Dirk Stoop

The authorities additionally record the headings D Stoop, Daniel Stoop, Dirck Stoff, Dirck Stoop and Dirck Theodorus. His recorded language was Dutch.

He was the child of Willem Jansz. van der Stoop.

What the record establishes about Dirk Stoop.

King Fredrick III and Queen Sophie Amalie on horseback in a cartouche with flowers is dated 1644 and held by Rosenborg Castle. Grazing Horse, plate three from Series of Horses is dated 1651 and held by The Art Institute of Chicago (inventory 1920.2447). Landscape with Huntsmen is dated 1651 and held by http://www.wikidata.org/.well-known/genid/6928fc9d29abcee3be8b9c06c1fbd2e3. Human activity on a Mediterranean coastal landscape is dated 1654 and held by Kunsthistorisches Museum (inventory GG_9064). The Three Horsemen is dated 1650 and held by http://www.wikidata.org/.well-known/genid/bb43616a3a091953b6395e7b83d6aef5. Italianate landscape with travellers haltingat a trough in a cave is dated 1659 and held by Johnny Van Haeften Gallery.

Harbour - scenery with travellers, riders and shippers is dated 1659 and held by Führermuseum (inventory 2827). Cultural Heritage Agency of the Netherlands Art Collection records 3 objects associated with this heading. Italianate landscape with huntsmen preparing for departure is dated 1651 and held by Rafael Valls Limited. A Hunting Party in a Landscape is dated 1646 and held by National Gallery of Ireland (inventory NGI.285). Guard room with soldiers and women is dated 1658 and held by Gemäldegalerie Berlin (inventory III.447). Man holding a horse by the bridle is dated 1686 and held by Musea Brugge (inventory 2014.GRO1433.III).

A Horse Bound to a Post with a Reclining Dog is dated 1651 and held by Q214867 (inventory 2014.56.9). Landscape with hunters is catalogued and held by National Museum in Warsaw (inventory M.Ob.1884 MNW). Battle against the Turks is catalogued and held by Munich Central Collecting Point (inventory 7542). the battle against the Turkish near Vienna is dated 1643 and held by Führermuseum (inventory 2135). Camp scene is dated 1652 and held by Staatliche Kunstsammlungen Dresden (inventory Gal.-Nr. 1276). Fantastic Tomb in a Cave is dated 1655 and held by Statens Museum for Kunst (inventory KMS3229).

Hunting Dogs with their Leader is dated 1658 and held by Gemäldegalerie Berlin (inventory 1006). Catherine of Braganza is dated 1660 and held by National Portrait Gallery (inventory NPG 2563). Rest During the Hunt is dated 1643 and held by Statens Museum for Kunst (inventory KMSsp595). battle between Europeans and Orientals is dated 1634 and held by Staatliches Museum Schwerin. Two Plow Horses Standing in a Field is dated 1651 and held by Q214867 (inventory 2014.56.7). A Man Holding a Horse by His Bridle is dated 1651 and held by Q214867 (inventory 2014.56.6).

The Art Institute of Chicago catalogues 3 works under this heading. Wikidata Query Service catalogues 39 works under this heading. Wellcome Collection catalogues 8 works under this heading.

50 works under this name are catalogued by Wikidata Query Service, The Art Institute of Chicago and Wellcome Collection. Their recorded dates run from 1634 to 1686.

