John De Andrea
John De Andrea (born November 24, 1941) is an American sculptor known for his realistic sculptures of human figures, dressed or nude and in true-to-life postures.
Also recorded as John DeAndrea · John Louis De Andrea
John De Andrea
- Name
- John De Andrea
- Born
- 24 November 1941
- Birthplace
- Denver, Colorado, U.S.
- Education
- University of Colorado Boulder (BFA) University of New Mexico
- Known for
- Realistic sculptures of human figures
- Movement
- Photorealism, hyperrealism, verism and superrealism
- Nationality
- United States
- Occupation
- artist · sculptor
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Documentary evidence
Documentary basis
Authority files
wikidata · Q509719 · wikipedia · John De Andrea
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The documentary record
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Institutions cited
Deutsche Nationalbibliothek · Getty Union List of Artist Names
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Key facts
Key facts
• Name — John De Andrea • Born — 24 November 1941 • Birthplace — Denver, Colorado, U.S. • Education — University of Colorado Boulder (BFA) University of New Mexico • Known for — Realistic sculptures of human figures • Movement — Photorealism, hyperrealism, verism and superrealism
Documentary record
John De Andrea, a painter and sculptor, was born in 1941 in Denver. The birth is recorded by the Getty Union List of Artist Names.
Life
Life
De Andrea was born in Denver, Colorado, on November 24, 1941. He received his Bachelor of Fine Arts from the University of Colorado at Boulder and studied at the University of New Mexico in Albuquerque on an art scholarship, 1966–8. He lives in Denver.
Work and themes
Work and themes
De Andrea is an artistic representative of Hyperrealism and the Hyperrealism school of art, and specializes in nudes, frequently lovers, which he makes from plastic, polyester, glass fiber with natural hair and painted after naturalistic gypsum castings. His work is often associated with that of Duane Hanson and George Segal. In documenta 5 in Kassel 1972, he presented Arden Andersen and Nora Murphy, a hyper-realistic sculpture of a couple in the act of love-making, made from bodycasts rendered in polyester resin. This alienation between the lovers and their incurable misfortune becomes even clearer with his 1978 work on display in Aachen, entitled The Couple. The man is not only fully dressed and the woman naked, but she clings to him, while he touches her only minimally, in order to not induce an open rejection. De Andrea's works based on the sculptor and his model are characterized by a sober, professional relationship between the man and the woman; the artist concentrates on his work or rather is shown in situations, where he withdraws within himself to a meditative posture, and retreats into himself, in order to collect his energy and concentration for further work.
Life and career
Dated record
Life and career
The full dated record · 1 entries
1941
John De Andrea born at Denver.
Public collections
De Andrea's work is included in numerous permanent collections, including: • Metropolitan Museum of Art, • Museum Ludwig in Aachen and Cologne, Germany. • Portland Museum of Art, • Herbert F. Johnson Museum of Art, and • Denver Art Museum.
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article John De Andrea, revision 1343231093 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Mayfield Publishing. The Western Humanities. 1997. 978-1-55934-433-3.
- 2.Pennsylvania Academy of Fine Arts. Seven on the figure: Jack Beal, William Beckman, Joan Brown, John Deandrea, Willem de Kooning, Stephen Destaebler, Ben Kamihira, September 20 – December 16, 1979. 1979.
- 3.Richard Kostelanetz. A Dictionary of the Avant-Gardes. Routledge. 2ff. 13 May 2013. 978-1-136-80620-9.
- 4.Biography, publications, exhibitions, bibliography , retrieved August 13, 2010
- 5.Joan M. Marter. The Grove Encyclopedia of American Art. Oxford University Press. 1–. 2011. 978-0-19-533579-8.
- 6.Joe Sutliff Sanders. The Comics of Hergé: When the Lines Are Not So Clear. University Press of Mississippi. 66ff. 28 July 2016. 978-1-4968-0727-4.
- 7.Wilfrid Laurier University Press. Translation and Translating in German Studies: A Festschrift for Raleigh Whitinger. 191ff. 8 November 2016. 978-1-77112-230-6.
- 8.James Voorhies. Beyond Objecthood: The Exhibition as a Critical Form Since 1968. MIT Press. 89ff. 24 February 2017. 978-0-262-03552-1.
- 9.Publications de la Sorbonne. Qu'est-ce que l'art domestique?. 66ff. 2006. 978-2-85944-553-9.
- 10.John de Andrea at Ludwig Forum für internationale Kunst, Aachen, Germany, retrieved August 13, 2010
- 11.John De Andrea Allegory:after Courbet 1988. Art Gallery of Western Australia, retrieved August 13, 2010
- 12.John de Andrea, Sculptor and model, Abb. TU Cottbus, retrieved August 13, 2010
- 13.John De Andrea | Self-Portrait with Sculpture. The Metropolitan Museum of Art. 1980.
- 14.Ursula Peters: John De Andrea. In: Handbuch Museum Ludwig. Kunst des 20. Jahrhundert. Cologne 1979; p. 50
- 15.Ludwig Forum. ludwigforum.de.
- 16.John DeAndrea. portlandartmuseum.us.
- 17.Color in Modern Sculpture (Visit the Getty). www.getty.edu.
- 18.Garnet – Herbert F. Johnson Museum of Art. museum.cornell.edu.
- 19.Davies, Bree. Why John DeAndrea's Linda sculpture won't be seen at the Denver Art Museum anytime soon. 8 November 2011.
References
Citations
References
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reference work
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
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