Michael Kessler
Michael Kessler (born October 23, 1954) is an American artist.
Also recorded as Michael C. Kessler
Michael Kessler
- Name
- Michael Kessler
- Born
- 23 October 1954
- Occupation
- Artist
- Nationality
- United States
- Education
- Kutztown University
- Honours
- Rome Prize
VALÉORINE Encyclopedia
VALÉORINE documentary reading
Documentary summary
Michael Kessler (born October 23, 1954) is an American artist.
Admitted source layer · organised and presented by VALÉORINE
Reference Check
Propose documentary evidence for Michael Kessler. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
World of VALÉORINE
Documentary connections
Only confirmed graph relationships appear here. Images are shown only when their identity and reuse rights both pass the documentary gate.
Documentary evidence
Documentary basis
Authority files
wikidata · Q16186318
In this article
Biography
Biography
Michael Kessler studied at Kutztown University. Work by Michael Kessler is recorded in the collections of Buffalo AKG Art Museum, John and Mable Ringling Museum of Art, Museum of Fine Arts Boston, Reading Public Museum and Vanderbilt Museum of Art. Distinctions recorded are Rome Prize.
Key facts
Key facts
• Name — Michael Kessler • Born — 23 October 1954 • Occupation — Artist • Website — michaelkessler.com Michael Kessler (born October 23, 1954) is an American artist.
Art
Art
Kessler makes nature-based paintings that merge geometric elements with biomorphism. He began his art career as a landscape painter. While still an undergraduate at Kutztown University Kessler received a fellowship from the Whitney Museum of American Art to study and produce art in New York City at the Whitney Independent Study Program. During this period (1977–78) he met many important artist working in New York City including Richard Tuttle and Dorothea Rockburne. Influenced by the paintings of Brice Marden and Elizabeth Murray as well as the music of Philip Glass and Steve Reich he began experimenting with his own work. His paintings soon became fully non-objective. Kessler's works are characterized by large fields of diaphanous color that are activated by organic linear structures that have been visually and physically woven into a grid structure which consists of thick slabs of paint. These organic linear structures are overlapped and punctuated by dendritic growth patterns that suggest the bending of time and space. All of these visual elements as well as the color combinations have been carefully extracted from nature over time through prolonged observation and then reconstructed and orchestrated to transmit the dynamics of the Natural World. In this way Kessler synthesizes disparate elements into a new kind of harmony. In 1991 after returning from a year in Italy (via. the Rome Prize) Kessler became very involved with large-scale, site-specific installations. Gallery owner Chris Schmidt (Schmidt/Dean Gallery, Philadelphia) worked with Kessler to initiate this project by obtaining a commission from Arlen Specter for Kessler's first site-specific work which was installed in Senator Specter's office at the Hart Senate Office Building in Washington, D.C. In Chicago Kessler continued this pursuit with Gallery owner Paul Klein who also got involved with the placement of site-specific works in his gallery Klein Art Works.
Education
Education
Bachelor of Fine Arts degree from Kutztown University. Kessler attended the Independent Study Program at the Whitney Museum of American Art
Gallery exhibitions
Gallery exhibitions
Since 1983 his paintings have been shown in over two hundred exhibitions throughout the United States and Europe. • Five solo shows at the Jack Tilton Gallery in New York City. • Solo Exhibition at Ann Korologos Gallery in Basalt, Colorado (Gallery is owned by former Secretary of Labor, Ann Korologos). • Gallery Bienvenu, New Orleans, Louisiana • Madison Gallery, La Jolla, California • Paia Contemporary Gallery, Maui, Hawaii • Schmidt Dean Gallery, Philadelphia, Pennsylvania • Lanoue Fine Art, Boston, Massachusetts • Sense Fine Art, Menlo Park, California • Allentown Art Museum, Allentown, Pennsylvania • Castellani Art Museum, Niagara Falls, New York
Public collections
His paintings are held in 25 museum collections including: • The Brooklyn Museum • The Albright-Knox Art Gallery • The Museum of Fine Arts in Boston • The Broad Art Foundation in Los Angeles • The New Museum in New York City
Awards
• Winner of the Rome Prize, 1991 • Winner of the Pollock-Krasner Award, 1992, This is a grant for painting set up and administered by the Pollock/ Krasner Foundation. • Winner of the "Awards in the Visual Arts-5" grant in painting, 1985 • Winner of the Pennsylvania Council on the Arts grant in painting, 1983
General references
General references
* • Inner Nature by Nancy Doll • New Work, New York, Outside New York at the New Museum • Geoform interview by Julie Karabenick • Art News review by Richard Speer
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 20 August 2026.
Elsewhere in Paintings
18,623 published records in this field, each with its sources named.
- Michael GoldbergArtist
- Michael HaussmanArtist
- Michael HeckertArtist
- Michael JägerArtist
- Michael KrebberArtist
- Michael LandyArtist
- Michael LinArtist
- Michael LonsdaleArtist
Best supported in this field
For owners
Own a work by Michael Kessler?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.