Kou Baimen
Kou Baimen (寇白門, born 1624) was a Chinese courtesan, poet, and one of the Eight Beauties of Qinhuai (Chinese: 秦淮八艳) during the Ming-Qing transition period.
Also recorded as Kou Mei
Kou Baimen

樊圻(1616-1694)、吴宏 · 南京博物院 Nanjing Museum,China · Public domain
- Name
- Kou Baimen
- Birth Name
- Kou Mei (寇湄)
- Born
- c. 1624
- Birthplace
- Qinhuai, Nanjing
- Occupation
- Courtesan
- Known for
- Eight Beauties of Qinhuai
- Spouse
- Zhu Guobi
- Nationality
- Ming dynasty · Qing dynasty
- Fields
- poetry
- Languages
- Chinese
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Key facts
Key facts
• Name — Kou Baimen • Native Name — 寇白門 • Birth Name — Kou Mei (寇湄) • Born — c. 1624 • Birthplace — Qinhuai, Nanjing • Occupation — Courtesan • Era — Ming-Qing transition period • Known for — Eight Beauties of Qinhuai • Spouse — Zhu Guobi
Biography
Biography
Kou Baimen was born Kou Mei (Zh) in 1624. She lived in Qinhuai District of Nanjing, and was officially registered as a courtesan with the Southern Entertainment Bureau, the official government agency responsible for training and management of courtesans in China. At 18 or 19, her indenture was bought out by a high-ranking official Zhu Guobi (朱國弼), and she became his concubine. They married in a lavish ceremony with 5,000 soldiers lining the route from Wudong Bridge to Zhu's home at Nei Bridge. When the Ming dynasty was overthrown and Nanjing fell to the Machus in 1644, Zhu, having lost everything, decided to sell Baimen. Instead, she convinced him that releasing her was more profitable. She returned to Qinhuai to resume working as a courtesan, and was able to send 10,000 pieces of gold to Zhu within a month. However, in his book Banqiao zaji (板橋雜記 or Miscellaneous Records of the Wooden Bridge), Yu Huai (余懷) shared a different version of events. According to him, in the third month of jiashen, after the capital fell, all of Zhu's properties were confiscated and Baimen gave him 1,000 pieces of gold in exchange for her release. She followed a maid on a horseback to Qinhuai, and became a nüxia (female knight-errant), building gardens, entertaining friends, and regularly consorting with poets and artists. Although the appellate of nüxia or xianu in fiction and drama is meant to convey the subject's adeptness in martial arts and feats of vengeance, in this instance, the term "connotes unconventional behavior, courage, generosity, resoluteness, andindependence of spirit." There's also an "implication of male attributes and transcendence of gender boundaries in the appellation." Poet-historian Qian Qianyi also described Baimen as nüxia for "taking her destiny into her own hands and freely expressing her independence of spirit." Baimen hosted the poet Fang Wen (poet)(方文) in 1655 and he wrote 3 poems for her. She was also painted by several artists of the time, including Fan Qi and Wu Hong.
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The biographical narrative on this page is based on the Wikipedia article Kou Baimen, revision 1367816268 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
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Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Yahui, Tao (2015). A List of Talented Women in Ancient China. (in Chinese). Jilin Publishing Group Co. Ltd.
- 2.WCP4 - James Cahill - Professor Emeritus, History of Art - UC Berkeley. jamescahill.info.
- 3.Huai, Yu. Plum Shadows and Plank Bridge. Columbia University Press. 65–184. 2019-12-31. 978-0-231-54686-7.
- 4.Li, Wai-yee. Writing Women in Late Imperial China. Stanford University Press. 46–73. 1997-04-01. 978-0-8047-6591-6.
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 26 August 2026.
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