Muriel Hasbun
Illustration — Hasbun reading at Busboys and Poets, Washington, D.C, 2022 Muriel Hasbun (born in San Salvador, 1961 - died in Silver Spring, Maryland, 2026) was a Salvadoran-American photographer and educator, best known for her series and archives exploring themes related to migration, displacement, and identity. Hasbun utilized her multicultural family background to produce a series of photographs that explored diverse heritages and the idea of “terruño” (homeland), especially through her Christian Palestinian and Polish-Jewish roots. Hasbun was recognized for her ethereal, layered aesthetic that bridged the gap between archives and lived experiences.
Muriel Hasbun

Frypie · CC BY-SA 4.0
- Born
- 1961 · San Salvador.
- Nationality
- El Salvador
- Occupation
- photographer
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Illustration — Hasbun reading at Busboys and Poets, Washington, D.C, 2022 Muriel Hasbun (born in San Salvador, 1961 - died in Silver Spring, Maryland, 2026) was a Salvadoran-American photographer and educator, best known for her series and archives exploring themes related to migration, displacement, and identity. Hasbun utilized her multicultural family background to produce a series of photographs that explored diverse heritages and the idea of “terruño” (homeland), especially through her Christian Palestinian and Polish-Jewish roots. Hasbun was recognized for her ethereal, layered aesthetic that bridged the gap between archives and lived experiences.
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Muriel Hasbun (born 1961) is a photographer, a national of El Salvador. The photographer was born in San Salvador. Works are held at Smithsonian American Art Museum and Whitney Museum of American Art.
Composed from admitted, traceable facts · 26 September 2026
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In this article
Early life
Early life
Muriel Hasbun was born in 1961 in San Salvador, El Salvador, but she originated from a multicultural background. Her father, Antonio Hasbun Z., was a Salvadoran-born dentist and amateur photographer of Christian Palestinian descent. His family left Bethlehem at the beginning of the 20th century, escaping from the Ottoman army conscription during World War I. Similarly, her mother, Janine Janowski, whose family was originally from Poland, was born in France and survived the Nazi regime and the Holocaust by hiding in Auvergne, France. She later immigrated to El Salvador in 1958, serving as a teacher for the children of the French consul. In 1979, Hasbun left El Salvador at the onset of the Salvadoran Civil War. The artist lived in Paris for her first year of college, but moved to Washington, D.C., where she graduated with a degree in French Literature from Georgetown University and pursued a Master of Fine Arts in Photography from the George Washington University.
Academic career
Academic career
Muriel Hasbun’s career is marked by her long-standing trajectory at the Corcoran School of the Arts and Design at the George Washington University. Currently, Hasbun is a professor Emerita at GWU, where she previously served as professor and Chair of Photography. The photographer also expanded her academic influence as a visiting artist at prestigious universities. She served as the 2021-2022 Estelle Lebowitz Endowed Visiting Artist at Rutgers University with her photograph series Seismic Traces. Muriel Hasbun is a recipient of many awards, including the Smithsonian Artist Research Fellowship, the Howard Chapnick Grant of the W. Eugene Smith Memorial Fund for laberinto projects (2014); a Museums Connect grant funded by the U.S. Department of State and the American Association of Museums (2011-12); the Corcoran’s Outstanding Creative Research Faculty Award (2007) and a Fulbright Scholar Grant (2006-2008).
Transnational projects
Transnational projects
In 2012, following her mission as an educator, Hasbun founded Laberinto Projects, a cultural initiative focused on fostering art practices and education by exploring issues of migration, transnational identity, and social inclusion. The project is based in El Salvador, and it provides a framework for cultural studies through archives, including the collections of Galería el Laberinto during the Salvadoran Civil War. The Laberinto Projects initiative hosts residency programs, including a series of workshops with the assistance of the Master Artist Muriel Hasbun.
