Jessie Lipscomb
Jessie Lipscomb, later Jessie Elborne, (13 June 1861 – 12 January 1952) was an English sculptor of the human figure. She worked in Paris in a shared studio workshop in the late 1800s with French sculptor Camille Claudel and two fellow alumni from the Royal College of Art: Amy Singer and Emily Fawcett.
Jessie Lipscomb

William Elborne · http: http · Public domain
- Name
- Jessie Lipscomb
- Born
- 13 June 1861
- Birthplace
- Grantham, Lincolnshire, England
- Died
- 12 January 1952
- Education
- Royal College of Art
- Occupation
- sculptor
- Known for
- figurative sculpture
- Awards
- Queen's Prize, 1882 National Silver Medal, 1883
- Nationality
- United Kingdom · United Kingdom of Great Britain and Ireland
- Fields
- art of sculpture
- Teachers
- Frédéric-Louis-Désiré Bogino
- Languages
- English
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Documentary summary
Jessie Lipscomb, later Jessie Elborne, (13 June 1861 – 12 January 1952) was an English sculptor of the human figure. She worked in Paris in a shared studio workshop in the late 1800s with French sculptor Camille Claudel and two fellow alumni from the Royal College of Art: Amy Singer and Emily Fawcett.
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Jessie Lipscomb (1861–1952) was a British and British sculptor. The sculptor was born in Grantham.
Jessie Lipscomb studied at Royal College of Art. The sculptor was active in art of sculpture. Languages used include English.
Composed from admitted, traceable facts · 27 September 2026
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wikidata · Q511177 · wikipedia · Jessie Lipscomb
In this article
Key facts
Key facts
• Name — Jessie Lipscomb • Born — 13 June 1861 • Birthplace — Grantham, Lincolnshire, England • Died — 12 January 1952 • Education — Royal College of Art • Occupation — sculptor • Years Active — 1882-1887 • Known for — figurative sculpture • Awards — Queen's Prize, 1882 National Silver Medal, 1883
Early life and education
Early life and education
Jessie Lipscomb was born in Grantham, Lincolnshire, England in 1861, the only child of Sidney Lipscomb, a colliery agent, and Harriet Arnold, a barmaid. In 1875, the family moved to Peterborough. Lipscomb attended the Royal College of Art, which at that time was called the National Art Training School in South Kensington. She won two prizes from the school: the Queen's Prize in 1882 and a national silver medal in 1883. Lipscomb visited Paris with a view to continuing her education. Her instructors, Alphonse Legros and Édouard Lantéri, encouraged Lipscomb to further her studies in Paris where the schooling was more equitable for female students. Two previous graduates of the National Art Training School - Amy Singer and Emily Fawcett - were already living in Paris, and sharing a studio with the young French sculptor Camille Claudel. In January 1884, Claudel's mother Louise wrote to Lipscomb and confirmed the arrangement that she was welcome to lodge with the Claudel family for 200 francs a month. The four women sharing the studio were also tutored by sculptor Afred Boucher for a few years before he moved to Florence. He asked his friend Auguste Rodin, another sculptor, to assist his pupils. In 1885, Lipscomb and Claudel were the first women to join Auguste Rodin's all-male atelier to sculpt portions of a major commissioned work: The Burghers of Calais. Lipscomb was a gifted modeler, excelling in sculpting drapery. Lipscomb and Claudel spent the summer of 1886, from May through September, in Peterborough with Jessie's family. At this time Jessie was exhibiting a terra-cotta bust Day Dreams (1886) in the Royal Academy, and in Nottingham. Letters from Rodin, addressed to Lipscomb, indicate that Rodin was pursuing Claudel during this time, despite the fact that he had a common- law wife. After the summer in England, both women returned to Paris and continued to work with Rodin for a time before their paths diverged. The friendship between Lipscomb and Claudel deteriorated, and the latter claimed she never wanted to see Lipscomb again. However, Lipscomb visited Claudel in 1929, when the latter was confined in the Montdevergues Asylum. The photograph taken during this visit by Lipscomb's husband is considered to be one of the last known images of Claudel.
Personal life
Personal life
Lipscomb married William Elborne on 26 December 1887 and they settled in Manchester. The couple had four children together. After their long marriage, they died within eight days of each other in 1952.
In popular culture
In popular culture
Maggie Ritchie's 2015 novel Paris Kiss focuses on the relationship between Jessie Lipscomb and Camille Claudel, and offers a highly fictionalized version of Claudel and Rodin's affair.

Jessie Lipscomb in 1887 at work in studio shared with Camille Claudel, Notre-Dame-des-Champs, Paris, France
William Elborne · http: http

Camille Claudel and Jessie Lipscomb in 1929
William Elborne (Camille et Paul. La passion Claudel de Dominique Bona, p 315.) · https
Sculpture
• Illustration — Jessie Lipscomb (right) and Camille Claudel modeling sculptures in Paris, 1887 From 1885 - 1887 Lipscomb exhibited her artwork annually in exhibitions at both the Royal Academy of Arts and Nottingham Castle Museum. She exhibited a terra-cotta piece entitled Sans Souci, a plaster portrait of Camille Claudel, and a bust of the Italian model Giganti in 1887.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Ayral-Clause, Odile. Camille Claudel: A Life. Plunkett Lake Press. 2019. 978-0810990760.
- 2.Sara Gray. British Women Artists. A Biographical Dictionary of 1000 Women Artists in the British Decorative Arts. Dark River. 2019. 978-1-911121-63-3.
- 3.Wilson, Susannah. Gender, Genius, and the Artist's Double Bind: The Letters of Camille Claudel, 1880–1910. The Modern Language Review. 112. 2. 362–380. 2017. 10.5699/modelangrevi.112.2.0362.
- 4.Camille Claudel Biography, Life & Quotes. The Art Story.
- 5.Garman, Emma. Genius, Interrupted. Lapham’s Quarterly. April 12, 2017.
- 6.Vollmer, U. Seeing Film and Reading Feminist Theology: A Dialogue. Springer. 2007. 9780230606852.
- 7.Kennedy, Maev. Museum rescues sculptor Camille Claudel from decades of obscurity. The Guardian. 2017-03-25. 0261-3077.
- 8.'Miss Jessie Lipscomb', Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851-1951. University of Glasgow History of Art and HATII, online database. 2011.
References
Citations
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
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