Milutin Bojić

The outbreak of World War I interrupted Bojić's studies at the University of Belgrade and forced him to postpone marrying his girlfriend, Radmila Todorović. The couple was separated in the chaos of war, and Bojić left Belgrade with his family and relocated to Niš, where he worked as a military censor and wrote articles for a local newspaper to pay his family's bills. In October 1915, the Serbian Army was overwhelmed by a combined Austro-Hungarian, Bulgarian and German invasion and forced to retreat to neutral Greece via Albania. Bojić and his younger brother joined the exodus, marching for several weeks through Kosovo, Montenegro, and northern Albania, where they were finally reunited with Bojić's fiancée. Bojić was not allowed to accompany his brother and fiancée on a ship destined for Italy because he was of fighting age, and had to continue marching to Greece without them. In early 1916, Bojić reached the Greek island of Corfu, where he was recruited to work for Serbian military intelligence. That summer, he was transferred to Thessaloniki, where he continued working for the military. In August, he was granted leave and sailed to France, where he reunited with his fiancée and his brother. Bojić returned to Greece several weeks later and was diagnosed with tuberculosis in September the following year. Owing to the political connections of his patrons, he managed to find care at an exclusive military hospital in Thessaloniki, but by late October his condition worsened. He was initially buried at the Allied military cemetery at Zeitenlik, but in 1922, his siblings had his remains relocated to Belgrade, where they were reburied beside those of his parents. Bojić's popularity grew exponentially following his death. Many of his poems received widespread critical acclaim for their portrayal of the Serbian Army's retreat during the winter of 1915–16 and its stay on Corfu, where thousands of soldiers succumbed to disease and exhaustion and were buried at sea. Bojić's work remained popular in Yugoslavia for much of the 20th century, cementing his reputation as one of the greatest Serbian poets of the Romantic period.

• Name — Milutin Bojić • Native Name — Милутин Бојић • Birthplace — Belgrade, Serbia • Died — (aged 25) • Place of death — Thessaloniki, Greece • Resting Place — New Cemetery, Belgrade • Occupation — Poet Playwright Literary critic Soldier • Education — University of Belgrade • Notable Works — The Blue Tomb (Plava grobnica) • Partner — Radmila Todorović • Years Active — 1907–1917 • Website — http: www.milutinbojic.org.rs/

Milutin Bojić was born in Belgrade on, the eldest child of Jovan and Sofia Bojić (' Bogojević). Bojić grew up at the very entrance of what is now Palilula. His father's family was originally from Herzegovina. Following the First Serbian Uprising, Bojić's great-grandfather fled his ancestral homeland and settled in the Austro-Hungarian city of Semlin (modern Zemun) to escape Ottoman persecution. Bojić's father and grandfather were born in Semlin, and were good-standing members of the town's fledgling Serb community. In 1875, Bojić's father was conscripted into the Austro-Hungarian Army. Shortly afterwards, he entered into an argument with a high-ranking Hungarian officer, insulted him, then fled to the Serbian capital to escape punishment. He attended trade school in Belgrade and became a successful shoemaker. Bojić's matrilineal line traces its origins to the town of Tetovo, in what is now the northern part of North Macedonia. His mother's family had fled the town in 1690 as part of the Great Serb Migration and settled in Bečkerek (modern Zrenjanin). Bojić's maternal grandfather, Jovan, had lived in the border town of Pančevo since he was a child, married and started a family there. Much like Bojić's father, he was a successful shoemaker, and in 1890 he offered to marry his only daughter to him. After initial disagreement over the price of the dowry, Bogojević gave the marriage his blessing and Bojić's parents were soon married. At the time of Bojić's birth, his parents were living in a small flat at No. 4 Sremska Street, situated just above his father's shop in Belgrade's Stari Grad. Over the next decade, they had four more children – Jelica (b. 1894), Danica (b. 1896), Radivoje (b. 1900) and Dragoljub (b. 1905). All of their children survived to adulthood. When Bojić was a child, he and his family were frequently visited by his mother's cousin Jovan Sremac, the brother of humourist Stevan Sremac. Jovan is said to have greatly influenced the young Bojić, having introduced him to Serbian folk tales and medieval legends at an early age.

