Miguel García Vivancos
Miguel García Vivancos (19 April 1895 in Mazarrón, Region of Murcia – 23 January 1972 in Córdoba) was a Spanish Naïve painter and anarchist. He was a member of the National Confederation of Labor (Confederación Nacional del Trabajo, CNT), during the Spanish Civil War he commanded several military units. He was artistically known by his second surname.
Also recorded as Miguel Vivancos · Miguel Garcia Vivancos · Miguel Georges Vivancos · Georges Vivancos
Miguel García Vivancos

Miguel García Vivancos (1895-1972) (catalan). Estel Negre. · Public domain
- Name
- Miguel García Vivancos
- Born
- 9 April 1895
- Birthplace
- Mazarrón, Murcia, Spain
- Died
- 23 January 1972
- Place of death
- Córdoba, Andalusia, Spain
- Nationality
- Spain
- Occupation
- painter · trade unionist · anarchist · anarcho-syndicalist
- Languages
- Spanish
VALÉORINE Encyclopedia
VALÉORINE documentary reading
Documentary summary
Miguel García Vivancos (19 April 1895 in Mazarrón, Region of Murcia – 23 January 1972 in Córdoba) was a Spanish Naïve painter and anarchist. He was a member of the National Confederation of Labor (Confederación Nacional del Trabajo, CNT), during the Spanish Civil War he commanded several military units. He was artistically known by his second surname.
Admitted source layer · organised and presented by VALÉORINE
Note VALÉORINE
Miguel García Vivancos (1895–1972) was a Spanish anarchist, anarcho-syndicalist and painter, among other activities. Born in Mazarrón, the anarchist died in Córdoba. Miguel García Vivancos was a member of Confederación Nacional del Trabajo and Los Solidarios and worked in France.
Languages used include Spanish. Works by the anarchist are held at Musée National d'Art Moderne and Smithsonian American Art Museum.
Composed from admitted, traceable facts · 26 September 2026
VALÉORINE
Reference Check
Propose documentary evidence for Miguel García Vivancos. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
World of VALÉORINE
Documentary connections
Only confirmed graph relationships appear here. Images are shown only when their identity and reuse rights both pass the documentary gate.
Documentary evidence
Documentary basis
Authority files
wikidata · Q2895420 · wikipedia · Miguel García Vivancos
In this article
Key facts
Key facts
• Name — Miguel García Vivancos • Born — 9 April 1895 • Birthplace — Mazarrón, Murcia, Spain • Died — 23 January 1972 • Place of death — Córdoba, Andalusia, Spain • Allegiance — Bandera_CNT-FAI.svg CNT • Branch — Bandera_CNT-FAI.svg Confederal militias (1936-1937) Spanish Republican Army (1937-1939) • Branch Label — Service • Service Years — 1936-1939 • Unit — Harriers Column (1936-1937), 125th Mixed Brigade (1937), 25th Division (1937), 29th Division (1937-1938), 24th Division (1938) • Battles — Spanish Civil War: • Battle of Belchite • Battle of Teruel Miguel García Vivancos (19 April 1895 in Mazarrón, Region of Murcia – 23 January 1972 in Córdoba) was a Spanish Naïve painter and anarchist. He was a member of the National Confederation of Labor (Confederación Nacional del Trabajo, CNT), during the Spanish Civil War he commanded several military units. With the defeat of the Republic he went into exile, where he developed a career as a painter. He was artistically known by his second surname.
Biography
Biography
He was born in Mazarrón on 19 April 1895. Apprentice at the arsenal of Cartagena, he went with his widowed mother and brothers to Barcelona. At an early age he joined the anarchist National Labor Confederation (CNT); To actively fight against the gunmen hired by the businessmen to suppress workers' demands, he formed the group "Los Solidarios" together with Buenaventura Durruti, Francisco Ascaso, Juan García Oliver, Gregorio Jover, Ramona Berri and Aurelio Fernández. During the civil war he commanded the Harriers Column that left Barcelona to fight in the front of Huesca. García Vivancos agreed with the militarization of the militias and tried to cooperate with the communists. Later he commanded the 125th Mixed Brigade and the 25th Division, intervening in the battles of Belchite and Teruel. In May 1938 he was promoted to the rank of lieutenant colonel. During the rest of the war, he also held command of the 29th Division - a former POUM militia - and the 24th Division — replacing Antonio Ortiz Ramírez. He fled at the end of the civil war to France, where he was held in 1940 in the Vernet concentration camp. He remained there at the beginning of the Nazi occupation, before being liberated by the resistance and joining it. After the end of World War II, he worked in many different trades. One day he began to paint scenes and landscapes of Paris on handkerchiefs to sell to American soldiers. This is how he discovered his talent for painting by beginning to capture his works in oil on canvas. In the year 1947 he met Picasso who welcomed him warmly as he had heard of his actions during the civil war. Picasso became interested in his painting and sought out the dealer María Cuttoli to make it known. In 1948 he held his first exhibition in Paris at the Mirador gallery. He made a name for himself, and in one of his exhibitions, André Breton dedicated a few lines to it, saying: Seriously ill, he returned to Spain, where he died in Córdoba on 23 January 1972.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Mazarrón.
Birth place
Córdoba.
Death place
References ==== Bibliography
* * * * * * * * * * * * *
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
Bibliography printed in the source article · 13
- Alexander, Robert J. The Anarchists in the Spanish Civil War. Janus Publishing Company Lim. 744, 1100. 1999. 978-1-85756-412-9.
- Alpert, Michael. The Republican Army in the Spanish Civil War, 1936-1939. Cambridge University Press. 142, 334. 2013. 978-1-107-02873-9.
- Álvarez, José. Vivancos. Fundación Rafael Botí. 2010.
- Arnáiz, José Manuel. Cien años de pintura en España y Portugal (1830-1930). Ediciones Antiquaria. 1993.
- Bihalji-Merin, Oto. Die Naiven der Welt. R. Löwit Verlag. 1975.
- Llorens, Vicente. Estudios y ensayos sobre el exilio republicano de 1939. Renacimiento. 2006. 978-1-107-02873-9.
- Márquez, José Manuel. Ortiz: general sin Dios ni amo. Hacer Editorial. 1999.
- M. Lorenzo, César. Los Anarquistas españoles y el poder 1868-1969. Ruedo Ibérico. 1972.
- Roca, Juan Manuel. Diccionario anarquista de emergencia. Editorial Norma. 2008.
- Téllez, Antonio. Sabaté. Guerrilla urbana en España (1945-1960). Virus. 1992. 9788460418610.
- Vallejo-Nágera, Juan Antonio. Naifs españoles contemporáneos. Mas Actual, S.A. de Ediciones. 1975.
- Zueras Torrens, Francisco. La gran aportación cultural del exilio español. Diputación provincial de Córdoba. 1990.
- 73. Año IV. Revista Bellas Artes. 21. March 1973.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
Elsewhere in Paintings
19,183 published records in this field, each with its sources named.
- Miguel CabreraArtist
- Miguel CovarrubiasArtist
- Miguel de la EspriellaArtist
- Miguel FrankArtist
- Miguel Jerónimo de CiezaArtist
- Miguel ManriqueArtist
- Miguel Navarro CañizaresArtist
- Miguel PerazaArtist
Best supported in this field
For owners
Own a work by Miguel García Vivancos?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.