John George Sowerby
John George Sowerby (1849–1914) was an English painter and illustrator from Gateshead, and director of Ellison Glass Works, the Sowerby family business, which during the 1880s was the largest producer of pressed glass in the world. The grandson of naturalist James Sowerby, his paintings were exhibited in the Royal Academy of Arts, and his children's book illustrations were generally well received. Sowerby's landscapes and floral paintings, while not numerous, were described as showing "a genuine Pre-Raphaelite intensity of vision".
Also recorded as J. G. Sowerby
John George Sowerby

John George Sowerby and Henry Hetherington Emmerson · Bassenge · Public domain
- Name
- John George Sowerby
- Born
- 4 July 1849
- Died
- 14 December 1914
- Place of death
- Herefordshire
- Occupation
- painter, illustrator, businessman
- Spouse
- Amy Margaret Hewison
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Documentary summary
John George Sowerby (1849–1914) was an English painter and illustrator from Gateshead, and director of Ellison Glass Works, the Sowerby family business, which during the 1880s was the largest producer of pressed glass in the world. The grandson of naturalist James Sowerby, his paintings were exhibited in the Royal Academy of Arts, and his children's book illustrations were generally well received. Sowerby's landscapes and floral paintings, while not numerous, were described as showing "a genuine Pre-Raphaelite intensity of vision".
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The Wikipedia record describes John George Sowerby as illustrator and painter. John George Sowerby was born in 1849 at Gateshead. Death followed in 1914.
Composed from admitted, traceable facts · 01 October 2026
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In this article
Biography
Biography
He brought designs inspired by the Arts and Crafts movement into Ellison Glassworks. He collaborated with the painter H. Emmerson on the 1880 children's book Afternoon Tea, which was generally praised by book reviewers but generated some controversy: artist Kate Greenaway and her supporters viewed it as an inferior imitation of her 1879 picture book Under the Window: a commercial success that inspired a wave of similar books. Sowerby countered that the illustrations were not imitations of Greenaway's art but merely within the same genre. Afternoon Tea also suffered from printing inconsistencies and colour misalignment, the result of somewhat haphazard assembly by three different engraving firms before publication. Two of Sowerby's later children's books however (At Home and At Home Again, each decorated by Thomas Crane), are regarded as superior; described by librarian scholar Roger Dixon as "among the loveliest books ever produced." Sowerby married Amy Margaret Hewison in 1872. They had one son and five daughters. His daughter Githa Sowerby became a noted playwright and children's book author, with many of her books illustrated by sister Millicent Sowerby, who also illustrated classic nursery rhymes and stories such as Alice's Adventures in Wonderland. She portrayed John Sowerby, as the owner of a failing glassworks in the north-east of England in dispute with his children, in her play Rutherford and Son (1912). Sowerby died on 14 December 1914 in Herefordshire, to where he had retired.

"Chrysanthemums"
John George Sowerby
Key facts
Key facts
• Name — John George Sowerby • Born — 4 July 1849 • Died — 14 December 1914 • Place of death — Herefordshire • Occupation — painter, illustrator, businessman • Years Active — 1876-1914 • Spouse — Amy Margaret Hewison • Children — * John Lawrence (b. 1873) • Margaret Helen (b. 1874) • Katherine Githa Sowerby (b. 1876) • Amy Millicent Sowerby (b. 1877) • Marjory Gladys (b. 1880) • Rachel Ruth (b. 1882) • Illustration — Detail from At Home, 1881 • Illustration — Chrysanthemums, watercolour
Ellison Glass Works
Ellison Glass Works
Sowerby's family had been in the glass making business since the early 1800s when his grandfather George Sowerby was a partner in the New Stourbridge Glass Works. George Sowerby was succeeded by his son John (John George's father), who opened the larger Ellison's Glass Works in 1852, which took advantage of increased mechanization to increase production and increase profits. John George Sowerby was raised to the family business; in 1871, he began work as a manager and colour-mixer at the age of 22. He patented several innovations in glass-making in the 1870s. In 1880, the Ellison Glass Works became a limited private company, and in 1881, John George Sowerby was elected the first chairman of the board. His tenure as chairman was brief and financially damaging. Two ventures into higher-end artistic glass and pottery produced fine work but lost money, and John George was removed as chairman in November 1883. The loss of income resulted in his bankruptcy. He returned to work at the Glass Works intermittently in the 1880s, and left the company in the early 1890s. In 1896, he severed all ties to the glass works by selling his shares in the company (and thus losing his primary source of income.) It was then that he began to work on painting full time.
Life and career
Dated record
Life and career
The full dated record · 2 entries
1849
John George Sowerby born at Gateshead.
1914
John George Sowerby died.
Books
• Afternoon Tea: Rhymes for Children. With H. H. Emmerson. London: Frederick Warne & Co., 1880 • At Home. With Thomas Crane. London: Marcus Ward & Co., 1881 • At Home Again. With Thomas Crane and Eliza Keary. London: Marcus Ward & Co., 1883 • Jimmy: Scenes From the Life of a Black Doll. London: George Routledge & Sons., 1888 • Young Maids & Old China. With F. W. Bourdillon. London: Marcus Ward & Co., 1889 • Rooks and their Neighbours. London: Gay & Bird; Newcastle-on-Tyne: Mawson, Swan, & Morgan, 1895
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Cleevely, C.J. Oxford Dictionary of National Biography. September 2004.
- 2.Arwas, Victor. The Art of Glass: Art Nouveau to Art Deco. Papadakis Publisher. 106. 1996. 978-1-901092-00-4.
- 3.Gray, Sara. The Dictionary of British Women Artists. Casemate Publishers. 246–247. 2009. 978-0-7188-3084-7.
- 4.www.stephenongpin.com.
- 5.Wood, Christopher. Victorian Painting in Oils and Watercolours. Antique Collectors' Club. 140. 1996. 978-1-85149-249-7.
- 6.Lundin, Anne. Under the Window and Afternoon Tea: "Twirling the Same Blade of Grass". The Lion and the Unicorn. The Johns Hopkins University Press. 17. 1. 45–56. 1993. 0147-2593.
- 7.Taylor, Ina. The Art of Kate Greenaway: A Nostalgic Portrait of Childhood. Pelican Publishing Company. 110. 1991. 978-1-4556-0037-3.
- 8.Girouard, Mark. Sweetness and Light: The Queen Anne Movement, 1860–1900. The Clarendon Press. 150–151. 1977. 978-0-19-817330-4.
- 9.Dixon, Roger. The Oxford History of the Irish Book, Volume IV: The Irish Book in English, 1800–1891. Oxford University Press. 79. 2011. 978-0-19-818731-8.
- 10.Riley, Patricia. Looking for Githa. 2009. 9780955882944.
- 11.Brown, Mark. Githa Sowerby, the forgotten playwright, returns to the stage. The Guardian. 14 August 2009.
- 12.Slack, Raymond. English Pressed Glass, 1830–1900. Barrie & Jenkins. 66. 1987. 978-0-7126-1871-7.
- 13.www.stephenongpin.com.
Bibliography printed in the source article · 2
- Murray, Sheilagh. The Peacock and the Lions: A History and Manual for Collectors of Pressed Glass of the North-East of England. Oriel Press. 1982. 9780853621973.
- Simon., Cottle. Sowerby : Gateshead glass. Tyne and Wear Museums Service. 1986. 0905974271.
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 17 August 2026.
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