Kamala Surayya

She was also a widely read columnist and wrote on diverse topics including women's issues, child care, politics, etc. Her liberal treatment of female sexuality, marked her as an iconoclast in popular culture of her generation. On 31 May 2009, aged 75, she died at Jehangir Hospital in Pune.

Kamala Surayya studied at Manipal Academy of Higher Education. The recorded working language is English and Malayalam. The field of work recorded is poetry. Works named in the authority record are My Story. Distinctions recorded are Sahitya Akademi Award in English.

• Pen Name — Madhavikutty • Birth Name — Kamala • Born — 31 March 1934 • Birthplace — Punnayurkulam, Thrissur District, Kerala, India • Occupation — Poet, novelist, short story writer • Died — 31 May 2009 • Place of death — Pune, Maharashtra, India • Resting Place — Palayam Juma Masjid, Thiruvananthapuram, India • Genre — Poetry, novel, short story, memoirs • Notable Works — * Ente Katha • Balyakala Smaranakal • Neermathalam Pootha Kalam • My Story • Summer in Calcutta • The Descendants • Spouse — K.Madhav Das • Children — * Madhav Das Nalapat • Chinnen Das • Jayasurya Das • Parents — * Balamani Amma (mother) • V. M. Nair (father) • Awards — Ezhuthachan Puraskaram, Vayalar Award, Sahitya Akademi Award, Asan World Prize, Asian Poetry Prize, Kent Award

Kamala Das was born in Punnayurkulam, Ponnani taluk, Malabar District, British India (present-day Thrissur district, Kerala) on 31 March 1934, to V. M. Nair, a managing editor of the widely circulated Malayalam daily Mathrubhumi, and poet Nalapat Balamani Amma, a renowned Malayali family. Kamala got her family name, Nalapat, through matrilineal succession. She spent her childhood in Calcutta, where her father was employed as a senior officer in the Walford Transport Company that sold Bentley and Rolls-Royce automobiles, and the Nalapat ancestral home in Punnayurkulam. Like her mother Balamani Amma, Kamala Das also excelled in writing. Her love of poetry began at an early age through the influence of her great-uncle, Nalapat Narayana Menon, a prominent writer. At 15 years old, she wed bank officer K. Madhava Das of the Kalipurayath family, who supported her literary pursuits. She commenced writing and publishing in both English and Malayalam. The 1960s in Calcutta witnessed an era of artistic turbulence, during which Kamala Das emerged as one of numerous voices featured in esteemed anthologies along with a generation of Indian English poets. English was the language she chose for all six of her published poetry collections.

She was known for her several Malayalam short stories as well as poems written in English. Kamala Das was also a syndicated columnist. She once claimed that "poetry does not sell in this country [India]", but her forthright columns, which sounded off on everything from women's issues and child care to politics, were popular. Kamala Das was a confessional poet whose poems have often been considered at par with those of Anne Sexton, Robert Lowell and Sylvia Plath. Kamala Das' first book of poetry, Summer in Calcutta was a breath of fresh air in Indian English poetry. She wrote chiefly of love, betrayal, and the consequent anguish. Kamala Das abandoned the certainties offered by an archaic, and somewhat sterile, aestheticism for an independence of mind and body at a time when Indian poets were still governed by "19th-century diction, sentiment and romanticised love." Her second book of poetry, The Descendants was even more explicit, urging women to: This directness of her voice led to comparisons with Marguerite Duras and Sylvia Plath. At the age of 42, she published a daring autobiography, My Story; it was originally written in Malayalam (titled Ente Katha) and later she translated it into English. Later she admitted that much of the autobiography had fictional elements. "An Introduction" is very bold poem in which Das expresses her femininity, individuality, and true feelings about men. This autobiographical poem is written in the colloquial style. She presents her feelings and thoughts in a bold manner. She realises her identity and understands that it is the need of every woman to raise a voice in this male-dominated society. The poet longs for love that is the result of her loneliness and frustration. The poem "A Hot Noon in Malabar" is about climate, surrounding in a town in Malabar. The people may be annoyed by the heat, dust and noise but she likes it. She longs for the hot noon in Malabar because she associates it with the wild men, wild thoughts and wild love. It is a torture for her to be away from Malabar. In "My Mother at Sixty-Six," Das explores the irony in a mother-daughter relationship, and it also includes the themes of aging, growing-up, separation and love. "Dance of Eunuchs" is another fine poem in which Das sympathises with eunuchs. It has an autobiographical tone. The eunuchs dance in the heat of the sun. Their costumes, makeup and their passion with which they dance suggest the female delicacy. Their outward appearance and joy is contrasted with their inward sadness. Actually, there is no joy in their heart, they cannot even dream of happiness. In the poem "A Request," Das realises that her life is meaningless. She is alone and her colourless life is designed of crumbling patterns. Kamala Das is essentially known for her bold and frank expression. The prominent features of her poetry are an acute obsession with love and the use of confession. The main theme of her poetry is based upon freedom, love and protection. She wrote on a diverse range of topics, often disparate - from the story of a poor old servant, about the sexual disposition of upper-middle-class women living near a metropolitan city or in the middle of the ghetto. Some of her better-known stories include Pakshiyude Manam, Neypayasam, Thanuppu, and Chandana Marangal. She wrote a few novels, out of which Neermathalam Pootha Kalam, which was received favourably by the general readers, as well as, the critics, stands out. She travelled extensively to read poetry to Germany's University of Duisburg-Essen, University of Bonn and University of Duisburg universities, Adelaide Writer's Festival, Frankfurt Book Fair, University of Kingston, Jamaica, Singapore, and South Bank Festival (London), Concordia University (Montreal, Canada), etc. Her works are available in French, Spanish, Russian, German and Japanese. She has also held positions as Vice-chairperson in Kerala Sahitya Akademi, chairperson in Kerala Forestry Board, President of the Kerala Children's Film Society, editor of Poet magazine and poetry editor of Illustrated Weekly of India. Although occasionally seen as an attention-grabber in her early years, she is now seen as one of the most formative influences on Indian English poetry. In 2009, The Times called her "the mother of modern English Indian poetry". Her last book titled The Kept Woman and Other Stories, featuring translation of her short stories, was published posthumously. Kamala Das is best remembered for her controversial writings where she openly talks about the restriction imposed on women. She is known for her rebellious nature against the patriarchal conventions.

