Juan Fernández Navarrete
Juan Fernández Navarrete (1526 – 28 March 1579), or "de Navarrete", called El Mudo (The Mute), was a Spanish Mannerist painter, born in Logroño.
Also recorded as Juan de Navarrete · Navarrete · Juan Fernández De Navarrete · Fernandez de Navarette
Juan Fernández Navarrete

After Francisco Pacheco · [1] · CC BY-SA 4.0
- Name
- Juan Fernández Navarrete
- Birthplace
- Logroño, Spain
- Died
- 28 March 1579
- Place of death
- Toledo, Spain
- Known for
- Painting
- Movement
- Renaissance
- Nationality
- Spain
- Occupation
- painter
- Movements
- Mannerism
- Languages
- Spanish · sign language
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Documentary summary
Juan Fernández Navarrete (1526 – 28 March 1579), or "de Navarrete", called El Mudo (The Mute), was a Spanish Mannerist painter, born in Logroño.
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Authority files
wikidata · Q1710465 · wikipedia · Juan Fernández Navarrete
In this article
Key facts
Key facts
• Name — Juan Fernández Navarrete • Birthplace — Logroño, Spain • Died — 28 March 1579 • Place of death — Toledo, Spain • Known for — Painting • Movement — Renaissance • Illustration — Juan Fernández Navarrete, Baptism of Christ, Museo del Prado, 1567
Biography
Biography
An illness in infancy deprived Navarrete of his hearing, which affected his ability to learn to speak. At a very early age he began to express his wants by sketching objects with a piece of charcoal. He received his first instructions in art from Fray Vicente de Santo Domingo, a Hieronymite monk at Estella, and also with Gaspar Becerra. He visited Naples, Rome, Florence and Milan. Pellegrino Tibaldi met him in Rome in 1550. According to most accounts he was for a considerable time the pupil and assistant of Titian at Venice. In 1568 Philip II of Spain summoned him to Madrid with the title of king's painter and a salary, and employed him to execute pictures for the Escorial. During the 1560s and 1570s the huge monastery-palace of El Escorial was still under construction and Philip II was experiencing difficulties in finding good artists for the many large paintings required to decorate it. Titian was very old, and died in 1576, and Tintoretto, Veronese and Anthonis Mor all refused to come to Spain. Philip had to rely on the lesser talent of Navarrete, whose gravedad y decoro ("seriousness and decorum") the king approved. For eleven years until his death Navarrete worked largely on El Escorial. The most celebrated of the works he produced there are a "Nativity" (in which, as in the well-known work on the same subject by Correggio, the light emanates from the infant Saviour), a "Baptism of Christ" (now Prado), and "Abraham Receiving the Three Angels" (one of his last works, dated 1576, National Gallery of Ireland, Dublin). He executed many other altar-pieces, all characterized by boldness and freedom in design, and by the rich warm colouring which has acquired for him the surname of "the Spanish Titian." He died at the age of 52 or 53 in Toledo.

Cristo apareciéndose a su Madre, de Juan Fernández Navarrete "el mudo".
Juan Fernández Navarrete

Real Basílica de San Lorenzo de El Escorial. Pintura, óleo sobre lienzo, de los evangelistas San Juan y San Mateo por Juan Fernández Navarrete (1526-1579).
Juan Fernández de Navarrete, el Mudo · Basílica del Monasterio de San Lorenzo de El Escorial
Life and career
Dated record
Life and career
The full dated record · 2 entries
1538
Juan Fernández Navarrete born at Logroño.
1579
Juan Fernández Navarrete died at Toledo.
Places
Named by the record
Places
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Logroño.
Birth place
Toledo.
Death place
References
Citations
References
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reference work
Wikidata, structured authority record Q1710465: Juan Fernández NavarreteWikimedia Foundation
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The authorities additionally record the headings Juan de Navarrete, Navarrete, Juan Fernández De Navarrete, Fernandez de Navarette and El Mudo. His recorded languages were Spanish and sign language.
Identity and origins
Recognition and collections
Work by Juan Fernández Navarrete is
Museo del Prado, National Gallery of Ireland, Hermitage Museum and Pollok House
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
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