Koloman Sokol

Koloman Sokol studied at Academy of Fine Arts, Prague. The recorded working language is Slovak. The field of work recorded is visual arts. Places of work recorded in the authority are Mexico. Employment is recorded with Slovak University of Technology in Bratislava, Comenius University and National Autonomous University of Mexico. Work by Koloman Sokol is recorded in the collections of Art Institute of Chicago, Slovak National Gallery, Liptov Gallery of Peter Michal Bohúň, Orava Gallery and Turčianska galéria. Distinctions recorded are Order of Tomáš Garrigue Masaryk, Grand Officer of the Order of the White Double Cross and Grand Cross of the Order of the White Double Cross.

Koloman Sokol was born in Liptószentmiklós, Kingdom of Hungary (now Liptovský Mikuláš, Slovakia). He attended the private schools of Eugen Krón in Košice and Gustáv Mallý in Bratislava, as well as the Academy of Fine Arts in Prague, where he studied under Max Švabinský and Tavik Frantisek Simon. In Czechoslovakia, he became a member in the SČUG Hollar, an association of Czechoslovak graphic artist. Following a brief period of study with František Kupka in Paris, he accepted an invitation from the Mexican Ministry of Culture and Education to teach his work. He became a professor of graphic techniques at the Escuela de las Artes del Libro, which he helped found in 1938, and at the University of Mexico City from 1937 to 1941. Between 1942 and 1946 he lived in New York City. In 1946 he returned to Slovakia, where he taught at the Slovak University of Technology and at the Comenius University. In 1948 (when the Communists took power in Czechoslovakia) he left for the United States again. He settled in Bryn Mawr, a suburb of Philadelphia. From the 1960s he lived reclusively and created a special symbolical-mythological style during this period. In the 1990s he lived in Tucson, Arizona, where he died at the age of 100.

Sokol's work was inspired by Vincent van Gogh, Käthe Kollwitz, George Grosz, and strongly by the expressionism of the Die Brücke Group. Initially, he concentrated on graphic techniques, which he later enriched by drawing and painting in Mexico. His paintings are often dramatic in presentation which led to the belief that he created a Slovak variation of expressionism at a European level. He remained true to the limits of graphic art in terms of form and shape. Artistic, ethnic, and social aspects merge in his work. Although the primary motive of his works was man, social motives dominate his expressive work and this tendency equates to the hard and harsh style of his engravings and drawings. His works frequently depicted suffering, penury and human pain. He also created numerous woodcuts.

His most important works are: Za cieľom - baníci (Towards the goal - miners) Traja králi (The Three Magi) Bača (Shepherd) Nárek (Lamentation) Nový mexický zákon (New Mexican Act) Bitka žien (Women's Fight) Matka s dieťaťom (A mother with child) Na ceste (On the road) Stretnutie (Meeting) Odsúdená (Condemned) Starý pltník (The old raftsman) V ateliéri (In the studio) V uličke (In a little street)