Kamala married K. Madhava Das at the age of 15. The couple had three sons: Madhav Das Nalapat, Chinen Das and Jayasurya Das. Her husband predeceased her in 1992, after 43 years of marriage. Her eldest son, Madhav Das Nalapat is married to Princess Thiruvathira Thirunal Lakshmi Bayi from the Travancore Royal House. He holds the UNESCO Peace Chair and is a professor of geopolitics at the Manipal University. He had been a resident editor of The Times of India. On 31 May 2009, aged 75, she died at a hospital in Pune, after a long battle with pneumonia. Her body was flown to her home state of Kerala. She was interred at the Palayam Juma Masjid at Thiruvananthapuram with full state honour.

Though never politically active before, she launched a national political party, Lok Seva Party, aiming at the promotion of secularism and providing asylum to orphaned mothers. In 1984 she unsuccessfully contested in the Indian Parliament elections from Thiruvananthapuram constituency. She contested as an independent candidate and received only 1786 votes. She was depressed after the results and was advised to rest at her sister's house in Anamalai hills. She wrote the Anamalai Poems during this period. She wrote over twenty poems in this series, but only eleven have been published: eight of them in Indian Literature journal by the Sahitya Akademi (1985) and an additional three of them in the book The Best of Kamala Das (1991).

She was born in a conservative Hindu Nair (Nalapat) family, and married a member of the Aristrocratic Menon family (Kalipurayath) with royal ancestry. She converted to Islam on 11 December 1999, at the age of 65 and assumed the name Kamala Surayya.

• Year — Title — Publisher • Poetry • 1964 — The Sirens • 1965 — Summer in Calcutta — New Delhi: Everest Press • 1965 — An Introduction • 1967 — The Descendants — Calcutta: Writer's Workshop • 1973 — The Old Playhouse and Other Poems — Madras: Orient Longman • 1977 — The Stranger Time • 1979 — Tonight, This Savage Rite (with Pritish Nandy) — New Delhi: Arnold-Heinemann • 1984 — Collected Poems Vol. 1 — Published by the author • 1985 — The Anamalai Poems — Indian Literature (New Delhi: Sahitya Akademi) • 1991 — The Best of Kamala Das — Calicut: Bodhi • 1996 — Only the Soul Knows How to Sing — Kottayam: DC Books • Novel • 1976 — Alphabet of Lust — New Delhi: Orient Paperbacks • Autobiography • 1976 — My Story — New Delhi: Sterling Publishers • Short story collections • 1977 — A Doll for the Child Prostitute — New Delhi: India Paperbacks • 1992 — Padmavati the Harlot and Other Stories — New Delhi: Sterling Publishers

