Lorraine Fox
Lorraine Fox (1922–1976) was an American illustrator and commercial artist who illustrated magazines, book covers, and advertisements. Among the magazines she illustrated for were Woman's Day, Good Housekeeping, Redbook, McCall's, and Cosmopolitan. She was inducted into the Society of Illustrators' Hall of Fame in 1979.
Lorraine Fox
- Name
- Lorraine Fox
- Born
- 22 May 1922
- Birthplace
- Brooklyn, New York, United States
- Died
- 1976
- Education
- * Pratt Institute (1944)
- Known for
- Illustrator
- Spouse
- Bernard D'Andrea
- Elected
- Hall of Fame, Society of Illustrators
- Nationality
- United States
- Occupation
- artist · illustrator
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Documentary summary
Lorraine Fox (1922–1976) was an American illustrator and commercial artist who illustrated magazines, book covers, and advertisements. Among the magazines she illustrated for were Woman's Day, Good Housekeeping, Redbook, McCall's, and Cosmopolitan. She was inducted into the Society of Illustrators' Hall of Fame in 1979.
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Documentary evidence
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wikidata · Q6681619 · wikipedia · Lorraine Fox
In this article
Key facts
Key facts
• Name — Lorraine Fox • Born — 22 May 1922 • Birthplace — Brooklyn, New York, United States • Died — 1976 • Education — * Pratt Institute (1944) • Brooklyn Museum Art School (1960s) • Known for — Illustrator • Spouse — Bernard D'Andrea • Elected — Hall of Fame, Society of Illustrators • Illustration — Lorraine Fox, illustration for "That Certain Kind of Miracle" article, March 1961, Woman's Day
Early life
Early life
Fox was born in Brooklyn on May 22, 1922. She was the daughter of Theodore, an accountant, and Florence Gatto Fox. Lorraine Fox's brother was the cartoonist and comic book artist Gill Fox, who gave Lorraine confidence to explore her artistic talents and was inspired by Lorraine to create illustrations. Her mother cleaned houses to pay for her daughter's tuition to Pratt Institute.
Education
Education
Lorraine Fox graduated from Pratt Institute in 1944. She met fellow illustrator Bernard D'Andrea at Pratt and they inspired each other's talent. Beginning in 1961, she studied painting for four years at Brooklyn Museum Art School with Reuben Tam and her work took on a more mature and deeper emotional quality.
Career
Career
While working for Keiswetter Agency, Fox also produced freelance work for Seventeen and Better Homes and Gardens. Her works, including full illustrations and a regular column of drawings, appeared in Woman's Day. In 1951, she married D'Andrea in New York. That year, she also joined the Charles E. Cooper studio with a collection of illustrators, including D'Andrea, Coby Whitmore, and Jon Whitcomb. According to The New School, it was "one of the most influential studios for photography and commercial art" at the time. Fox, one of the most notable female illustrators of the mid-20th century, illustrated books, book covers, advertisements, and she continued to illustrate for magazines, such as Good Housekeeping, Redbook, McCall's, and Cosmopolitan. Women illustrators were often hired to create illustrations of children, who were portrayed as innocent and wholesome, or as naughty, like Fox's dark, young Sherlock made in the 1960s. As magazines relied increasingly on photography to fill their pages, it became difficult to remain competitive as an illustrator into the 1960s, but Fox was one of the artists, like Bernard Fuchs and Austin Briggs, to create their own new and unique style. Fox taught for a home-school art program at the Famous Artists School, along with other successful artists like Norman Rockwell, Al Capp and Bernard Fuchs. Students submitted their works to professional illustrators, cartoonists, and painters, who critiqued them and returned comments and drawings to the students. From 1965 to 1976, Fox taught at Parsons School of Design. She often exhibited her works—made with oils, watercolors, or other media—with her husband at galleries and museums. Murray Tinkelman, who was also an instructor at Parsons, said in a 1977 American Artist article that Fox was able to have a successful career as an illustrator when photography was a major form for illustration. Like Fox, Tinkelman studied under Reuban Tam and worked at Charles E. Cooper studio. He admired her use of abstract shapes, color, and symbolism and was determined as an illustrator to be "the second best Lorraine Fox". Fox was described as "an elegant, quiet woman, highly imaginative, gifted in design and a standout artist in a field overbearingly populated by men" by journalist Don Stewart. Fox died in 1976 of lung cancer. In 1979, three years after her death, she became the first female inductee of the Society of Illustrators' Hall of Fame. The New School and Smithsonian American Art Museum / National Portrait Gallery Library maintain an artist file of documents related to her career. Her work was included in the "Here's Looking at You, Kid" exhibition from January 31 to March 31, 2012, at the Society of Illustrators' Museum.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Lorraine Fox was born at Brooklyn.
