Masashi Kishimoto

Besides the Naruto manga, Kishimoto also personally supervised the three anime films, Road to Ninja: Naruto the Movie, The Last: Naruto the Movie and Boruto: Naruto the Movie, and has written several one-shot stories. In 2019, Kishimoto wrote Samurai 8: The Tale of Hachimaru which ended in March 2020. From May 2016 through October 2020 he supervised the Boruto: Naruto Next Generations manga written by Ukyō Kodachi and illustrated by Mikio Ikemoto. In November 2020 it was announced that he had taken over as writer on the series, replacing Kodachi. A reader of manga from a young age, Kishimoto showed a desire to write his own manga, citing authors Akira Toriyama and Katsuhiro Otomo as his main influences.

• Name — Masashi Kishimoto • Born — 8 November 1974 • Birthplace — Nagi, Okayama, Japan • Notable Works — Naruto • Awards — Quill Award (2006) • Occupation — Manga artist • Alma Mater — Kyushu Sangyo University • Employer — Shueisha • Years Active — 1997–present • Children — 1 • Relatives — Seishi Kishimoto (twin brother)

Masashi Kishimoto was born in Okayama Prefecture, Japan on November 8, 1974, as the older identical twin of Seishi Kishimoto. His home was close to Hiroshima where his grandfather originated. Kishimoto's grandfather often told him about stories of war and how it was related to grudges. During his childhood, Kishimoto showed interest in drawing characters from the anime shows he watched, such as Dr. Slumps Arale and Doraemons titular protagonist. In elementary school, Kishimoto started watching the Kinnikuman and Dragon Ball anime alongside his brother. During the following years, Kishimoto started idolizing Dragon Balls creator Akira Toriyama, enjoying not only his series Dragon Ball and Dr. Slump, but also Dragon Quest, a series of role-playing video games for which Toriyama is the character designer. While he could not afford to buy Weekly Shōnen Jump where the Dragon Ball manga was published, he followed the series thanks to a friend from school who had subscribed to the magazine. By high school, Kishimoto started losing interest in manga as he started playing baseball and basketball, sports he practiced at his school. However, upon seeing a poster for the animated film Akira, Kishimoto became fascinated with the way the illustration was made and wished to imitate the series' creator Katsuhiro Otomo's style. Other series he enjoyed reading are Jin-Roh: The Wolf Brigade; Ninku; and Ghost in the Shell. During his last years before graduating from Kyushu Sangyo University, Kishimoto spent time drawing manga and went to an art college with the hopes of becoming a manga artist. Upon entering college, Kishimoto decided he should try creating a Chanbara manga since Weekly Shōnen Jump had not published a title from that genre. However, during the same year, Kishimoto started reading Hiroaki Samura's Blade of the Immortal and Nobuhiro Watsuki's Rurouni Kenshin (the latter of which was published in Weekly Shonen Jump), which used the said genre. Kishimoto recalls having never been surprised by manga ever since reading Akira and found that he still was not able to compete against them. In his second year of college, Kishimoto started drawing manga for magazine contests. However, he noted that his works were similar to seinen manga, aimed towards an adult demographic, rather than the shōnen manga read by children and teenagers. Wishing to write a manga for Shōnen Jump (which targets a young demographic), Kishimoto found his style unsuitable for the magazine. When watching the anime series Hashire Melos!, Kishimoto was surprised by the character designs employed by the animators and he started researching works from animators. He later met Tetsuya Nishio, the designer from the anime adaptation of the manga Ninku, whom he deemed a big influence. Having emulated the drawing style of multiple character designers from anime series, Kishimoto noted that his own style began to resemble that of shōnen series.

Kishimoto's first successful manga pilot was Karakuri, which he submitted to Shueisha in 1995. This earned him an honorable mention in Shueisha's monthly "Hop Step Award" in 1996, granted to promising rookie manga artists. At this point he was assigned an editor, Kosuke Yahagi, and worked on a number of rejected drafts including a slice-of-life manga, Wandering Detour, and an action manga, Asian Punk. In 1997, he wrote a one-shot version of NARUTO－ナルト－ which was published in Akamaru Jump Summer. In December 1997, while redeveloping Karakuri for serialization, Kishimoto was offered a one-shot in Weekly Shōnen Jump. The new version of Karakuri debuted two weeks later in Weekly Shōnen Jump 1998 No. 4-5, but was hampered by the sudden deadline and performed poorly in reader surveys. Following the failure of Karakuri, Kishimoto reduced his output and began moving in a seinen direction with drafts for a baseball manga, Baseball King, and a mafia manga, Mario, hoping to find better luck with a seinen magazine. Yahagi persuaded him to give the shōnen genre one last shot and Kishimoto began working on storyboards for a fantasy one-shot, Magic Mushroom, but stopped when Yahagi called and asked him to instead develop storyboards for serialization. The two decided to submit a version of Naruto with a reworked story and world and produced storyboards for the first three chapters, winning a spot in the magazine. With a six-month lead time, Kishimoto repeatedly revised and redrew the first several chapters of the series.