• Year — Title — Publisher — Notes • Short story collections • 1955 — Mathilukal — Calicut: Mathrubhumi — Collection of 9 stories; written under the name Nalappatt Kamala • 1958 — Pathu Kathakal — Kottayam: SPCS — Collection of 10 stories • 1960 — Naricheerukal Parakkumbol — Cochin: Sahithya Parishath — Collection of 11 stories • 1962 — Tharishunilam — Cochin: Sahithya Parishath — Collection of 12 stories • 1963 — Ente Snehitha Aruna — Thrissur: Current Books — Collection of 9 stories • 1964 — Chuvanna Pavada — Thrissur: Current Books — Collection of 9 stories • 1964 — Pakshiyude Manam — Thrissur: Current Books — Collection of 9 stories • 1967 — Thanuppu — Thrissur: Current Books — Collection of 19 stories • 1969 — Rajavinte Premabhajanam — Thrissur: Current Books — Collection of 14 stories • 1971 — Premathinte Vilapakavyam — Thrissur: Current Books — Collection of 13 stories • 1982 — Madhavikuttiyude Kathakal — Kottayam: DC Books — Collection of 36 stories With an introduction by Kalarcode Vasudevan Nair • 1985 — Madhavikuttiyude Kathakal — Calicut: Mathrubhumi — Collection of 36 stories With an introduction by M. Rajeev Kumar • 1990 — Palayanam — Thrissur: Current Books • 1991 — Swathanthrya Samara Senaniyude Makal — Calicut: Poorna • 1994 — Nashtapetta Neelambari — Kasargod: Kalakshetram — Collection of 13 stories • 1994 — Ennennum Thara — Trivandrum: Neruda — Includes a study by M. Rajeev Kumar titled Neermathalathinte Ormaykk • 1996 — Chekkerunna Pakshikal — Kottayam: DC Books — Collection of 13 stories • 1998 — Madhavikuttiyude Premakathakal — Calicut: Olive • 1999 — Ente Cherukathakal — Kottayam: DC Books — Collection of 13 stories • 1999 — Veendum Chila Kathakal — Trivandrum: Prabhath — Collection of 9 stories • 2002 — Malayalathinte Suvarna Kathakal — Thrissur: Green Books — Collection of 20 stories • 1999 — Ente Priyapetta Kathakal — Kottayam: DC Books — Collection of 19 stories • 2004 — Peeditharude Kathakal — Trivandrum: Prabhath — Collection of 20 stories • 2004 — Madhavikuttyde Sthreekal — Calicut: Mathrubhumi — Collection of 20 stories • 2005 — Unmakkathakal — Alleppey: Unma Pub. • Novels • 1977 — Madhavikuttiyude Moonnu Novelukal — Trivandrum: Navadhara — Collection of the short novels Rugminikkoru Pavakkutty, Rohini and Avasanathe Athithi • 1978 — Manasi — Trivandrum: Prabhatham • 1983 — Manomi — Thrissur: Current Books • 1988 — Chandanamarangal — Kottayam: Current Books • 1989 — Kadal Mayooram — Kottayam: Current — Short novel • 1999 — Amavasi — Kottayam: DC Books — co-authored with K. L. Mohanavarma • 2000 — Kavadam — Kottayam: DC Books — co-authored with Sulochana Nalapat • 2000 — Madhavikkuttiyude Pranaya Novelukal — Calicut: Lipi — Collection of 6 novels: Parunthukal, Atharinte Manam, Aattukattil, Rathriyude Padavinyasam, Kadal Mayooram, Rohini • 2005 — Vandikkalakal — Calicut: Mathrubhumi • Memoirs/Autobiography/Essays • 1973 — Ente Katha — Thrissur: Current Books — Autobiography • 1984 — Irupathiyonnam Nottandilekk — Kottayam: SPCS — Collection of 9 essays • 1986 — Bhayam Ente Nishavasthram — Calicut: Mathrubhumi — Collection of poems, stories and notes Written under the name Kamala Das With illustrations by A. S. Nair • 1987 — Balyakala Smaranakal — Kottayam: DC Books — Childhood memories • 1989 — Varshangalkku Mumbu — Thrissur: Current Books — Memoirs • 1992 — Diarykurippukal — Thrissur: Current Books — Memoirs • 1992 — Neermathalam Pootha Kalam — Kottayam: DC Books — Autobiographical • 1997 — Ottayadipatha — Kottayam: DC Books — Memoirs • 1999 — Ente Pathakal — Trivandrum: Prabhath — Collection of 50 essays • 2001 — Snehathinte Swargavathilukal — Calicut: Papppiyon — Collection of 43 essays/memoirs • 2005 — Pranayathinte Album — Calicut: Olive — Selected love quotes ed. Arshad Bathery • 2019 — Ottayadipathayum Vishadam Pookkunna Marangalum — Kottayam: DC Books — Collection of Ottayadi Patha, Vishadam Pookkunna Marangal, Bhayam Ente Nishavasthram and Diarykurippukal • Vishadam Pookkunna Marangal — Kottayam: DC Books — Memoirs • Translations • 1986 — Ente Kavitha — Pandalam: Pusthaka Prasadha Sangham — Translated by K. P. Nirmal Kumar, K. V. Thampi, Cherukunnam Purushothaman, G. Dileepan • 1991 — Kamala Dasinte Thiranjedutha Kavithakal — Kottayam: DC Books — Translated by Abraham • 2004 — Madhuvidhuvinu Sesham — Alleppey: Fabian Books — Translation of 43 poems New edition of Ente Kavitha

• Ten Twentieth-Century Indian Poets (1976) ed. by R. Parthasarathy and published by Oxford University Press, New Delhi • The Oxford India Anthology of Twelve Modern Indian Poets (1992) ed. by Arvind Krishna Mehrotra and published by Oxford University Press, New Delhi • The Golden Treasure of Writers Workshop Poetry (2008) ed. by Rubana Huq and published by Writers Workshop, Calcutta