Dušan Makavejev
Dušan Makavejev (Serbian Cyrillic: Душан Макавејев, pronounced [dǔʃan makaʋějeʋ]; 13 October 1932 – 25 January 2019) was a Serbian film director and screenwriter. He is known for his groundbreaking films of Yugoslav cinema in the late 1960s and early 1970s—many of which belong to the Black Wave. Makavejev's most internationally successful film was the 1971 political satire W.R.: Mysteries of the Organism, which he both directed and wrote.
Also recorded as Dusan Makavejev
Dušan Makavejev

Centar za medije "Ranko Munitic", Belgrade, Serbia · CC BY-SA 4.0
- Born
- 1932. · Belgrade.
- Died
- 2019. · Belgrade.
- Nationality
- Serbia, Serbia and Montenegro and Socialist Federal Republic of Yugoslavia.
- Occupation
- film director, screenwriter and university teacher.
- Fields
- film.
- Education
- University of Belgrade and Jovan Jovanović Zmaj Gymnasium (Novi Sad).
- Honours
- Guggenheim Fellowship, Aleksandar Lifka Award and Annual award ACFK.
- Languages
- English and Serbian.
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Documentary summary
Dušan Makavejev (Serbian Cyrillic: Душан Макавејев, pronounced [dǔʃan makaʋějeʋ]; 13 October 1932 – 25 January 2019) was a Serbian film director and screenwriter. He is known for his groundbreaking films of Yugoslav cinema in the late 1960s and early 1970s—many of which belong to the Black Wave. Makavejev's most internationally successful film was the 1971 political satire W.R.: Mysteries of the Organism, which he both directed and wrote.
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Note VALÉORINE
Dušan Makavejev (1932–2019) was a film director, screenwriter and university teacher, a national of the Kingdom of Yugoslavia and Serbia. The film director was born and died in Belgrade.
Dušan Makavejev was educated at Jovan Jovanović Zmaj Gymnasium (Novi Sad) and University of Belgrade. The film director worked for Harvard University. Activity centred on film.
Languages used include English and Serbian. Works are held at Polja (Fields), magazine for culture and art collection. Honours include Aleksandar Lifka Award, Annual award ACFK and Guggenheim Fellowship.
Composed from admitted, traceable facts · 29 September 2026
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wikidata · Q357316 · wikipedia · Dušan Makavejev
In this article
Career
Career
Dušan Makavejev studied at University of Belgrade and Jovan Jovanović Zmaj Gymnasium (Novi Sad). The recorded working language is English and Serbian. The field of work recorded is film. Employment is recorded with Harvard University. Work by Dušan Makavejev is recorded in the collections of Polja (Fields), magazine for culture and art collection. Distinctions recorded are Guggenheim Fellowship, Aleksandar Lifka Award and Annual award ACFK.
Makavejev's first three feature films, Man Is Not a Bird (1965, starring actress and icon of the "Black Wave" period in film, Milena Dravić), Love Affair, or the Case of the Missing Switchboard Operator (1967, starring actress and icon of the "Black Wave" period in film, Eva Ras) and Innocence Unprotected (1968), all won him international acclaim. The last-mentioned won the Silver Bear Extraordinary Prize of the Jury at the 18th Berlin International Film Festival. In 1970 he was a member of the jury at the 20th Berlin International Film Festival. In 1991 he was a member of the jury at the 17th Moscow International Film Festival. His 1971 movie W.R.: Mysteries of the Organism (starring Milena Dravić, Jagoda Kaloper, and Ivica Vidović) was banned in Yugoslavia due to its sexual and political content. He described authoritarian figures in the film as people who are not in control of themselves striving to control others. The political scandal surrounding Makavejev's film was symptomatic of an increasingly oppressive political climate in Yugoslavia that effectively ended the director's domestic career and resulted in his leaving Yugoslavia to live and work abroad in Europe and North America. Makavejev's next film, Sweet Movie (1974), was the first feature work that the director produced entirely outside of Yugoslavia (the film was made in Canada). The film's explicit depiction of sex together with its bold treatment of the more taboo dimensions of sexuality reduced the size of its audience (i.e. it was largely confined to the art house context) and also resulted in the film's being censored in several countries. Makavejev said: "After Sweet Movie it was as if I had burned all my bridges. I just lost the chance to talk to producers." After a seven-year hiatus in feature film production, Makavejev released the comparatively more conventional black comedy entitled Montenegro (1981). The director's next feature film, The Coca-Cola Kid (1985), which was based on short stories by Frank Moorhouse and featured performances by Eric Roberts and Greta Scacchi, is arguably his most accessible picture. Makavejev appears as one of the narrators in the 2007 Serbian documentary film Zabranjeni bez zabrane (Banned without being banned), which gives profound insight into the history and the nature of Yugoslav film censorship through its investigation of the country's distinctive political-cultural mechanisms for unofficially banning politically controversial films. The film contains original interviews with key filmmakers from the communist era. He published two books of selected articles: Poljubac za drugaricu parolu (1960) and 24 sličice u sekundi (1965).
Views
Views
In 1993 Makavejev wrote and appeared in a half hour televised Opinions lecture in Britain, produced by Open Media for Channel 4 and subsequently published in The Times. Makavejev speaks of himself as a citizen of the world but "of the leftovers of Yugoslavia too". He cites Jacques Tourneur's Hollywood horror classic Cat People as one of the rare films in the history of the cinema that mention Serbs, "a people from an obscure region who were haunted by evil; when hurt they turn into ferocious cats, like panthers, and killed those whom they thought to be the source of hurt of rejection". He comments on the division of Bosnia on ethnic lines: "Creators of nationalist myths, both Serbs and Croats, came from the same mountainous region that was probably the source of this Hollywood story. Before the armed conflict, these people were whipping up nationalist fever and indoctrination until conflict became inevitable and both nations were trapped in a bloody embrace...How long will it take for an ethnically "clean" state for every single person who miraculously stays alive? A state for each family, a state for the father in case he is a Croat, a state for the mother in case she is a Muslim, a state for the daughter in case she is a Yugoslav, a state for the son in case he is a Serb, a specific flag for the dog, a currency for the cat."
Filmography
Filmography
Feature films Short films Jatgan mala (1953) Pečat (1955) Antonijevo razbijeno ogledalo (1957) Spomenicima ne treba verovati (1958) Osmjeh '61 (1961) Eci peci pec (1961) Parada (1962) Nova domaća životinja (1964)

