Layth Abdulamir

He received his PHD degree in Cinematic Critic he has made several documentary films for various TV channels in France and for Dubai TV in the United Arab Emirates (1999-2004). In 2021, Layth Abdulamir's book Extreme cinema, transcending the borders of aesthetics was published by Arwegh مؤسسة أروقة للدراسات والترجمة والنشر Editions in Cairo. The book explores the use of extremes in world cinema, the origins and philosophy as well as aesthetic and political ties.

• Name — Layth Abdulamir • Born — 24 October 1957 • Birthplace — Iraq • Citizenship — * Iraq • France • Education — * Sorbonne, Paris, France • Kiev National I. K. Karpenko-Kary Theatre, Cinema and Television University, Kiev, Soviet Union • Years Active — 1982–present • Occupation — * film director • screenwriter • Known for — * Iraq: The Song of the Missing Men • The Executioner's Tear • Notable Works — * Yemen, Music from the Heart of Arabia • Christians of Iraq, Chronicles of an Announced Exodus

Layth Abdulamir left Iraq in 1977 to study film at the Sorbonne in Paris, moved to the Soviet Union in 1980, and obtained his MA Degree in 1985 (majoring in film) at the Kiev National I. K. Karpenko-Kary Theatre, Cinema and Television University, He has won a number of International Awards for his films. Layth Abdulamir has become prominent following the emergence of a new generation of Iraqi filmmakers, in exile or still working in the country, in the late 1990s and early 2000s, a period of cultural and artistic achievements which unveiled other notable names including Abbas Fahdel, Hayder Mousa Daffar, and Zahavi Sanjavi. In 2005, after 28 years of absence, Layth Abdulamir returned for the first time to Iraq to make the documentary Iraq: The Song of the Missing Men, but he felt like a complete stranger in the country where he was born and the making of the film was rather difficult in a land still plagued by the harsh realities and consequences of the American military post-occupation. In an interview with AlloCiné, the director explained: "Most of the time I had to 'steal' images of reality, I was never able to install myself in a shot, in an interview, and thereby benefit from the time necessary for this type of operation." He added: "Iraqi identity was broken, everyone retreated to hide behind his community, his religion, his religious allegiance." As of 2014, Layth Abdulamir began working as a film critic for a number of Arabic language newspapers, and also as a Master class instructor.

The book "Extreme cinema, transcending the borders of aesthetics” explores the use of extremes in world cinema, the origins and philosophy as well as aesthetic and political ties. As a director and screenwriter, Layth Abdulamir made the following films, among others, in a career spanning more than three decades: The Cradle (fiction, 21', 1985) in the former Soviet Union; Yemen, a Time for the Sacred (documentary, 52', 1994), a French-Belgian co-production; a quintet of documentaries for Dubai Television, in the United Arab Emirates, from 1999 to 2004; Iraq: The Song of the Missing Men (documentary, 93', 2005), an ethnological reading of post-occupation realities in Iraq; The Executioner's Tear (documentary short, 26', 2013), a condemnation of barbarian executions in Egypt that was co-produced by French public television channel France 3 and Orok Films. With the exception of a couple of early short fictional films, Layth Abdulamir makes a full-time living as a documentary filmmaker, building a field of specialization in topics related to the Arab world and filming mainly in the United Arab Emirates, Yemen, Egypt, and Irak.

• 1982-1985 - 3 short features: Night Chat, President, and Death. • 1985 - The Cradle (Le berceau), short fictional film, 21 min., Beta SP, Soviet Union • 1987 - Kurdistan, Chemical Bomb (Kurdistan, bombe chimique) • 1994 - Yemen, a Time for the Sacred (Yémen, le temps du sacré), in collaboration with French poet, essayist, musician and experimental filmmaker Michel Bulteau (script and texts) • 1998 - Naseer Shamma, from Baghdad to Seville: Portrait of the Great Iraqi Lute Player (Naseer Shamma, de Bagdad à Séville), co-directed with Francis Lapeyre, a musical roadtrip with Iraqi musician Naseer Shamma, 45 min., TV documentary • 1999 - Yemen, Music from the Heart of Arabia (Yémen, musiques du coeur de l'Arabie), TV documentary • 2000 - Twilight Exotic Dancer, TV documentary for Dubai Television • 2001 - The Birth of the Euro (La naissance de l’Euro) • 2002 - Africa, Africa (Afrique, Afrique) • 2003 - Do Not Cry, Africa (Afrique, ne pleure pas) • 2004 - Baiyaa, Baghdad (Bayaa, Bagdad) • 2005 - Sunflower, short fictional film, 20 min., 16 mm • 2006 - Iraq: The Song of the Missing Men (Irak, le chant des absents) • 2011 - Christians of Iraq, Chronicles of an Announced Exodus (Chrétiens d'Irak: Chronique d'un exode annoncé) • 2013 - The Executioner's Tear (La Larme du bourreau)