• Illustration — A column of Serbian soldiers retreating through the Albanian countryside, c. 1916 At the outbreak of World War I, Bojić was in his final year at the University of Belgrade and had gotten engaged to his girlfriend, Radmila Todorović. The war put a stop to his education, and Bojić decided to postpone the marriage until peace was restored. He remained employed at Pijemont until 1915, when he left Belgrade with his family, never to return. While Todorović remained in the city, the Bojićes moved to the town of Aranđelovac in the Serbian interior. Shortly after, they moved to Niš as it was further from the frontlines. There, Bojić worked as a military censor. He wrote articles for the Niš Gazette (Niški glasnik) to pay his family's bills. In early February 1915, Bojić's mother died of cancer, leaving him to take care of his younger siblings. Bojić devoted most of his creative energy to the completion of an epic poem titled Cain, which was published just before the combined Austro-Hungarian, Bulgarian and German invasion of Serbia in October 1915. A deeply patriotic work, Cain compares Bulgaria's impending attack on Serbia to the Biblical story of Cain jealously murdering his brother Abel. Upon capturing Niš, the Bulgarians burned every copy of the poem, and the only one that survived was the one that Bojić carried with him out of the city. Upon leaving Niš, Bojić and his brother Radivoje joined the Serbian Army in its retreat to the Adriatic coast. Their sisters and infant brother went to live with a cousin in occupied Kraljevo. The Bojić brothers' journey took them through Kuršumlija, Mitrovica, Pristina, Prizren, Đakovica, Dečani and Peć, from where they continued to Andrijevica and Podgorica. The two intended to join retreating Montenegrin Army columns and head on to Scutari, where they hoped that Allied ships would evacuate them and other Serbian troops to Italy. The Serbs quickly realized that they had no hope of being evacuated at Scutari due to the Austro-Hungarian naval presence off the northern Albanian coast, and the Serbian and Montenegrin military leaderships elected to retreat further into the Albanian interior rather than surrender. The Serbs and Montenegrins marched south, first to Durrës and then to Vlorë. From there, they intended to meet up with a French expeditionary force that was to evacuate them to the Greek island of Corfu. Thousands of soldiers either died of hunger or succumbed to the cold. Many were ambushed by hostile Albanian tribesmen and killed while traversing the countryside. While marching through the wilderness, Bojić began writing a poetry anthology titled "Songs of Pain and Pride" (Pesme bola i ponosa), which would comprise some of his best known works. He also started working on a new drama in verse titled "The Marriage of Uroš" (Uroševa ženidba). Stojan Živadinović, a friend who accompanied Bojić on the difficult journey, recalled: He was dressed in a strange way. A šajkača was pulled to the front of his head and almost completely covered his forehead. His eyebrows were hardly visible. Under its weight, the ears seemed to have collapsed. He wore a kind of long, black coat, covered in mud and held in place by a string. He used another piece of string for a belt, and from it hung a pot for boiling water, a tea strainer, a canteen, and other useful things. He walked slightly bent forward, followed everywhere by the noise of the things clashing at his waist. The occupation of Serbia by the Central Powers pained Bojić far more than the everyday struggles of the exodus itself. He is said to have slept very little, telling Živadinović: "You don't realize what you are missing by sleeping. In circumstances like these, the entire soul must be kept constantly awake. Whole centuries have never painted such a vast fresco. Never has death been so greedy, nor heroes so indifferent to it." In December 1915, Bojić reached Shëngjin with the others and reunited with his fiancée. Živadinović recalled: "I shall never forget the day that we saw the sea. Only then did Bojić begin to speak about the future. He was making plans for a vast novel in verse, for comedies, dramas, tragedies, all intended to bring the great events of our history back to life." Upon reaching the coast, Bojić was told that he could not board the ship to Italy because he was of fighting age. His fiancée was allowed to board and his fifteen-year-old brother was judged to be too young for military service and granted passage as well. Unable to go with them, Bojić and his companions continued down the length of the Albanian coast until they reached Corfu, where the Allies had sent ships to transport the remnants of the Serbian Army to the Greek mainland. Upon reaching Corfu, thousands of Serb troops began showing symptoms of typhus and had to be quarantined on the island of Vido, where 11,000 died over the span of two months. Seven thousand of these had to be buried at sea because there was not enough space for their remains to be interred on land; corpses were simply piled onto barges and tossed overboard. Bojić was appalled by the suffering. "Our church bells toll dead instead of hours," he wrote. Witnessing the disposal of bodies inspired Bojić to write the poem "The Blue Tomb" (Plava Grobnica), which Đorđević describes as "Bojić's best... a masterpiece of Serbian patriotic poetry." Shortly after arriving at Corfu, Bojić was recruited to work for Serbian military intelligence. In mid-1916, he was transferred to Thessaloniki.