Collectie / Archief: Fotocollectie Anefo Reportage / Serie: Filmregisseur Dusan Makavejev in Amsterdam Beschrijving: De regisseur geeft uitleg Datum: 4 maart 1974 Locatie: Amsterdam, Noord-Holland Trefwoorden: filmopnames, filmregisseurs Persoonsnaam: Makavejev, Dusan Fotograaf: Fotograaf Onbekend / Anefo Auteursrechthebbende: Nationaal Archief Materiaalsoort: Negatief (zwart/wit) Nummer
Anefo

Collectie / Archief: Fotocollectie Anefo Reportage / Serie: Filmregisseur Dusan Makavejev in Amsterdam Beschrijving: Kees Hoekert Datum: 4 maart 1974 Locatie: Amsterdam, Noord-Holland Trefwoorden: filmopnamen Persoonsnaam: Hoekert, Kees Fotograaf: Fotograaf Onbekend / Anefo Auteursrechthebbende: Nationaal Archief Materiaalsoort: Negatief (zwart/wit) Nummer archiefinventaris: bekijk toeg
Anefo
Life and career
Dated record
Life and career
Explore 1965–2019
The full dated record · 5 entries
1965
Dusan Makavejev - Poljubac za drugaricu Parolu (1965) (1965) is digitised and catalogued by Internet Archive.
1974
Sweet Movie by Dušan Makavejev 1974 is digitised and catalogued by Internet Archive.
1977
Dušan Makavejev with A Man is Not a Bird (1977) is digitised and catalogued by Internet Archive.
1981
Montenegro, or, Pigs and Pearls - Dusan Makavejev (1981) (1981) is digitised and catalogued by Internet Archive.
2019
Dušan Makavejev died at Belgrade.
Primary material
Documents and archives
scholarly publication
- Blood and Sugar: The Films of Dušan Makavejev, Film Quarterly, 2010
Scholarly · Crossref registry · 2010
- Filmography of Dušan Makavejev, Studies in Eastern European Cinema, 2014
Scholarly · Crossref registry · 2014
- Filmography Of Dušan Makavejev, Terror and Joy, 2010
Scholarly · Crossref registry · 2010
- Makavejev, Dušan (1932–), Routledge Encyclopedia of Modernism
Scholarly · Crossref registry
reference work
- Wikidata, structured authority record Q357316: Dušan Makavejev
Reputable secondary · Wikidata
- “Dušan Makavejev”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Umro Dušan Makavejev: Odlazak jednog od najvećih srpskih reditelja. Blic. 25 January 2019.
- 2.Bergan, Ronald. Dušan Makavejev obituary. The Guardian. 6 February 2019.
- 3.Mazierska, Ewa. Dušan Makavejev (1932–2019). Studies in Eastern European Cinema. 10. 2. 195–197. 2019. 10.1080/2040350X.2019.1583424.
- 4.Arhiva.kurir-info.rs. Vesti dana - Kurir dnevne novine.
- 5.Berlinale 1968: Prize Winners. berlinale.de.
- 6.Berlinale 1970: Juries. berlinale.de.
- 7.17th Moscow International Film Festival (1991). MIFF.
- 8.Jacobsen, Kurt. "An Interview with Dusan Makavejev" in Maverick Voices: Conversations with political and Cultural Rebels. Rowman & Littlefield. 2004. 978-0742533950.
- 9.Oumano, Ellen. Makavejev Fictionary: The Films of Dusan Makavejev. Harvard Film Archive. 38. Spring 1995.
- 10.Zabranjeni bez zabrane.
- 11.Đerić, Zoran. Poetika srpskog filma. Besjeda. 374. 2009.
- 12.Dusan Makavejev, Opinions: Bloody Bosnia, produced by Open Media, transmitted on Channel 4 on 8 August 1993, printed in The Times on 9 August 1993 and quoted in Terror and Joy: The Films of Dusan Makavejev, Lorraine Mortimer, University of Minnesota, 2009, p.258
Bibliography printed in the source article · 3
- Article on Man Is Not a Bird in Senses of Cinema: Gleaming Faces, Dark Realities: Dušan Makavejev's Man Is Not a Bird and the Representation of the Working Class after Socialist Realism.
- Gleaming Faces, Dark Realities: Dušan Makavejev's Man Is Not a Bird and the Representation of the Working Class after Socialist Realism by Constantin Parvulescu
- Betrayed Promises: Politics and Sexual Revolution in the Films of Márta Mészáros, Miloš Forman, and Dušan Makavejev by Constantin Parvulescu
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
scholarly publication
Blood and Sugar: The Films of Dušan Makavejev, Film Quarterly, 2010Crossref registry
Institutional witnessscholarly publication
Institutional witnessscholarly publication
Filmography Of Dušan Makavejev, Terror and Joy, 2010Crossref registry
Institutional witnessscholarly publication
Makavejev, Dušan (1932–), Routledge Encyclopedia of ModernismCrossref registry
Institutional witnessreference work
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
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