Birthplace
Lorraine Fox died at Mineola.
Deathplace
Brooklyn.
Birth place
Mineola.
Death place
Published works
* * * * *
Primary material
Documents and archives
reference work
- “Lorraine Fox”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q6681619: Lorraine Fox
General reference · Wikidata
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Don Stewart. A Life Told in Illustration: The Rockwell celebrates the "Golden Age" of Murray Tinkelman. The Recorder. May 15, 2014.
- 2.Jacquelyn Lewis. A Man of Art. The Island Packet & The Beaufort Gazette. The McClatchy Company. June 25, 2004.
- 3.Jim Amash. A Conversation with Gill Fox - Artist, Writer, and Editor (1940-43) of Quality Comics Group. Alter Ego. 3. 12.
- 4.New York (State). Legislature. Assembly. Documents of the Assembly of the State of New York. 1379. 1902.
- 5.Boy Scouts of America, Inc. Boys' Life. 23. October 1970. 0006-8608.
- 6.Boy Scouts of America, Inc. Boys' Life. 13. October 1969. 0006-8608.
- 7.Social Security Administration. Lorraine Dandrea, Social Security issued before 1951 in New York. Social Security Death Index, Master File.
- 8.J. T. White. The National Cyclopædia of American Biography: Being the History of the United States as Illustrated in the Lives of the Founders, Builders, and Defenders of the Republic, and of the Men and Women who are Doing the Work and Moulding the Thought of the Present Time. 133.
- 9.Society of Illustrators. Here's Looking at You Kid January 31, 2012 - March 31, 2012.
- 10.The New School. Guide to the Lorraine Fox offprints, transparencies, and tear sheets, 1964-1976. Kellen Design Archives.
- 11.Smithsonian Institution. Lorraine Fox. Art and Artist's Files.
- 12.Society of Illustrators. Hall of Fame - Lorraine Fox.
- 13.David Saunders. Walt Reed: A Life in Illustration. Illustration. 9. 35. 85. Fall 2011.
Bibliography printed in the source article · 7
- Schlicht & Field. Cosmopolitan. 151. 6. 1961.
- Arpi Ermoyan. Society of Illustrators: Famous American Illustrators. Book Sales. August 1, 2002. 978-0-7858-1560-0.
- Hastings House. Famous Artists Annual. 176. 1969.
- Amy Geller. Lure of the Naïve: An Exploration of the Naïve, Faux-naïf and Expressive Illustration Styles of James Thurber, Lorraine Fox, R.O. Blechman, Faith Ringgold, Sue Coe, Maira Kalman, and Roz Chast. Fashion Institute of Technology. Illustration. 2010.
- Heritage Capital Corporation. Heritage Galleries and Auctioneers, 2005 Fine Arts Signature Catalog #620. 23–26. March 1, 2005. 978-1-932899-70-2.
- Nassau Community College. Lorraine Fox & Bernard D'Andrea: Exhibition of Paintings and Drawings : March 6, 1966, Nassau Community College, Garden City, New York. 1966.
- The Society of Illustrators. The Illustrator in America, 1860-2000. 312, 334, 342. 2001. 978-0-8230-2523-7.
References
Citations
References
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reference work
Secondary witnessauthority record
General reference
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 17 August 2026.
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