Kermit Oliver
Kermit Oliver (born 1943) is an American painter who studied and worked in Houston before moving to Waco, Texas. His work reflects his Texas heritage and his interests in mythology, religion, and history. Oliver combines "contemporary and classical elements, resulting in a style he calls symbolic realism." His paintings create "strange, lushly illustrated worlds populated by people and animals realistically drawn but placed in surreal juxtaposition." Oliver was named the 2017 Texas State Two-Dimensional Artist by the Texas Commission on the Arts.
Kermit Oliver
- Name
- Kermit Oliver
- Born
- 1943
- Birthplace
- Refugio, TX
- Education
- Texas Southern University
- Nationality
- United States
- Occupation
- painter · artist
- Teachers
- Elaine de Kooning
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Kermit Oliver (naissance : 1943) figure comme « figure artists » et peintre dans les notices d'autorité de la Getty Union List of Artist Names.
Vie
Kermit Oliver naquit en 1943 à Refugio.
Institutions citées
Getty Union List of Artist Names
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In this article
Biography
Biography
His painting Tobias was included in the 2016 inaugural exhibition at the Smithsonian’s National Museum of African American History and Culture in Washington, D.C. In 2013, Oliver was honored with the first Lifetime Achievement Award from the Art League Houston.
Kermit Oliver studied at Texas Southern University and Rice University. Training under Elaine de Kooning is recorded. Employment is recorded with Hermès and United States Postal Service. Work by Kermit Oliver is recorded in the collections of Museum of Modern Art and Museum of Fine Arts, Houston.
Key facts
Key facts
• Name — Kermit Oliver • Born — 1943 • Birthplace — Refugio, TX • Education — Texas Southern University
Background, education, personal life
Background, education, personal life
Oliver was born in Refugio, Texas, where his father worked as a cowboy on a cattle ranch. By the age of 6 or 7, his talent for drawing the cattle, horses, and the south Texas flora and fauna was evident. After graduating from high school, in 1960 Oliver enrolled at Texas Southern University in Houston, where he was a student of the artist, Dr. John T. Biggers. He married fellow art student, Katie Washington, in 1962. While at Texas Southern University, he was the recipient of a Jesse H. Jones art scholarship, and graduated in 1967 with Bachelor of Fine Arts and art education degrees. In 1968 Oliver began teaching art at Texas Southern University, and also taught at the Art League of Houston, but soon decided not to pursue teaching as a career. For most of his life, Oliver worked as both an artist and a full-time mail sorter for the US Postal Service, initially in Houston and then for thirty years after moving to Waco in 1984. He believed that a steady income was the best way to support his family while allowing him the freedom to pursue art on his own terms. In 1998, his youngest son, Khristian, was tried for a murder committed during a botched burglary. To fund his son's defense, Hermès commissioned fifteen color variations of a scarf design for half a million dollars—the largest single order in the house's history—allowing Oliver to retain legal counsel Mike DeGeurin. Khristian was convicted, and executed by lethal injection in 2009. In 2013, Oliver retired from the postal service and continued working as an artist.
Art
Art
While still an art student, Oliver’s work was included in a show at Houston’s Courtney Gallery, and in 1970 the gallery gave him his first solo exhibition. He had his second solo show at the DuBose Gallery the following year. In the years after his graduation from Texas Southern University, Oliver became an integral part of the Houston art scene. He was the first African-American artist in Houston to be represented by a major commercial gallery. His work was subsequently exhibited in numerous solo and group shows and has been included in a number of museum collections. In 2005, the Museum of Fine Arts, Houston held a retrospective exhibition of Oliver’s work, Notes from a Child’s Odyssey: The Art of Kermit Oliver, that included more than 90 works created over four decades. Alvia Wardlaw, curator of Oliver's 2005 retrospective exhibition, noted that "The love of flora and fauna that you see in Kermit’s art began in that childhood where he was free to roam around Refugio and ride horses and hunt and sketch and draw…His visual sensibility with regards to the Texas landscape which he makes a metaphor for the wonders of the universe was born out of those youthful experiences." Oliver has noted that his work deals with ideas such as growth, metamorphosis, birth, death, rebirth, resurrection, immortality and "redemption...that especially." His paintings create worlds where "...animals, plants, and humans interact in surprising scenes that seem freighted with a mysterious and complex significance." A painting of a figure standing in front of rows of tall shrubbery is not simply a study of a garden, but Theseus and the Labyrinth. Oliver is also known for his celebrated work as a designer of scarves for Hermès, the French fashion house. The relationship began in 1980 when Hermès asked Lawrence Marcus of the upscale department store Neiman Marcus whether he knew of an American artist who could create a design for a scarf with a Southwestern theme. Marcus told Hermès about Oliver, and the design was a success—so much so that Oliver created 17 designs for Hermès over 32 years. He is the only American artist to create designs for Hermès. Oliver's work is held in the collection of the Houston Museum of Fine Arts.
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Kermit Oliver, revision 1366277191 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Anonymous. Oliver Retrospective. Southwest Art. 34. 11. 70. April 2005.
- 2.Holley, Joe. A Well Kept Secret. Houston Chronicle. May 31, 2014.
- 3.Current State Artists. Texas Commission on the Arts. 2017.
- 4.Rowell, Charles Henry. An Interview with Alvia Wardlaw. Callaloo. 32. 1. 261–276. 2009-02-28. 1080-6512.
- 5.Fax, Elton. Black artists of the new generation. Dodd, Mead. 128–129. 1977. 978-0396074342.
- 6.Reynolds, Sarah C. Houston reflections : art in the city, 1950s, 60s, and 70s. Rice University Press. 183. 2008. 9780892630059.
- 7.J., Wardlaw, Alvia. Notes from a child's odyssey : the art of Kermit Oliver. Museum of Fine Arts, Houston. 27–29. 2005. 0890901325.
- 8.Hoover, Carl. Waco artist Kermit Oliver named Texas State Artist for 2017. Waco Tribune-Herald. 17 May 2017.
- 9.Kermit Oliver. mutualart.com.
- 10.Glentzer, Molly. Art League gives lifetime honor to Kermit Oliver. Houston Chronicle. 29 September 2013.
- 11.Sheeler, Jason. Portrait of the artist as a postman. Texas Monthly. 40. 10. 114–312. October 2012.
- 12.Kermit Oliver. Hooks-Epstein Gallery.
- 13.The Museum of Fine Arts, Houston Online Collection.
References
Citations
References
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Studied at
1- Texas Southern UniversityOrganisation
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 24 August 2026.
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