Joseph Mulder
Illustration — An etching by Joseph Mulder called "Blue Butterflies and Pomegranate" from Insects of Surinam. • Illustration — The cover page of Insects of Surinam by Maria Sibylla Merian, with etchings by Joseph Mulder • Illustration — Titlepage by Mulder of "Veues de Gunterstein" Joseph Mulder (1658, Amsterdam – 1742, Amsterdam), was a Dutch Golden Age printmaker, known as a "renowned engraver". This engraving shows Aristotle, Ptolemy and Copernicus. Along with Pieter Sluyter, he did many of the etchings for the classic book Insects of Surinam (Metamorphosis Insectorum Surinamensium) based on field drawings done by Maria Sibylla Merian.
Also recorded as J. Mulder
Joseph Mulder

Kupferstich von Joseph Mulder nach Folbert von Alten-Allen · Self-photographed · Public domain
- Born
- 1659 · Amsterdam.
- Died
- 1742 · Amsterdam.
- Nationality
- Dutch Republic
- Occupation
- engraver · artist · drafter · etcher · draftsperson · printmaker
- Fields
- figure · portrait
- Teachers
- Hendrick Bogaert
- Languages
- Dutch
VALÉORINE Encyclopedia
VALÉORINE documentary reading
Documentary summary
Illustration — An etching by Joseph Mulder called "Blue Butterflies and Pomegranate" from Insects of Surinam. • Illustration — The cover page of Insects of Surinam by Maria Sibylla Merian, with etchings by Joseph Mulder • Illustration — Titlepage by Mulder of "Veues de Gunterstein" Joseph Mulder (1658, Amsterdam – 1742, Amsterdam), was a Dutch Golden Age printmaker, known as a "renowned engraver". This engraving shows Aristotle, Ptolemy and Copernicus. Along with Pieter Sluyter, he did many of the etchings for the classic book Insects of Surinam (Metamorphosis Insectorum Surinamensium) based on field drawings done by Maria Sibylla Merian.
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Documentary evidence
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Authority files
wikidata · Q6285676 · wikipedia · Joseph Mulder
In this article
Identity
Identity
This book, published in 1726, has been described as "magnificent" and included early scientific study of the metamorphosis of caterpillars into butterflies. The book Figures de la Bible a La Haye, published in 1728 in The Hague, has an etching by Mulder portraying Adam and Eve as "happy, childlike lovers" with Genesis 2:25 inscribed in six languages: German, Dutch, Hebrew, Latin, English and French. The English translation is "Adam and Eve were both naked and were not ashamed." Mulder's etchings are actively collected today. According to his contemporary, art historian Arnold Houbraken, he was a good etcher who had been the pupil of the Amsterdam painter Hendrick Bogaert in 1672. Houbraken reported that Mulder claimed to have played a similar prank on a baby as Adriaen Brouwer had done. In this anecdote, he had been rocking a baby on his lap. The baby soiled him because its diaper slipped off. He laid the baby on the floor and defecated on it. At that moment, the baby's mother walked in and asked what he was doing. He replied, "het kind heeft my bescheeten, en ik beschyt het weer, dus beschyten wy malkander" (the child shat on me, and now I shat on it, and so we're shitting on each other). According to the Netherlands Institute for Art History, he was an engraver and printmaker who had been a pupil of Bogaert and also followed Romeyn de Hooghe. He made the engravings for the book Veues de Gunterstein for the rich widow Madame de Gunterstein et de Thienhoven (Magdalena Poulle) ca.
Training under Hendrick Bogaert is recorded. The recorded working language is Dutch. Subjects and genres recorded for the work are figure and portrait. Places of work recorded in the authority are Amsterdam. Work by Joseph Mulder is recorded in the collections of National Museum Paleis het Loo and Het Scheepvaartmuseum.
Joseph Mulder is recorded as engraver, artist, drafter, etcher and draftsperson.