In September 1999, the serialized version of Naruto premiered in Weekly Shōnen Jump 1999 No. 43 and quickly became a hit. It ended on November 10, 2014, after more than 15 years of serialization, with a total of 700 chapters collected in 72 volumes. Sales have exceeded 113 million copies in Japan and over 95 million copies in the US, followed by over 93 million copies worldwide (outside Japan and United States) as of volume 36. This makes total sales for the series approximately 301 million copies. Kishimoto was also the winner of "Rookie of the Year" for the series in the Agency for Cultural Affairs. It was adapted into two successful anime series, Naruto and Naruto Shippuden. Kishimoto requested that Tetsuya Nishio oversee the character designs of Naruto when the manga was adapted into an anime series. The Naruto manga series became one of Viz Media's top properties, accounting for nearly 10% of all manga sales in the US in 2006. The seventh volume of Viz's release became the first manga to ever win a Quill Award when it claimed the award for "Best Graphic Novel" in 2006. War is a theme Kishimoto wanted to tell in the manga based on the Hiroshima crisis he was told from his grandfather. Despite understanding that war has no good side, Kishimoto wrote the concept of war in Naruto with a hopeful theme. Responding to Naruto ' s success, Kishimoto said in Naruto Collector Winter 2007/2008 that he was "very glad that the American audience has accepted an understood ninja. It shows that the American audience has good taste... because it means they can accept something previously unfamiliar to them." While writing the manga, Kishimoto met Eiichiro Oda, author of One Piece who he considered his rival. When Naruto ended, Oda left a message in the series' final volume acknowledging him as a rival. According to Kishimoto "That felt so gratifying." Additionally, before the anime adaptation's premiere of My Hero Academia, he praised Kōhei Horikoshi's work, believing it would be a success overseas. Additionally, Kishimoto referred to Yoshihiro Togashi as one of his favorite artists. For the video game Tekken 6, Kishimoto redesigned its new character, Lars Alexandersson. CyberConnect2 CEO Hiroshi Matsuyama said he was attracted by this design and thus asked the Tekken staff if he could include Lars in the video game Naruto Shippuden: Ultimate Ninja Storm 2. For Naruto Shippuden: Ultimate Ninja Storm Revolution, Kishimoto was responsible for Mecha Naruto upon being suggested by the staff to include a new character. Kishimoto decided on adding a character that would create a big impact worldwide, which resulted in Mecha Naruto. CyberConnect2 CEO Hiroshi Matsuyama was surprised when seeing the new character. For the ninth Naruto film, Road to Ninja: Naruto the Movie, Kishimoto was responsible for both the story planning and the characters' designs. The designs used for the film were the designs Kishimoto made for a planned Part 3 of Naruto, however that idea was scrapped for Boruto so they were repurposed for The Last. To promote the film, Kishimoto worked in Motion Comic Naruto, a DVD that showed scenes from the manga in 3D that was given to the first 1.5 million people who went to the cinema. Regarding Narutos publication, Kishimoto told Tetsuya Nishio in July 2012 that the series would take over a year and a half to end. However, Kishimoto admitted that it now appears that the manga will continue beyond that timeframe. Throughout 2014, Kishimoto supervised the film The Last: Naruto the Movie, which would act as a bridge connecting the series' conclusion and epilogue, providing the story concept and character designs. The Naruto series finally concluded on November 10, 2014, with The Last: Naruto the Movie premiering a month later on December 6, 2014. Kishimoto also worked on several other projects during Narutos serialization. In 2010, Kishimoto produced a one-shot baseball manga, Bench, as part of Jump's "Top of the Super Legend" project, a series of six one-shot manga by famed Weekly Shōnen Jump artists. In April 2012, it was announced that Kishimoto would publish a one-shot version of his long-postponed mafia manga, Mario, in Jump Square, based on the rough, 160-page manuscript he began working on before Naruto became serialized. Throughout 2013, several of Kishimoto's one-shots saw their English-language debut in issues of the Weekly Shonen Jump digital magazine, including Mario, Bench, and the original Naruto pilot. In 2015, Kishimoto also illustrated the cover of violinist Chisako Takashima's album Strings on Fire.

