Ludwig Fahrenkrog

He taught at the School of Arts and Crafts in Bremen from 1898 to 1931. He was also involved in the founding of a series of modern Pagan religious groups in the early 20th century, as part of a movement to create what its adherents referred to as a "Germanic religious community".

• Name — Ludwig Fahrenkrog • Born — 20 October 1867 • Birthplace — Rendsburg, Prussia • Died — 27 October 1952 • Field — Writing, Play writing, Artist • Movement — Art Nouveau and Symbolist

The first group started by Fahrenkrog was the Deutscher Bund für Persönlichkeitskultur (German League for the Culture of the Personality), which also supported a publication called Mehr Licht! ("More Light!", the famous last words of Goethe). He was also involved with the Deutsche Religionsgemeinschaft (German Religious Community [DRG]), which would later change its name several times, first in 1912 to Germanisch-Deutsche Religionsgemeinschaft (Germanic-German Religious Community [GDRG]), then in 1915, following a split in the membership, to the Deutschgläubige Gemeinschaft (Association of the German Faithful [DGG]). Fahrenkrog remained with the GDRG after several members left following disagreements over the place of the old Germanic gods and the inclusion of a partly Jewish member, and shortly thereafter the group changed its name to the Germanische Glaubens-Gemeinschaft (Germanic Faith-Community [GGG]), its final form. In 1916, the group set out ten points of common belief which they later published in Das Deutsche Buch (The German Book). In 1923, the GGG's sixth year of existence, Fahrenkrog gave a speech that emphasized the non-political nature of the group, and stated the goal of "ascent and united will of all Germanic people." At that point, the group had a large membership spread across several neighboring countries, and plans for further growth included the building of a Germanic temple designed by Fahrenkrog's stepson. However, the temple's construction was obstructed by protests from local Christian groups and disagreement among GGG members, and it was never finished. In 1925, Fahrenkrog and Adolf Kroll, another early member, argued over the role that the Edda should play in the group's mythology. Fahrenkrog believed that the GGG should evolve a new mythos incorporating but not dependent upon the Edda, Kroll apparently seeing this as disloyalty to the old Germanic myths.

When the Nazis came to power in 1933, they outlawed almost all other groups not affiliated with the party. The GGG, however, was not forced to disband, partly, says Wolff, "because of Fahrenkrog's international status as an artist." Nevertheless, some of its activities were limited. They could no longer hold public meetings, and after 1938 could no longer use the swastika, which the GGG had been using as its symbol since 1908. Fahrenkrog himself was reluctant to use the greeting "Heil Hitler!" in letters, and as a result never gained any recognition within the party. In 1934, an exhibit of his paintings was prohibited by the ministry of propaganda.