Jules Engel

Jules Engel studied at Chouinard Art Institute. Tim Burton, Eric Darnell and Stephen Hillenburg are recorded as having studied under Jules Engel. The recorded working language is Hungarian. Residence is recorded at Los Angeles. Employment is recorded with Walt Disney Studios, UPA and Fine Arts Films. Work by Jules Engel is recorded in the collections of Art Institute of Chicago, Museum of Modern Art, Los Angeles County Museum of Art, Smithsonian American Art Museum and Whitney Museum of American Art. Distinctions recorded are Winsor McCay Award.

• Name — Jules Engel • Born — 11 March 1909 • Birthplace — Budapest, Austria-Hungary (present-day Hungary) • Died — 6 September 2003 • Place of death — Simi Valley, California, U.S. • Education — Chouinard Art Institute • Occupation — * Filmmaker • painter • sculptor • graphic artist • set designer • animator • teacher • Years Active — 1930–1987 Engel Gyula

Engel was born in Budapest, Austria-Hungary, and immigrated to Chicago when he was thirteen years old. He lived in Oak Park, Illinois, adjacent to Chicago, and attended Evanston Township High School, where he began developing his drawing style.[1] At the age of 17, Engel moved to Los Angeles seeking an athletic scholarship to either USC or UCLA. He lived in Hollywood while attending the Chouinard Art Institute and started to draw for magazines. He worked in the studio of a local painter sketching landscapes, Ken Strobel.[2] Through his relationship with Strobel, he was referred to work as a background artists and as an inbetweening animator in Mintz Studio, the studio founded by Charles Mintz and his wife Margaret J. Winkler, which later became known as Screen Gems.[3]

In 1938, painter and art teacher Phil Dike helped him get an opportunity to work at Walt Disney Studios in Burbank. Fantasia At Disney Engel worked in the film Fantasia, released in 1940. At the time, Disney intended to integrate "low" art (animation) and "high" art (classical music), and the studio needed someone who was familiar with the timing of dance. Because of his drawing talent and his growing knowledge of dance, Engel was assigned to work on the choreography of the Russian sprites and Chinese mushrooms dance sequences of Tchaikovsky's Nutcracker Suite, animated by Art Babbitt. For these sequences, Engel emphasized the contrast between the bright figures and dark ground, which critics consider as an important development of modern animation away from naturalism.[4] Bambi David Hand, director of Bambi, asked Engel to work with him on the film. Engel did the storyboard for the sequence where Bambi first encounters the doe Faline. After completing the sequence, he did color sketches that diverged from the naturalistic color schemes being used in production. Engel's time at Disney would come to an end with the development of the Disney animators' strike. While the union won the case over the studio, Engel didn't go back, largely because, while he enjoyed the place, he felt uncomfortable being surrounded by colleagues who he felt did not share his passion for the aesthetics of animation.

He was an animator in the First Motion Picture Unit during World War II, alongside the likes of Ronald Reagan, and Theodor Geisel (Dr. Seuss). Originally, Engel was waiting to be drafted in the U.S. Army, but was rejected because of his poor eyesight (indicated by his glasses), and a bad shoulder. The Air Force eventually recruited Engel for the Motion Picture Unit to work on training videos and war bond advertisements, at the Hal Roach Studios in Culver City. He would eventually work on drawing aerial maps and instructions for weapons.

Engel was one of a group of animators—including John Hubley, and Herbert Klynn—who left Disney to join the United Productions of America (UPA) studio. At UPA, Engel worked as a background artist on cartoons including the Oscar-winning Gerald McBoing Boing, Madeline, and Mr. Magoo, becoming art director in 1950. The environment at UPA was much more open to experimentation, unlike at Disney. Engel brought to UPA his distinctive use of color, influenced by abstract painting and the work of Kandinsky, Klee, Miró, Matisse, Dufy, as well of the Bauhaus book Language of Vision. Engel would later claim responsibility for discovering the children's book Madeline, and suggesting to Stephen Bosustow to buy, copyright, and develop the series.

In 1963, Engel went to Paris to direct The World of Siné, an animated cartoon of the work of Siné and which received the La Belle Qualité Award. The World of Sine was purchased and released throughout Europe by Jacques Tati. In 1964, Engel designed the set for The Little Prince, using abstract sculptural forms on stage. This was a theatre production in Paris for produced and directed by Raymond Gérôme which combined animation by Engel with a live performance on stage. Engel was also set designer for Le Jouex, an avant garde play starring Michelle Boucett. During his stay in Paris, he was friendly with other artists, including Man Ray. After moving to the village of Coaraze, in the Provence-Alpes-Côte d'Azur, he directed an experimental live-action, partially animated film also called Coaraze, which won the Prix Jean Vigo in 1965. In the late 1960s he began making his own personal fine art animation. He also made several documentaries on other artists.

Back in the U.S., Engel continued working on films about artists, directing A Look at a Lithographer and American Sculpture of the Sixties for Tamarind Lithography Workshop, and a film about the Swiss artist Max Bill. In 1969, Engel became the Founding Director of CalArts' Animation Program; subsequently becoming the Founding Director of the Experimental Animation Department in the School of Film and Video. Engel's department became known for its animation teaching. CalArts, located Valencia, is the first higher education institution in America to offer a formal degree in animation. In 1973, Engel self-published a collection of typographic art, entitled 'Oh'.[5] During the 23rd Annual Annie Awards, in 1995, he received the Winsor McCay Award for his lifetime contributions to the field of animation. He was also recipient of five Golden Eagle awards, the Fritz Award, the Norman McLaren Heritage Award, and the Pulcinella Award for Career Achievement.[6]

Engel died of natural causes on September 6, 2003, in Simi Valley, California, at the age of 94.[7]

Jules Engel is recorded as painter, animator, university teacher, lithographer and sculptor. Untitled is dated c.