Maurice Estève

Maurice Estève was a French painter, printmaker, draftsperson and artist (1904–2001). He was born at Culan.

Also recorded as Maurice Esteve.

Maurice Estève in brief

Born
1904
Died
2001
Known for
painter, printmaker, draftsperson and artist
Place of birth
Culan
Contents

Catalogued works

23 works under this name are catalogued by Wikidata Query Service and The Art Institute of Chicago. Their recorded dates run from 1930 to 1966.

L'Oiseleur du Pacifique, dated 1961, held by Statens Museum for Kunst, inventory KMS7026. The Poulterer, dated 1945, held by Statens Museum for Kunst, inventory KMS6656. Changing the Baby, dated 1934, held by Statens Museum for Kunst, inventory KMS6626. Tournoi, dated 1951, held by Statens Museum for Kunst, inventory KMS6830. The Burnt-Down Mill, dated 1944, held by Statens Museum for Kunst, inventory KMS6829. L'arbre ébranché, dated 1944, held by Statens Museum for Kunst, inventory KMSr204. The Artist in his Studio, dated 1949, held by Statens Museum for Kunst, inventory KMS6432. Fleshy, dated 1964, held by Statens Museum for Kunst, inventory KMS6512. Vivarium, dated 1947, held by Art Gallery of New South Wales, inventory 9012. L'Arnon, dated 1959, held by Statens Museum for Kunst, inventory KMSr195. Grenoble, dated 1966, held by Statens Museum for Kunst, inventory KMS6519. The White Stool, dated 1936, held by Statens Museum for Kunst, inventory KMSr180. Vernoir, dated 1954, held by Statens Museum for Kunst, inventory KMS6324. The Serious Couple, dated 1930, held by Statens Museum for Kunst, inventory KMS6828. Corn Sheds in Auvergne, dated 1944, held by Statens Museum for Kunst, inventory KMSr181. Composition (yellow, black and white), dated 1955, held by Statens Museum for Kunst, inventory KMS4932. Notre-Dame-de-l’Immaculée Conception chapel, dated 1957. Friselune, dated 1958, held by National Museum of Art, Architecture and Design, inventory MS-02929-1988. Les Arbres et le train de ceinture, dated 1947, held by Unterlinden Museum, inventory 88.RP.85. Woman Washing her Feet, dated 1933, held by Gothenburg Museum of Art, inventory GKM 1042. Woman and Plant, dated 1946, held by Gothenburg Museum of Art, inventory GKM 1352. Jour de Fete, dated 1952, color lithograph on buff wove paper, held by The Art Institute of Chicago, inventory 1956.611. Composition, dated n.d., color lithograph on ivory wove paper, held by The Art Institute of Chicago, inventory 1955.1047.

In public collections

Work associated with this heading is recorded in 6 named public collections.

Statens Museum for Kunst: 15 recorded objects, read from the institution's own published catalogue. Gothenburg Museum of Art: 2 recorded objects, read from the institution's own published catalogue. Art Gallery of New South Wales: 1 recorded object, read from the institution's own published catalogue. National Museum of Art, Architecture and Design: 1 recorded object, read from the institution's own published catalogue. Unterlinden Museum: 1 recorded object, read from the institution's own published catalogue. The Art Institute of Chicago: 2 recorded objects, read from the institution's own published catalogue.

Literature

5 scholarly publications naming this subject were located in the registry of record.

Estève, Maurice, Oxford Art Online, 2003. Estève, Maurice, Benezit Dictionary of Artists, 2011. Estève, Maurice (1904–2001)., Historical Dictionary of Contemporary Art, 2017. Estève, Rémy, Benezit Dictionary of Artists, 2011. Estève, Pierre, Oxford Music Online, 2001.

Scholarly footprint

Bibliographic registers publish measured figures for this heading: 13 language editions of the general reference literature carrying an article (Wikimedia (language editions)). A count of publications is evidence of attention, not of standing, and is given here only as a measure.

Evidence base

This article draws on 3 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 3 means 3 genuinely separate publishers of record. 16 further registers were consulted and returned nothing for this heading.

In detail

Maurice Estève studied at Académie Colarossi. the recorded working language is French.

Places of work recorded in the authority are Paris and Barcelona. Residence is recorded at Culan.

Work by Maurice Estève is recorded in the collections of Art Institute of Chicago, Auckland Art Gallery, Tate, National Gallery of Victoria and National Gallery of Canada.

Chronology

  1. 1904Maurice Estève born at Culan.
  2. 1934Changing the Baby (Statens Museum for Kunst).
  3. 1944The Burnt-Down Mill (Statens Museum for Kunst).
  4. 1944L'arbre ébranché (Statens Museum for Kunst).
  5. 1945The Poulterer (Statens Museum for Kunst).
  6. 1951Tournoi (Statens Museum for Kunst).
  7. 1961L'Oiseleur du Pacifique (Statens Museum for Kunst).
  8. 2001Maurice Estève died at Culan.

Sources

Each source is named with the standing the house places on it, so the evidence can be weighed rather than taken on trust.

  1. 1.

    Estève, Maurice (1904–2001)., Historical Dictionary of Contemporary Art, 2017

    scholarly publication · Scholarly

    Consult the source
  2. 2.

    Estève, Maurice, Benezit Dictionary of Artists, 2011

    scholarly publication · Scholarly

    Consult the source
  3. 3.

    Estève, Maurice, Oxford Art Online, 2003

    scholarly publication · Scholarly

    Consult the source
  4. 4.

    The Art Institute of Chicago, collection records associated with Maurice Estève.

    museum collection · Unverified · The Art Institute of Chicago

    Consult the source
  5. 5.

    Wikidata, structured authority record Q471318: Maurice Estève

    reference work · Reputable secondary · Wikimedia Foundation

    Consult the source
  6. 6.

    “Maurice Estève”, English Wikipedia, consulted as further reading

    reference work · Reputable secondary · Wikipedia

    Consult the source

Elsewhere in Paintings

For owners

Own a work by Maurice Estève?

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