Following Narutos conclusion, Kishimoto became involved in the Start of a New Era Project commemorating both the manga's conclusion and 15th anniversary. On the last page of the final chapter, Weekly Shōnen Jump announced that a spin-off miniseries, also authored by Kishimoto, would be released in 2015. The miniseries, Naruto: The Seventh Hokage and the Scarlet Spring, ran from April to July 2015, leading up to the premiere of Boruto: Naruto the Movie on August 7, 2015, which he supervised and co-wrote with Ukyō Kodachi. He also illustrated several light novels set during the same time period as The Last. When asked by Boruto Uzumaki's voice actress Yūko Sanpei to continue making Naruto films, Kishimoto stated that he was taking a break and could not physically do so. In August 2015, Kishimoto announced that he already has finalized what he wants to do for his next manga series. A sci-fi manga, the series will feature a unique protagonist, with Kishimoto having already completed the character designs. He plans for the work to surpass Naruto in quality, and plans to release the series monthly via the digital magazine Shonen Jump Plus due to the taxing effort required for a weekly series. Kishimoto had not yet finalized when he plans to officially announce the series, as he wants to spend time with his family. On December 19, 2015, it was announced that Kishimoto would supervise the monthly Boruto: Naruto Next Generations manga series beginning in Spring 2016. The new spinoff will be illustrated by Kishimoto's chief assistant on Naruto, Mikio Ikemoto, and written by his writing partner for Boruto: Naruto the Movie, Ukyo Kodachi. It was preceded by a Naruto: The Path Lit by the Full Moon one-shot written and illustrated by Kishimoto. In the June 10, 2019 issue of Weekly Shōnen Jump it was announced that Boruto: Naruto Next Generations would transition to the magazine's sister publication, V Jump, beginning with its June 20, 2019 issue. In December 2017 at Jump Festa 2018 it was confirmed that Kishimoto was developing a new science fiction adventure series tentatively scheduled to debut in 2018. A year later at Jump Festa 2019 the series was formally announced as Samurai 8: The Tale of Hachimaru. Kishimoto will be handling the script and rough storyboards, while Akira Ōkubo, a former assistant on Naruto and brother of Atsushi Ōkubo, is responsible for illustrating the final manuscript. The series debuted in Weekly Shōnen Jump on May 13, 2019, as the magazine's first new series of Japan's Reiwa period, following a 4-page preview chapter on April 27, 2019, marking the end of the Heisei period. The series however failed to find an audience and concluded a year later in the 17th issue of Weekly Shōnen Jump on March 23, 2020. In November 2020 it was announced that after 51 chapters and 13 volumes Kodachi would step down as writer of the Boruto: Naruto Next Generations manga, with Kishimoto assuming full writing duties and Ikemoto continuing as illustrator beginning with chapter 52 in the upcoming December issue of V Jump magazine, published on November 21, 2020.

• Karakuri (one-shot) (1995; Hop Step Award winner, published in Hop Step Award Selection 18 ('95~'96) (1996) and Akamaru Jump Winter (1997)) • Karakuri (December 21, 1997; debuted and canceled in Weekly Shōnen Jump #4–5, 1998) • Bench (one-shot) (October 11, 2010, published in Weekly Shōnen Jump #45, 2010) • Mario (one-shot) (May 2, 2013, published in the June 2013 issue of Jump Square) • Samurai 8: The Tale of Hachimaru — creator, writer, storyboard artist (May 13, 2019 – March 23, 2020; serialized in Weekly Shōnen Jump; debuted in issue #24, 2019)

