Jorge Afonso
Illustration — Jesus visiting Maria by Jorge Afonso (c. 1515), from the main altarpiece of the Madre de Deus church in Lisbon, now in the National Museum of Ancient Art. Jorge Afonso (c.
Also recorded as Jorge Affonso
Jorge Afonso

Jorge Afonso (circa 1470 date QS:P,+1470-00-00T00:00:00Z/9,P1480- 1540) · [1] · Public domain
- Born
- 1470
- Died
- 1540 · Lisbon.
- Nationality
- Kingdom of Portugal
- Occupation
- painter
- Languages
- Portuguese
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Illustration — Jesus visiting Maria by Jorge Afonso (c. 1515), from the main altarpiece of the Madre de Deus church in Lisbon, now in the National Museum of Ancient Art. Jorge Afonso (c.
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wikidata · Q995269 · wikipedia · Jorge Afonso
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Biography
1470 – 1540) was a noted Portuguese Renaissance painter. Nominated royal painter in 1508 by King Manuel I and again in 1529 by John III. He was mainly based in Lisbon, with a workshop near the Igreja de São Domingos. A whole generation of Portuguese painters was educated in his workshop, including Cristóvão de Figueiredo, Garcia Fernandes, Gregório Lopes and Jorge Leal, among others. The main painted altarpieces attributed to Jorge Afonso were commissioned by the old Queen Leonor, widow of King John II and sister of Manuel I. For the former Queen, Jorge Afonso painted the main altarpiece of the Convent of Madre de Deus, in Lisbon, in 1515. This magnificent altarpiece is now in the National Museum of Ancient Art, in Lisbon. Between 1520 and 1530, Jorge Afonso painted the 14 panels of the main altarpiece of the Monastery of Jesus, in Setúbal, again sponsored by Queen Leonor. The panels can be seen in the museum of the Monastery. Workshop is also linked to the painted decoration of the walls of the Round Church of the Convent of Christ, in Tomar, executed in the 1530s.
Gregório Lopes, Garcia Fernandes and Gaspar Vaz are recorded as having studied under Jorge Afonso. The recorded working language is Portuguese. Positions recorded include court painter. Work by Jorge Afonso is recorded in the collections of National Museum of Ancient Art and Galeria Municipal do Banco de Portugal.
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Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Laclotte et Cuzin, .
- 2.Caetano et al., .
- 3.Caetano et al., .
- 4.Caetano et al., .
- 5.Caetano et al., .
- 6.Caetano et al., .
- 7.Caetano et al., .
- 8.Caetano et al., .
Bibliography printed in the source article · 2
- Joaquim Oliveira Caetano, Charlotte Chastel-Rousseau et Sylvie Deswarte-Rosa, L'Âge d'or de la Renaissance portugaise, In Fine-Louvre éditions, Paris, 2022, -56 et 82-87, fig. 18, 20 et 27.
- Michel Laclotte et Jean-Pierre Cuzin (dir.), Dictionnaire de la peinture, Larousse, Paris, 2003, (consultable en ligne sur Gallica).
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
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