![[Voyage au Levant. Pl. en reg. p.315: Voyage de Saint-Jean-d'Acre à Nazareth. Vue de Nazareth. Grotte de l'Annonciation.] Nazareth (...). [Cote: Réserve A 200 293]](https://upload.wikimedia.org/wikipedia/commons/thumb/3/37/Grotte_de_l%27Annonciation_%28167%29._Voyage_au_Levant._1714.jpg/800px-Grotte_de_l%27Annonciation_%28167%29._Voyage_au_Levant._1714.jpg)
[Voyage au Levant. Pl. en reg. p.315: Voyage de Saint-Jean-d'Acre à Nazareth. Vue de Nazareth. Grotte de l'Annonciation.] Nazareth (...). [Cote: Réserve A 200 293]
Joseph Mulder · Bibliothèque nationale de France

Abbildung einer vielleicht legendarischen Episode aus dem Leben Jakob Böhmes. Die niederländische Beschriftung bedeutet: "Jakob Böhme bei dem Prediger Gregor Richter in Görlitz, der ihm vor allen feindselig war, ein gutes Wort einlegend für einen gewissen jungen Bäcker aus seiner Anhängerschaft. Der Herr wurde deswegen sehr zornig, wies ihm die Kammertür und warf ihm einen seiner Pantoffel an den
Joseph Mulder · Johannes Krellius and Fredrik Vorster (ed.): Jacob Böhme, Alle de theosoophsche of godwijze werken. Amsterdam, 1686. [1]
Life and career
Dated record
Life and career
The full dated record · 2 entries
1659
Joseph Mulder born at Amsterdam.
1742
Joseph Mulder died at Amsterdam.
Primary material
Documents and archives
reference work
- Wikidata, structured authority record Q6285676: Joseph Mulder
Reputable secondary · Wikidata
- “Joseph Mulder”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
scholarly publication
- Mulder, Joseph, Benezit Dictionary of Artists, 2011
Scholarly · Crossref registry · 2011
Literature
Literature
Literature
Mulder, Joseph, Benezit Dictionary of Artists, 2011
Mulder, Joseph, Lexikon des gesamten Buchwesens Online
Scholarly footprint
Literature
Scholarly footprint
A count of publications is evidence of attention, not of standing, and is given here only as a measure.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.La fecha de fallecimiento es dudosa. Según Ecartico, centro de estudios del Siglo de Oro de la Universidad de Ámsterdam, fue enterrado el 1 de febrero de 1742, siendo la fuente que aporta una datación más precisa. RKD indica 1718/1738 y el Niederländisches Künstler-lexikon, t.2, p. 202, Ámsterdam, 1910, se limita a apuntar que en 1710 seguía activo.
- 2.Ecartico, centro de estudios del Siglo de Oro de la Universidad de Ámsterdam.
- 3.Niederländisches Künstler-lexikon, t.2, p. 202, Ámsterdam, 1910.
- 4.Symbola varia diversorum principum..., edición digital: Heidelberger historische Bestände.
- 5.Gods verbond met Abraham, Rijksmusuem.
- 6.Historia general de las conquistas del Nuevo Reyno de Granada, Biblioteca Digital AECID.
- 7.Según el Rijksbureau voor Kunsthistorische Documentatie toda su vida activa, de 1686 a 1718 discurrió en Ámsterdam.
- 8.Biblioteca Nacional de España, Datos
- 9.Klossowski de Rola, Stanislas, El Juego Áureo. 533 grabados alquímicos del siglo XVII, Madrid, Siruela, 1988, pp. 307 y 311.
- 10.Blunt, Wilfrid y Stearn, William Thomas (1994 [1ª ed. 1950]), The art of botanical illustration: an illustrated history, Neww York, Dover Publications, p. 128. ISBN 978-0-486-27265-8.
- 11.Illustrations de Voyage au Levant, Gallica, BNF.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
scholarly publication
Mulder, Joseph, Benezit Dictionary of Artists, 2011Crossref registry
Institutional witnessreference work
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
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