• Naruto (one-shot) (1997; published in Akamaru Jump Summer (1997) • Naruto (September 21, 1999 – November 10, 2014; serialized in Weekly Shōnen Jump; debuted in issue #43, 1999) • Naruto: The Seventh Hokage and the Scarlet Spring (April 27, 2015 – July 6, 2015; serialized in Weekly Shōnen Jump, debuted in issue #22–23, 2015) • Boruto: Road to B (one-shot) (August 17, 2015, published in Weekly Shōnen Jump #36, 2015) — collaboration between Kishimoto and Kenji Taira (author of Rock Lee SD) • Naruto: The Path Lit by the Full Moon (one-shot) (April 25, 2016, published in Weekly Shōnen Jump #21–22, 2016) • Boruto: Naruto Next Generations — editorial supervisor (volumes 1–13; May 9, 2016–November 2020), writer (volume 14–20; December 2020–May 2023) (serialized in Weekly Shōnen Jump (2016–19) and V Jump (2019–23); debuted in Weekly Shōnen Jump #23, 2016) • Naruto: The Whorl Within the Spiral (one-shot) (July 18, 2023, published in Weekly Shōnen Jump #33, 2023) • Boruto: Two Blue Vortex — writer and editorial supervisor (August 2023–present; serialized in V Jump; debuted in issue #10, 2023)

• Motion Comic: Naruto — 2012, designer

• Tekken 6 — 2009, guest character designer • Naruto Shippuden: Ultimate Ninja Storm Revolution — 2014, character designer and editorial supervisor

• Masashi Kishimoto Art Collection: Uzumaki — 2004 • Paint Jump: Art of Naruto — 2008 • Naruto Illustration Collection: Naruto — 2010 • Naruto Illustration Collection: Naruto Uzumaki — 2015

• Naruto Secret Manual, Book of Meetings: Official Character Data Book (2002) • Naruto Secret Manual, Book of Soldiers: The Official Fanbook (2002) • Naruto Secret Manual, Book of Conflict: Official Character Data Book (2005) • Naruto Secret Manual, Book of People: Official Character Data Book (2008) • Naruto Secret Manual, Book of Everyone: The Official Fanbook (2009) • Naruto Secret Manual, Book of War: Official Character Data Book (2014) • Naruto Secret Manual, Book of Formation: Official Movie Guidebook (2014) • Naruto Secret Manual, Book of Nations: Official Movie Book (2015) • Naruto Kizuna: The Words That Bind — Heaven Scroll (2013) • Naruto Kizuna: The Words That Bind — Earth Scroll (2013) • Boruto: Naruto Next Generations Story Guide — Before the Reversal (2026)

• Naruto: Hozuki Castle • Naruto Jinraiden: The Day the Wolf Howled — 2012, illustrator • The Last: Naruto the Movie • Boruto: Naruto the Movie

• Naruto: Tales of a Gutsy Ninja — 2010, illustrator, co-author • Naruto: Tales of a Pure Ninja — 2015, illustrator

• Naruto: Kakashi's Story — Lightning in the Frozen Sky — 2015, illustrator • Naruto: Shikamaru's Story — A Cloud Drifting in the Silent Dark — 2015, illustrator • Naruto: Sakura's Story — Love Riding the Spring Breeze — 2015, illustrator • Naruto: Konoha's Story — The Perfect Day for a Wedding — 2015, illustrator • Naruto: Gaara's Story — Sandstorm Mirage — 2015, illustrator • Naruto: Akatsuki's Story — Evil Flowers in Bloom — 2015, illustrator

• Naruto: Itachi's Story — Daylight — 2015, illustrator • Naruto: Itachi's Story — Midnight — 2015, illustrator • Naruto: Sasuke's Story — Sunrise — 2015, illustrator

• Naruto: Konoha's Story — The Steam Ninja Scrolls — 2016, illustrator • Naruto: Naruto's Story — Family Day — 2016, illustrator • Naruto: Sasuke's Story — Star Pupil — 2016, illustrator • Naruto: Shikamaru's Story — Mourning Clouds — 2016, illustrator

• Naruto: Kakashi's Story — The Sixth Hokage and the Failed Prince — 2019, illustrator • Naruto: Sasuke's Story — The Uchiha and the Heavenly Stardust — 2019, illustrator • Naruto: Naruto's Story — Uzumaki Naruto and the Spiral Destiny — 2019, illustrator

• Strings on Fire by Chisako Takashima — 2015, special album cover artist • Learning Japanese History Through Manga, Volume 1 — 2016, cover artist • Learning Japanese History Through Manga, Volume 5 — 2016, cover artist

Kishimoto is the twin brother of Seishi Kishimoto, the author of 666 Satan and Blazer Drive. In 2003, Kishimoto married, but did not take a honeymoon with his wife until 2015 due to being busy with Naruto. In the making of The Last: Naruto the Movie, Kishimoto based the idea of Hinata Hyuga wanting to make a scarf for Naruto Uzumaki on how his wife had once done the same for him. The couple has one son.

The canonical record carries the following identifying particulars. It is also recorded that masashi Kishimoto is recorded as Japan.