Joachim Wtewael

The authorities additionally record the headings Joachim Anthonisz Wtewael, Joachim Antonisz. Wtenwael, Joachim Antonisz. Wttewael, Joachim Antonisz Wtewael and Joachim Anthonisz Uijttewael. His recorded language was Dutch.

He married Christina van Halen.

Works recorded as notable number 3: Mars and Venus Surprised by Vulcan., Meeting between David and Abigail and The Evangelist Saint Luke.

Work by Joachim Wtewael is held by Museum Boijmans Van Beuningen, Museo del Prado, Art Institute of Chicago and The Nelson-Atkins Museum of Art.

Work associated with this heading is recorded in 13 named public collections.

Centraal Museum: 14 recorded objects, read from the institution's own published catalogue. Rijksmuseum: 5 recorded objects, read from the institution's own published catalogue. Führermuseum: 5 recorded objects, read from the institution's own published catalogue. Department of Paintings of the Louvre: 4 recorded objects, read from the institution's own published catalogue. Hermitage Museum: 4 recorded objects, read from the institution's own published catalogue. Museum of Fine Arts Boston: 3 recorded objects, read from the institution's own published catalogue. Munich Central Collecting Point: 3 recorded objects, read from the institution's own published catalogue. Mead Art Museum: 3 recorded objects, read from the institution's own published catalogue. Art collection of the Federal Republic of Germany: 3 recorded objects, read from the institution's own published catalogue. Q214867: 2 recorded objects, read from the institution's own published catalogue. The Metropolitan Museum of Art: 20 recorded objects, read from the institution's own published catalogue. The Art Institute of Chicago: 3 recorded objects, read from the institution's own published catalogue. The Cleveland Museum of Art: 1 recorded object, read from the institution's own published catalogue.

5 scholarly publications naming this subject were located in the registry of record.

Wtewael [Utenwael; Uytewael; Wttewael], Joachim, Oxford Art Online, 2003. "The Golden Age" by Joachim Wtewael, Metropolitan Museum Journal, 2005. Rheumatology hand signs in a Shepherd by Joachim Wtewael (1566–1638), Rheumatology International, 2023. : <i>Pleasure and Piety: The Art of Joachim Wtewael</i>, Renaissance Quarterly, 2016. Joachim/Peter Wtewael, Father/Son, Master/Pupil, In His Milieu, 2025.

3 digitised items associated with this heading are catalogued by Internet Archive.

The Golden Age (1605) — Internet Archive. Christ with the Cross — Internet Archive. Adam in the Garden of Eden, Naming the Animals — Internet Archive.

Bibliographic registers publish measured figures for this heading: 20 language editions of the general reference literature carrying an article (Wikimedia (language editions)). A count of publications is evidence of attention, not of standing, and is given here only as a measure.

This article draws on 6 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 6 means 6 genuinely separate publishers of record. 13 further registers were consulted and returned nothing for this heading.

training under Cornelis Bloemaert is recorded. the recorded working language is Dutch.

The authority associates the name with Mannerism.

Works named in the authority record are Mars and Venus Surprised by Vulcan., Meeting between David and Abigail and The Evangelist Saint Luke.

Work by Joachim Wtewael is recorded in the collections of Museum Boijmans Van Beuningen, Museo del Prado, Art Institute of Chicago, The Nelson-Atkins Museum of Art and Thyssen-Bornemisza Museum.