Resting hunters in a dune landscape, dated 1659. Man holding a horse by the bridle, dated 1686, held by Musea Brugge, inventory 2014.GRO1433.III. Turkish Cavalry Battle, dated 1659. Landscape with Huntsmen, dated 1651, held by http://www.wikidata.org/.well-known/genid/6928fc9d29abcee3be8b9c06c1fbd2e3. The hunting party, dated 1649, held by Rijksmuseum, inventory SK-A-395. Hunters Resting, dated 1650, held by Rijksmuseum, inventory SK-A-1714. Rest During the Hunt, dated 1643, held by Statens Museum for Kunst, inventory KMSsp595. Fantastic Tomb in a Cave, dated 1655, held by Statens Museum for Kunst, inventory KMS3229. Landscape with horsemen and dogs, dated 1649, held by Centraal Museum, inventory 2305. Palace Square of Lisbon in 1662, dated 1686, held by Museu de Lisboa. Human activity on a Mediterranean coastal landscape, dated 1654, held by Kunsthistorisches Museum, inventory GG_9064. Catherine of Braganza, dated 1660, held by National Portrait Gallery, inventory NPG 2563. Harbour - scenery with travellers, riders and shippers, dated 1659, held by Führermuseum, inventory 2827. View of Belem Monastery near Lisbon, dated 1665, held by Mauritshuis, inventory 172. Camp scene, dated 1652, held by Staatliche Kunstsammlungen Dresden, inventory Gal.-Nr. 1276. The Three Horsemen, dated 1650, held by http://www.wikidata.org/.well-known/genid/bb43616a3a091953b6395e7b83d6aef5. A Pissing Horse Bound to a Post, dated 1651, held by Q214867, inventory 2014.56.5. A Man Holding a Horse by His Bridle, dated 1651, held by Q214867, inventory 2014.56.6. Two Plow Horses Standing in a Field, dated 1651, held by Q214867, inventory 2014.56.7. Two Horses Drinking at a Trough, dated 1651, held by Q214867, inventory 2014.56.8. Rearing Horse near a Stable, dated 1651, held by Q214867, inventory 2014.56.1. A Boy Taking a Horse to Drink, dated 1651, held by Q214867, inventory 2014.56.2. Two Grazing Horses, dated 1651, held by Q214867, inventory 2014.56.3. A Horse Bound to a Post, dated 1651, held by Q214867, inventory 2014.56.4. A Horse Bound to a Post with a Reclining Dog, dated 1651, held by Q214867, inventory 2014.56.9. A Pissing Horse Held by a Man, dated 1651, held by Q214867, inventory 2014.56.10. A Horse Bound to a Feeding Trough, dated 1651, held by Q214867, inventory 2014.56.11. A Seated Man with a Pack of Dogs, dated 1651, held by Q214867, inventory 2014.56.12. A Hunting Party in a Landscape, dated 1646, held by National Gallery of Ireland, inventory NGI.285. Landscape with hunters, held by National Museum in Warsaw, inventory M.Ob.1884 MNW. Guard room with soldiers and women, dated 1658, held by Gemäldegalerie Berlin, inventory III.447. Hunting Dogs with their Leader, dated 1658, held by Gemäldegalerie Berlin, inventory 1006. the battle against the Turkish near Vienna, dated 1643, held by Führermuseum, inventory 2135. Battle against the Turks, held by Munich Central Collecting Point, inventory 7542. Cave, dated 1650, held by Hermann Göring Collection. Italianate landscape with travellers haltingat a trough in a cave, dated 1659, held by Johnny Van Haeften Gallery. Italianate landscape with huntsmen preparing for departure, dated 1651, held by Rafael Valls Limited. battle between Europeans and Orientals, dated 1634, held by Staatliches Museum Schwerin. King Fredrick III and Queen Sophie Amalie on horseback in a cartouche with flowers, dated 1644, held by Rosenborg Castle. Grazing Horse, plate three from Series of Horses, dated 1651, etching on grayish-ivory china paper, held by The Art Institute of Chicago, inventory 1920.2447. Rearing Horse, Near a Stable, plate one from Series of Horses, dated 1651, etching on ivory laid paper, held by The Art Institute of Chicago, inventory 1926.1898. Two Plough Horses, plate seven from Series of Horses, dated 1651, etching on ivory laid paper, held by The Art Institute of Chicago, inventory 1926.1897. A man with a large brimmed hat is resting next to his urinating horse. Etching by D. Stoop., held by Wellcome Collection. A bird of prey is trying to land among a large crowd of animals; illustration of a fable. Etching by D. Stoop., held by Wellcome Collection. Catherine of Braganza, consort of King Charles II. Engraving after D. Stoop, 1662., dated [1662], held by Wellcome Collection. A god in the clouds watches on as a peasant is about to beat his donkey; illustration of a fable. Etching by R. Stoop., held by Wellcome Collection. A man in prison praying to the devil to have him released. Etching by D. Stoop., dated [1665], held by Wellcome Collection. A fox licks the outside of a jug into which a crane has inserted its bill. Behind them the fox is picking up corn on a raised platform, and the crane tries to do the same. Etching by D. Stoop for a fable by J. Ogilby., held by Wellcome Collection. A man is packing coffers on to a horse while an ass is lying dead and flayed in the background; illustration of a fable. Etching by D. Stoop., dated [1665], held by Wellcome Collection. A spider, annoyed by a swallow which was catching all the flies, plans to catch the swallow in its web, but is shown to be deluded when the swallow carries off both the spider and the web; illustration of a fable. Etching by D. Stoop, 1665., dated [1665], held by Wellcome Collection.

Work associated with this heading is recorded in 12 named public collections.

Q214867: 12 recorded objects, read from the institution's own published catalogue. Prints in the National Gallery of Art: 12 recorded objects, read from the institution's own published catalogue. Munich Central Collecting Point: 6 recorded objects, read from the institution's own published catalogue. Führermuseum: 5 recorded objects, read from the institution's own published catalogue. Rijksmuseum: 3 recorded objects, read from the institution's own published catalogue. Instituut Collectie Nederland: 3 recorded objects, read from the institution's own published catalogue. Cultural Heritage Agency of the Netherlands Art Collection: 3 recorded objects, read from the institution's own published catalogue. Dienst Verspreide Rijkscollecties: 3 recorded objects, read from the institution's own published catalogue. Stichting Nederlands Kunstbezit: 3 recorded objects, read from the institution's own published catalogue. Rijksdienst Beeldende Kunst: 3 recorded objects, read from the institution's own published catalogue. The Art Institute of Chicago: 3 recorded objects, read from the institution's own published catalogue. Wellcome Collection: 9 recorded objects, read from the institution's own published catalogue.

1 scholarly publication naming this subject was located in the registry of record.

Stoop, Dirk or Daniel or Thierg or Theodor or Rodriguez, Benezit Dictionary of Artists, 2011.

Bibliographic registers publish measured figures for this heading: 7 language editions of the general reference literature carrying an article (Wikimedia (language editions)). A count of publications is evidence of attention, not of standing, and is given here only as a measure.

This article draws on 4 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 4 means 4 genuinely separate publishers of record. 15 further registers were consulted and returned nothing for this heading.

the recorded working language is Dutch.

Works named in the authority record are The hunting party and Hunters Resting.

Work by Dirk Stoop is recorded in the collections of National Gallery of Victoria, Minneapolis Institute of Art, Finnish National Gallery, National Gallery of Canada and Philadelphia Museum of Art.