registry · 2021
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Taylor, Melanie V. Levina Teerlinc (?) Henry VIII's court artist from 1546 – 1576. Melanie V Taylor. 2023-03-04.
- 2.Levina Teerlinc: Biography & Works. Study.com.
- 3.Teerlinc, Levina (c. 1520–1576) Encyclopedia.com.
- 4.Fitzroy Dearborn Publishers. Dictionary of women artists. 1358–1359. 1997. 1-884964-21-4.
- 5.Walter G. Richardson, The Report of the Royal Commission of 1552 (West Virginia University Library, 1974), p. 122.
- 6.Sutherland, Harris, Ann. Women artists, 1550-1950. Los Angeles County Museum of Art. 102–104. 1976. 0-394-41169-2.
- 7.Strong 1983:52
- 8.Gaze, Delia. Dictionary of women artists. Fitzroy Dearborn Publishers. 1997. 978-1-884964-21-3.
- 9.James, Susan E. Lady jane grey or queen kateryn parr? National portrait gallery painting 6804: Analysis and historical context. Cogent Arts & Humanities. 5. 1. 2018-01-01. 2331-1983.
- 10.Walter G. Richardson, The Report of the Royal Commission of 1552 (West Virginia University Library, 1974), p. 122.
- 11.John Nichols, llustrations of the manners and expences of antient times in England (London, 1797), pp. 9, 22
- 12.RKD data
- 13.Woodville, Louisa. Levina Teerlinc, Artist and Gentlewoman of the Tudor Court. Art Herstory. 2020-05-12.
- 14.British School, 16th century - Elizabeth I (1533-1603). www.rct.uk.
- 15.Bergmans, Simone. The Miniatures of Levina Teerling. The Burlington Magazine for Connoisseurs. 64. 374. 232–236. 1934-01-01. 865738.
- 16.Strong, Roy. Nicholas Hilliard's miniature of the 'Wizard Earl'. Bulletin van het Rijksmuseum. 31. 1. 54–62. 1983-01-01. 40382082.
- 17.Sutherland-Harris, Ann, and Linda Nochlin. Women Artists: 1550–1950. Los Angeles: Museum Associates of the Los Angeles County Museum of Art, 1976. Print.
- 18.Bergmans, Simone. The Miniatures of Levina Teerling. The Burlington Magazine for Connoisseurs. 232–236. 1934.
- 19.King, Catherine. What Women Can Make. 61–62. 1999.
- 20.Collections.vam.ac.uk. Portrait miniature of Katherine Grey, Countess of Herford; Katherine Grey, Countess of Hertford | Teerlinc | V&A Search the Collections. 2014-01-09.
- 21.Collections.vam.ac.uk. Portrait of an unknown woman | Teerlinc, Levina (Mrs) | V&A Search the Collections.
- 22.Collections.vam.ac.uk. Portrait of Mary Dudley, Lady Sidney (d.1586) | Levina Teerlinc | V&A Search the Collections. 2014-01-09.
- 23.Auction House, Sotheby's. ATTRIBUTED TO LEVINA TEERLINC Portrait of Edward VI, King of England (1537-1553), circa 1550.
- 24.The Beaufort Miniature Portrait. Lady Jane Grey Revisited. July 2019.
- 25.Strong 1983:53
- 26.Arnold 1978
- 27.Illuminated Royal Letters Patent, 1571. Burghley Collections.
- 28.Taylor, Melanie V. The Good Friday Ceremony of the blessing of cramp rings and the curing of the King's Evil. Melanie V Taylor. 2020-04-09.
- 29.Saltmarsh, Polly. Portrait of an Unknown Lady: Technical Analysis of an Early Tudor Miniature. British Art Studies. 17. 2020-09-30. 2058-5462.
- 30.Emerson, Kathy Lynn. A Who's Who of Tudor Women. Kathy Lynn Emerson. 2020-10-11.
- 31.Museum, The Victoria and Albert. Portrait Miniature of an Unknown Man. 1550s.
- 32.Strong 1983:55
- 33.Strong 1981:45; Quote: "all the characteristics of Teerlinc's spidery style"
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
scholarly publication
Portrait of an Unknown Woman: Fictional Representations of Levina Teerlinc, Tudor Paintrix, Authorizing Early Modern European Women, 2021Crossref registry
Verifiedreference work
Partially resolvedreference work
Partially resolved
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
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