Mangku Muriati
Mangku Muriati, born in 1967, paints in traditional Balinese form, known as Kamasan-style, where the aesthetic form and most stories relate to the wayang kulit puppet theatre. This form of painting has a very old tradition, associated with the East Javanese kingdom of Majapahit, which flourished in the fourteenth and fifteenth centuries and helped to propagate Hindu faith across the region – now largely retained in Bali. It was from the Kamasan village where artists were traditionally recruited to produce classical-style paintings on cloth (or bark cloth) for religious and ceremonial use as well as to decorate the palaces and temples.
Mangku Muriati
- Nationality
- Indonesia
- Occupation
- painter · priestess
- Education
- Udayana University
Encyclopédie VALÉORINE
Le dossier documentaire
Chaque énoncé est lu dans les notices d’autorité des institutions nommées. Choisissez « Preuve » à côté d’un énoncé pour voir la notice d’où il est tiré, l’endroit précis et la date de lecture.
Mangku Muriati (naissance : 1967) figure comme peintre dans les notices d'autorité de la Deutsche Nationalbibliothek.
Vie
La naissance de Mangku Muriati est enregistrée en 1967.
Institutions citées
Deutsche Nationalbibliothek
Non précisé par les sources citées: nationalité
Chaîne de lecture complète (JSON)Reference Check
Propose documentary evidence for Mangku Muriati. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
World of VALÉORINE
Documentary connections
Only confirmed graph relationships appear here. Images are shown only when their identity and reuse rights both pass the documentary gate.
Documentary evidence
Documentary basis
Authority files
wikidata · Q18352155 · wikipedia · Mangku Muriati
In this article
Biography
A daughter of Mangku Mura (1920-1999), who is considered one of the prominent artists of his generation in Kamasan-style painting. She studied art at the Udayana University in Denpasar, Bali, but after graduating, returned to the traditional style of painting. Mangku Muriati was working as a Kamasan artist, she joined a small number of Balinese women who work in this style, customarily dominated by men. In the 1990s, at the age of 32, Muriati became a priestess at her local clan temple in the ward of Banjar Siku. She considers painting and priestly duties as complementary, comparing the role of an artist to a dhalang or puppeteer, who needs an extensive knowledge of characters and stories, ultimately derived from what is considered the sacred scripture - the Hindu epics Ramayana and Mahabharata. The subjects of her paintings and related commentaries frequently refer to social and political issues in contemporary Bali. Muriati’s paintings have been exhibited in Bali as well as internationally.
Mangku Muriati studied at Udayana University.
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Mangku Muriati, revision 1324262089 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.[Adrian Vickers, Balinese Art: Paintings and Drawings of Bali 1800 - 2010, Tuttle Publishing 2012]
- 2.[Anthony Forge, Balinese Traditional Paintings, Australian Museum, Sydney 1978]
- 3.Adrian Vickers, Balinese Art: Paintings and Drawings of Bali 1800 - 2010, Tuttle Publishing 2012
- 4.Siobhan Campbell, Kamasan painting at the Australian Museum and beyond, Art Monthly Australia 2011) No. 244 (Oct): 51-54
- 5.^ Siobhan Campbell, Collecting Balinese Art: The Forge Collection of the Balinese Paintings at the Australian Museum in Sydney, Unpublished PhD thesis, University of Sydney 2013
- 6.^ Siobhan Campbell, A Balinese artist and temple priest builds on her father’s legacy, Inside Indonesia 106: Oct-Dec 2011
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 25 August 2026.
Elsewhere in Paintings
19,456 published records in this field, each with its sources named.
- Manfredi BeninatiArtist
- Manfredino di AlbertoArtist
- Mang KeArtist
- Mangala BayiArtist
- Manjit BawaArtist
- Manjot KaurArtist
- Manlio RhoArtist
- Manly MacDonaldArtist
Best supported in this field
For owners
Own a work by Mangku Muriati?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.