Mary Alexandra Bell Eastlake
Also recorded as Mary Alexandra Eastlake-Bell · Mary Alexandra Eastlake-Bell (Mrs.) · Mary Alexandra Bell · Mary Eastlake
Mary Alexandra Bell Eastlake
- Full name
- Mary Alexandra Bell.
- Born
- 1864. · Admaston/Bromley.
- Died
- 1951. · Ottawa.
- Nationality
- ["Canada"].
- Occupation
- ["painter"].
- Education
- ["Académie Colarossi"].
In this article
Key facts
• Name — Mary Alexandra Bell Eastlake
• Birth Name — Mary Alexandra Bell
• Born — 1864
• Birthplace — Douglas, Canada West
• Died — 1951 1864
• Place of death — Ottawa, Ontario
• Spouse — Charles H. Eastlake
• Field — Jewelry maker, Painter, Watercolourist
Mary Alexandra Bell Eastlake (née Mary Alexandra Bell) (1864, Douglas, Canada West - 1951, Ottawa) was a Canadian painter most notable for her portraits of women and children, as well as a jewelry and enamelwork designer and producer.
Biography
Born in Douglas, Canada West, Bell grew up in Carillon, Canada East (becoming Quebec when she was about 3) and later in Almonte, Ontario. She received her formal art training from Robert Harris at the Art Association of Montreal from 1884 to 1887 and from William Merritt Chase at the Art Students League in New York. She continued her studies in Paris at the Académie Julian and Académie Colarossi between 1891 and 1892. She first exhibited in the Paris Salon in 1889. She was elected an associate of the Royal Canadian Academy of Arts in 1893.
She sought to use contemporary subject matter in her paintings, often interpreting the subject of women and children, and was attentive to light and colour. Among Bell Eastlake's contemporaries, artists such as Mary Cassatt, Helen McNicoll and Laura Muntz Lyall were also known for their depiction of women and children. Curators believe that she may have seen and been influenced by Cassatt's prints when they were exhibited at the Galerie Durand‒Ruel in Paris in 1891.
After meeting Charles Herbert Eastlake, an English painter and director of the Chelsea Polytechnic and marrying him in 1897, she moved to England and devoted time to learning enamelling and metal work for the production of jewelry as an applied art. She exhibited her work at the Palace of Fine Arts at the 1893 World's Columbian Exposition in Chicago, Illinois. One of her pastels, an effect of sunlight through trees, was exhibited at the Salon of 1906. She painted in Sweden, Holland, and Belgium, as well as England and France. In 1927, she had a major show titled Oils, Water Colors and Pastels by Mrs. C.H. Eastlake at the Art Gallery of Toronto (later its name changed to the Art Gallery of Ontario). After the death of her husband, Eastlake returned to Canada in 1939.
The Pastel and the Boston Water Colour Societies made her a member, and besides the Salon, she exhibited at the Royal Academy, Arts and Crafts, and New English Art Club, and at exhibitions in Canada and the United States. Her works are in the collection of the National Gallery of Canada.
Selected works
• Moonrise
• The Village on the Cliff
• Reverie
• Snowy Day in a Canadian Village
Record sale prices
At the Cowley Abbott Auction Artwork from an Important Private Collection - Part II, June 8, 2023, In the Orchard, circa 1895-1897, oil on canvas, 38 x 33.25 ins ( 96.5 x 84.5 cms ), Auction Estimate: $30,000.00 - $50,000.00, realized a price of $168,000.00.
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Admaston/Bromley.
Birth place
Ottawa.
Death place
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Mary Alexandra Bell Eastlake, revision 1321327380 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record.
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Farr, Dorothy. From Women's Eyes: Women Painters in Canada. Agnes Etherington Art Centre. 29. 1975.
- 2.Foss, Brian. Article. cowleyabbott.ca. Cowley Abbott Auction.
- 3.Nichols, K. L. Women's Art at the World's Columbian Fair & Exposition, Chicago 1893.
- 4.Prakash, A. K. Independent Spirit: Early Canadian Women Artists. Firefly. 2008.
- 5.Cowley Abbott Auction. Article. cowleyabbott.ca.
Bibliography printed in the source article · 5
- Bruce, Tobi. The French Connection: Canadian Painters at the Paris Salons 1880-1900. Art Gallery of Hamilton. 2011.
- Boyanoski, Christine. "Figures in the Landscape en plein air". Embracing Canada: Landscapes from Krieghoff to the Group of Seven. Vancouver Art Gallery and Black Dog Publishing. 59ff. 2015.
- Butlin, Susan. The Practice of Her Profession: Florence Carlyle, Canadian Painter in the Age of Impressionism. McGill-Queen's Press - MQUP. 2009. 978-0-7735-7525-7.
- Cassell. Cassell's Magazine. 1909.
- Gray, Sara. The Dictionary of British Women Artists. Casemate Publishers. 2009. 978-0-7188-3084-7.
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Partially resolvedreference work
Partially resolved
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 25 August 2026.
Elsewhere in Paintings
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- Mary AshleyArtist
Best supported in this field
For owners
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