Upon reaching Thessaloniki, Bojić spent much of his spare time reading the works of French authors and writing poetry. In August 1916, he received a month's leave and sailed for France, where his fiancée and brother had gone to escape from the war, shortly after landing in Italy. Bojić spent the month with his fiancée in Nice. Upon returning to Greece, Bojić resumed his army service, and continued writing poetry. "Songs of Pain and Pride" was first published in Thessaloniki in mid-1917. Nearly every copy of the anthology was destroyed in the Great Fire of Thessaloniki, in August 1917. The only copy that survived was one sent by Bojić to his fiancée in France and this became the basis for the post-war edition. In September 1917, Bojić was diagnosed with tuberculosis. Owing to the influence of his old patron, Ljuba Jovanović-Patak, he was admitted to a military hospital in central Thessaloniki which tended exclusively to Serbian Army officers, where Jovanović's wife often visited him. Bojić continued writing poetry, and as his condition deteriorated, his poems began to take a melancholy tone. Nevertheless, he remained optimistic that he would recover from his illness and see his family again. One month before his death, he sent his fiancée and brother a telegram assuring them that he was "... only slightly ill" and promised they would be reunited. Bojić died of tuberculosis on. Even a few hours before his death, he appeared convinced of his survival. According to a fellow patient, Bojić "... died choking in half-sleep from a fit of coughing that destroyed the tissues of his lungs." He was buried at the Zeitenlik military cemetery in Thessaloniki. His family was shocked by the news of his death, particularly his brother and fiancée, who believed him to be on the road to recovery. In 1922, Bojić's remains were exhumed and transferred to Belgrade's New Cemetery, where they were reburied beside those of his parents. All of Bojić's siblings survived the war; his brother Radivoje became a diplomat and worked in the Yugoslav Ministry of Foreign Affairs until the Axis invasion of the country in April 1941, when he left Yugoslavia with his family and emigrated to the West. Bojić's youngest brother, Dragoljub, spent the rest of his life in Belgrade and became a high school geography teacher. His sister Jelica married and lived in Belgrade until her death in 1942. His youngest sister, Danica, died single in 1952. Bojić's fiancée Radmila remained loyal to him and never married after his death; she returned to Serbia after the war and died in Belgrade in 1971.

• Pesme, a collection of poems, 1914. • Kain, a poem, 1915. • Pesme bola i ponosa, a collection of poems, 1917. • Lanci, drama, 1910. • Kraljeva jesen, drama, 1913. • Gospođa Olga, drama, 1913-1914. • Uroševa ženidba, drama, 1915. • Sabrana dela Milutina Bojića I-IV, Collected works of Milutin Bojić I-IV, 1978.

Despite his busy schedule, during his university years Bojić spent many of his nights in cafés and bars, mingling with other artists in Skadarlija, Belgrade's Bohemian quarter. He was extremely popular among the writers and artists of his generation. During this time, many of Belgrade's merchant elite became art patrons. Bojić's patrons were Ljuba Jovanović-Patak and his wife Simka, who used their power and influence to publicize his works. During the Balkan Wars, Bojić accompanied the Serbian Army as a war reporter and wrote several travelogues about his experiences in Kosovo and Macedonia. The expulsion of the Turks, who had occupied much of the Balkans for 500 years, seemed to fill Bojić with optimism about the future. Helena Malířová, a Czech volunteer nurse with the 17th Reserve Hospital of the Serbian Army's 7th Regiment, recalled: "His spirit was in constant opposition to everything; at the same time he was an enthusiast. He was bursting with desires, and he drank the sap of life through his senses." Historian Mihailo Đorđević writes: [Bojić] was an impulsive young man. From rare photographs and the testimony of his contemporaries emerges [...] a figure of medium stature, with slightly drooped shoulders, thick brown hair, and a pale oval face. His eyebrows were dark, and one of them was almost always raised, giving his face an expression of intense irony. His eyes burned with constant passion, and his lips were full and sensuous. There was also something young and vulnerable in his smile. He smiled often, and his conversation was reputed to be brilliant. As the wars raged, Bojić wrote a historical drama titled "The King's Autumn" (Kraljeva jesen), which received considerable praise from Skerlić. The drama premiered at the National Theatre in October 1913. Another one of Bojić's works, "Ms. Olga" (Gospođa Olga) premiered soon after. In early 1914, publishing magnate Svetislav Cvijanović printed Bojić's first poetry collection, consisting of 48 works.