Karl Hoff

Karl Hoff studied at Academy of Fine Arts, Karlsruhe and Kunstakademie Düsseldorf. Training under Johann Wilhelm Schirmer, Ludwig des Coudres and Benjamin Vautier is recorded. The recorded working language is German. Employment is recorded with Academy of Fine Arts, Karlsruhe. Work by Karl Hoff is recorded in the collections of Minneapolis Institute of Art, Staatliche Kunsthalle Karlsruhe and Alte Nationalgalerie.

His father, Carl (1804–1891), was a confectioner. From 1855 to 1858, he studied at the Academy of Fine Arts, Karlsruhe, with Johann Wilhelm Schirmer and Ludwig des Coudres. In 1858, developed an interest in the Düsseldorf school of painting and went there to continue his studies with Benjamin Vautier. After an extended series of study trips through France, Italy, Greece and Eastern Europe, he set up his own business in Düsseldorf, where he produced his first series of genre paintings. During this time, he married Marie Sohn (1841–1893), daughter of the painter Karl Ferdinand Sohn. They had two sons. He was an active member of the Malkasten, a progressive artists' association and, from 1870 to 1872, served as President of the Allgemeinen Vereins der Karnevalsfreunde zu Düsseldorf, the organization that planned the annual carnival. In 1874, he became involved with a private group planning the proposed Zoologischer Garten Düsseldorf, which opened in 1876, and the animal welfare society "Fauna", which was seeking to ensure that the park was properly cared for. He was also a poet. In 1877, he composed tableaux vivants for the "Kaiserfest", honoring Kaiser Wilhelm I on the occasion of his visit there. The following year, he wrote a comic epic called Schein (appearance), billed as a "sketchbook in verse". • Illustration — Cinderella with the Doves In 1878, he was appointed a Professor at the Karlsruhe Academy, succeeding Wilhelm Riefstahl, who had moved to Munich. His pupils there included Alexander Koester and Julius Fehr. In 1882, he issued Artists and Art Writers, a controversial brochure containing violent attacks against art critics and criticism in general. In 1886, he made use of his experience with the carnival in Düsseldorf to help organize a large historical pageant, celebrating the 500th anniversary of the University of Heidelberg. He suffered from tuberculosis and died in 1890, aged only fifty-one, following a brief illness.