Margaret Sarah Carpenter
Margaret Sarah Carpenter (née Geddes; 1793 – 13 November 1872) was an English painter. Noted in her time, she mostly painted portraits in the manner of Sir Thomas Lawrence. She was a close friend of Richard Parkes Bonington.
Also recorded as Margaret Carpenter · Margaret Sarah Geddes · Miss Margaret Sarah Geddes · Carpenter
Margaret Sarah Carpenter

Margaret Sarah Carpenter · Public domain
- Name
- Margaret Sarah Carpenter
- Birth Name
- Margaret Sarah Geddes
- Born
- 1793
- Birthplace
- Salisbury, England
- Died
- 13 November 1872
- Place of death
- London, England
- Field
- Portrait painting
- Spouse
- William Hookham Carpenter
- Nationality
- Kingdom of Great Britain · United Kingdom of Great Britain and Ireland
- Occupation
- painter · artist
- Fields
- portrait
- Languages
- English
VALÉORINE Encyclopedia
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Documentary summary
Margaret Sarah Carpenter (née Geddes; 1793 – 13 November 1872) was an English painter. Noted in her time, she mostly painted portraits in the manner of Sir Thomas Lawrence. She was a close friend of Richard Parkes Bonington.
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Note VALÉORINE
Margaret Sarah Carpenter (1793–1872) was a British and British artist and painter. Born in Salisbury, the artist died in Marylebone.
Genres include portrait. Languages used include English. Works by Margaret Sarah Carpenter are held at Art Institute of Chicago, British Museum and Museum of Fine Arts Boston, among others.
Composed from admitted, traceable facts · 26 September 2026
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wikidata · Q3290472 · wikipedia · Margaret Sarah Carpenter
In this article
Biography
Biography
The recorded working language is English. Subjects and genres recorded for the work are portrait. Work by Margaret Sarah Carpenter is recorded in the collections of Art Institute of Chicago, Royal Museums Greenwich, National Library of Wales, Museum of Fine Arts Boston and British Museum.
Key facts
Key facts
• Name — Margaret Sarah Carpenter • Birth Name — Margaret Sarah Geddes • Born — 1793 • Birthplace — Salisbury, England • Died — 13 November 1872 • Place of death — London, England • Field — Portrait painting • Spouse — William Hookham Carpenter
Early life
Early life
Carpenter was born in Salisbury, the daughter of Captain Alexander Geddes, who was of an Edinburgh family, and Harriet Easton. She was taught art by a local drawing-master. Her first art studies were made from the pictures at Longford Castle, belonging to the Earl of Radnor.
Career
Career
• Illustration — A young girl by Margaret Sarah Carpenter (1839) In 1812, one of Carpenter's copies of the head of a boy was awarded a medal by the Society of Arts, who awarded her another medal in 1813, and a gold medal in 1814. She went to London in 1814, and soon established her reputation as a fashionable portrait painter. She exhibited a portrait of Lord Folkestone at the Royal Academy in 1814, and a picture entitled 'The Fortune Teller' at the British Institution. She exhibited regularly at the Royal Academy between 1818 and 1866. Her painting The Lacemaker was on display at the 1857 Manchester Art Treasures exhibition. She also exhibited at the British Institution and at the Suffolk Street Gallery. Of Carpenter's Head of a Polish Jew, exhibited at the British Institution in 1823, a reviewer wrote: "It very rarely happens that a specimen of art like this is produced from the hand of a lady: Here are colour, light, strength and effect, and anatomical drawing". The painting was bought for 45 guineas by the Marquess of Stafford, an influential art patrons, who had previously bought her medal-winning painting of 1813. In December 2013 the picture resurfaced at auction (with some fire damage) and was purchased by a family relative for restoration. • Illustration — Portrait of Ada Lovelace by Margaret Sarah Carpenter Among Carpenter's exhibited portraits were those of Sir H. Bunbury (1822), Lady Denbigh (1831), and Lady King (better known as Ada Lovelace) (1835). Her last work was a portrait of William Whewell. Three of her works are in the National Portrait Gallery collection in London, including portraits of her husband, Bonington and the sculptor John Gibson. There are also several 'leaving portraits' by her in the collection at Eton College. Her portrait of 'The 2nd Lord de Tabley in Academic Robes' hangs in the dining room at Tabley House. There is also one of her portraits at Frewen College, of Helen Louisa Frewen and her son Edward. Her "Portrait of a Lady" hangs in the Neill-Cochran House Museum in Austin, Texas. Her portraits follow in the tradition of Lawrence, but Wood found them to be more fanciful and feminine character, particularly in her portraits of children.
Family
Family
In 1817, she married William Hookham Carpenter, Keeper of Prints and Drawings at the British Museum. Their children included two noted painters, another William and Percy Carpenter, who both travelled and painted in the Indian subcontinent. She introduced her sister Harriet to the young painter William Collins. They eventually married, making Margaret the aunt to Wilkie Collins, novelist and friend to Charles Dickens. On her husband's death in 1866, she was given an annual pension of £100 by Queen Victoria. This award was partly based on her husband's service, but also in recognition of her own artistic merits. She died in London on 13 November 1872, in her 80th year, and was buried with her husband on the western side of Highgate Cemetery. The grave (plot no.14768) no longer has a headstone. Their daughter Henrietta was buried in the same grave in 1895.
Gallery
Gallery
• Illustration — William Hookham Carpenter, 1816 • Illustration — Sir Charles William Doyle, 1824 • Illustration — William Collins, 1828 • Illustration — Henry Hoare, 1829 • Illustration — Portrait of Richard Parkes Bonington, c.1830 • Illustration — Portrait of Countess Howe, 1834 • Illustration — Portrait of Ada Lovelace, 1836 • Illustration — Henrietta Carpenter, 1839 • Illustration — A mother and a child, 1841 • Illustration — John Bird Sumner, 1852 • Illustration — Portrait of John Gibson, 1857
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Salisbury.
Birth place
Marylebone.
Death place
Primary material
Documents and archives
reference work
- “Margaret Sarah Carpenter”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q3290472: Margaret Sarah Carpenter
Unverified · Wikidata
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Brian Stewart & Mervyn Cutten. The Dictionary of Portrait Painters in Britain up to 1920. Antique Collectors' Club. 1997. 1-85149-173-2.
- 2.Christopher Wood. The Dictionary of Victorian Painters. Antique Collectors' Club. 1978. 0-902028-72-3.
- 3.Smith, Richard J, Margaret Sarah Carpenter, A Brief Biography, Salisbury & South Wiltshire Museum, 1993
- 4.Manchester Art Treasures Exhibition. Catalogue of the Art Treasures of the United Kingdom. Bradbury and Evans. 99. 1857.
- 5.Whitley, W.T, Art in England 1821-1837, Cambridge, 1930
- 6.The Literary Gazette of Belles Lettres, Arts and Sciences; Volume 7, p.268, 1823
- 7.Completed by July 1831 according to a letter of 2nd. Lord de Tabley's guardian Thomas Lister Parker, addressed to Rev. Dr. William Jackson, then de Tabley's tutor; in an earlier letter dated 1 June 1831 Parker refers to 'Mr Carpenter', suggesting he was uninformed as to the artist's sex.
- 8.Carpenter, William Hookham. Carpenter. William Hookham. William Hookham Carpenter. 09.
- 9.The Golden Temple at Amritsar, William Carpenter, Feb. 1854, Victoria and Albert Museum, ref IS.50–1882, accessed July 2010
- 10.The King of Inventors. Catherine Peters
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Partially resolvedauthority record
Unverified
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
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