Artistic practice
Her work is rooted in merging personal memory with collective archives. In her series Tracing Terruño, Muriel explores the concept of terruño (homeland), utilizing her Christian Palestinian, Polish-Jewish, and Salvadoran heritages to create an idea of transnational identity and postmemory photography. In general, Hasbun takes multiple exposures and layering of photographs, letters, documents, and personal objects to create a collection of series of photographs, in which most connect her family’s background to a broader collective narrative of migration. Another example of the use of personal objects is her series X post facto, in which she continues her investigation of archival memory through her father’s negatives when he worked as a dentist. The selected 32 pieces for X post facto were, in fact, a collection of X-rays to identify bodies of individuals who died in the Salvadoran Civil War. This series bridges her family archives to the history of El Salvador and the Civil War, which was the event that motivated Muriel Husband to migrate to the United States. Her series Santos y Sombras also serves as a reflection on Hasbun's hybrid identity as a multiculturally raised individual. She layers images of her ancestors with symbols of diverse Christian, Palestinian, and Polish-Jewish roots. Through the layering process, Hasbun bridges the gap between her European and Middle Eastern heritage and her lived experience in El Salvador, creating what she terms "postmemory" photography.
Collections
Collections
National Gallery of Art, Washington, DC Whitney Museum of American Art Smithsonian American Art Museum

Fotógrafa Muriel Hasbun sobre #LabertintoProjects y la exposición "Legado y
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Documents and archives
Primary material
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reference work
- “Muriel Hasbun”, English Wikipedia, consulted as further reading
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- Wikidata, structured authority record Q62036483: Muriel Hasbun
General reference · Wikidata
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Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Muriel Hasbun Smithsonian American Art Museum. americanart.si.edu.
- 2.Muriel Hasbun Obituary - Silver Spring, MD. Dignity Memorial.
- 3.Muriel Hasbun: Tracing Terruño International Center of Photography. www.icp.org. 2023-06-06.
- 4.Pardo Porto, Cristina E. Counter-visuality and affect in Pulso: Nuevos registros culturales (2020-present) by Muriel Hasbun. Istmo. Revista Virtual de Estudios Literarios y Culturales Centroamericanos. 119. 2021.
- 5.Five Questions with Photographer Muriel Hasbun Smithsonian American Art Museum. americanart.si.edu.
- 6.Interview with artist and educator Muriel Hasbun-Gabriella Argueta-Cevallos. wp.nyu.edu.
- 7.Portrait of the Leon and Janine Janowski in hiding in Mont-Dore. United States Holocaust Memorial Museum. 1942.
- 8.Duganne, Erina. Registers for the future: Muriel Hasbun’s Pulse. Smarthistory. 2. 2023.
- 9.Muriel Hasbun: Tracing Terruño International Center of Photography. www.icp.org. 2023-06-06.
- 10.International Center of Photography (ICP) Presents First NYC Career Survey of Muriel Hasbun International Center of Photography. www.icp.org. 2023-08-01.
- 11.International Center of Photography (ICP) Presents First NYC Career Survey of Muriel Hasbun International Center of Photography. www.icp.org. 2023-08-01.
- 12.Muriel Hasbun: Seismic Traces. newbrunswick.rutgers.edu.
- 13.ARTIST AND THE ARCHIVE. laberinto projects.
- 14.laberinto projects.
- 15.laberinto projects. www.transartists.org.
- 16.& Leo Spitzer, Marianne Hirsch. WHAT'S WRONG WITH THIS PICTURE? Archival Photographs in Contemporary Narratives. American Theological Library Association. 241. 2016.
- 17.MIGRATION, IDENTITY AND MEMORY: MURIEL HASBUN AT ICP.
- 18.Ferrer, Elizabeth. Latinx Photography in the United States. University of Washington Press. 122. 2016.
- 19.X post facto (5.6), from the series X post facto (équis anónimo) Smithsonian American Art Museum. americanart.si.edu.
- 20.Guerrero, Marcela. "Muriel Hasbun, X post facto (6.7)". Smarthistory. September 9, 2024.
- 21.Pardo Porto, Cristina E. Counter-visuality and Affect in Pulso: Nuevos registros culturales (2020-present) by Muriel Hasbun. Istmo. Revista virtual de estudios literarios y culturales centroamericanos. 122. 2021.
- 22.Santos y sombras Saints and Shadows. murielhasbun.com.
- 23.Muriel Hasbun. www.arts.gov.
- 24.Five Questions with Photographer Muriel Hasbun Smithsonian American Art Museum. americanart.si.edu.
References
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 17 August 2026.
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