Keith Tyson

His artistic philosophy rejects the notion of a fixed self or a singular artistic style.

Keith Tyson studied at University of Brighton and University of Cumbria. The recorded working language is English. Works named in the authority record are Large Field Array. Work by Keith Tyson is recorded in the collections of Tate, Museum of Modern Art, Stedelijk Museum voor Actuele Kunst, Hessel Museum of Art and The Tullie. Distinctions recorded are Turner Prize.

• Name — Keith Tyson • Birth Name — Keith Thomas Bower • Born — 23 August 1969 • Birthplace — Ulverston, Lancashire, England • Known for — Painting, drawing, installation art • Spouse — Xenia Dieroff (divorced) • Awards — Turner Prize, 2002 • Children — 3

Bower moved to Dalton-in-Furness when he was four, adopting his stepfather's surname Tyson. He showed an interest in and talent for art at an early age, having been inspired by his "very creative and enthusiastic" primary school art teacher. In 1989, he began an art foundation course at the Carlisle College of Art, and the following year he moved south to take up a place on experimental Alternative Practice degree at The Faculty of Arts and Architecture, University of Brighton (1990–93).

During the 1990s, Tyson's practice was dominated by the Artmachine, through which Tyson explored his ongoing interest in randomness, causality, and the question of how things come into being. The Artmachine was a method Tyson developed which used a combination of computer programmes, flow charts and books in order to generate chance combinations of words and ideas, which were then realised in practice as artworks in a wide range of media. The results of the Artmachine became the basis of Tyson's earliest exhibited artworks; The Artmachine Iterations; by 1999 he had mounted solo exhibitions in London, New York, Paris and Zürich, as well as contributed to group shows throughout Europe, North America and Australia. From 1999, Tyson's interests practice turned from the Artmachine towards an artistic approach which explored the same thematic terrain, but this time directly by his own hand. The first such body of work was entitled Drawing and Thinking. Many of these works were installed in the international exhibition in the 2001 Venice Biennale In 2002, Tyson mounted Supercollider at South London Gallery and then the Kunsthalle Zürich in Switzerland. The name of the exhibition, derived from the popular name for the CERN particle accelerator in Geneva, indicated the significance of scientific ways of seeing and thinking about the world to Tyson's art at this time. In December 2002, Tyson was awarded the British visual arts award, the Turner Prize. • Illustration — Keith Tyson's, Large Field Array, 2006, PaceWildenstein Gallery, New York In 2005, Tyson first exhibited his most monumental and ambitious work to date, Large Field Array, in the Louisiana Museum of Modern Art in Denmark, which then travelled to the De Pont Museum of Contemporary Art in the Netherlands and The Pace Gallery in New York. In 2009, Tyson's work was shown at the Hayward Gallery as part of the group exhibition "Walking in My Mind".

Only a fraction of the instructions issued from the Artmachine were realised as artworks (the Artmachine generated around 12,000 proposals which are still unmade), but the mixed media works that were created include a twenty-four foot painting made from bathroom sealant, and a painting using toothpaste and music CDs.

Described by Walter Robinson as "nothing less than a complete Pop cosmology", Large Field Array comprises 300 modular units, most formed from into implied 2-foot cubes; the cubes are arranged into a grid occupying both the floor and walls of a gallery when installed. Each cubic sculpture represents a feature of the world, from popular culture to natural history.

A mixture of paints, pigments and chemicals are allowed to interact in specific ways upon an acid primed aluminium panel. The combined processes of gravity, chemical reaction, temperature, hydrophobia and evaporation simultaneously conspire to create surfaces reminiscent of a wide range of natural forms and landscapes. In this respect, the paintings seem to depict nature, but they are also created by nature as well.

Collectively these works on paper represent Tyson’s sketchbook or journal. Each "Wall Drawing" is made on a sheet of paper measuring 158 cm x 126 cm, the same dimensions as a small wall in Tyson's original studio where he used to draw-up notes. They are often exhibited in large non-chronological grids to form solid walls of diverse images, and text.